scholarly journals “Dit is meer ʼn ge-juggle met jou spiere”: Insigte oor die begrip appoggio vanuit kwalitatiewe onderhoude met Werner Nel en sy voormalige studente (artikel 2)

2021 ◽  
Vol 86 (1) ◽  
Author(s):  
Antoinette Olivier

Opsomming Die vorige artikel in hierdie tweedelige bespreking van Werner Nel se pedagogiek as sangonderwyser het daarop gefokus om ʼn agtergrond en oorsig van die bel canto sangtegniek te bied, spesifiek soos dit te make het met die begrip appoggio. Die eerste artikel het hoofsaaklik metodologiese kwessies van die huidige studie uiteengesit en en ʼn oorsig van internasionaal-gepubliseerde literatuur oor bel canto en appoggio saamgevat. Hierdie tweede artikel lewer verslag oor en bespreek die kwalitatiewe onderhoude wat met Werner Nel en sy studente gevoer is oor bel canto en appoggio. Die bevindinge van hierdie studie dui daarop dat Nel se benadering tot appoggio (en die bedoelde asemhalingstegnieke vir esteties bevredigende klankproduksie) grootliks ooreengestem het met besprekings daarvan in die relevante vakliteratuur. Die artikel sluit af met enkele gedagtes rondom die sosiokulturele belang en betekenis van hierdie ooreenstemming tussen Nel se sangonderrigbeginsels, sy studente se metode van opera sing en die tersaaklike vakliteratuur. “It is more about the juggling of your muscles”: Insights regarding the concept of appoggio as derived from qualitative interviews with Werner Nel and his former students (Article 2) Abstract The previous article in this two-part discussion of Werner Nel’s pedagogy as a singing teacher focused on presenting background and an overview of the bel canto singing technique, specifically as relates to the concept of appoggio. Its main ambit was to outline the methodology used for this study and to give an overview of the literature published internationally on bel canto and appoggio. This second article reports on and discusses the qualitative interviews conducted with Werner Nel and his students concerning bel canto and appoggio. The findings of this study indicate that Nel’s approach to appoggio (and the intended breathing techniques for aesthetically pleasing sound production) largely correlated with discussions of appoggio in the relevant subject literature. The article concludes with some thoughts concerning the sociocultural importance and meaning of this correlation between Nel’s principles for teaching singing, his students’ method for singing opera and the relevant subject literature.

2021 ◽  
Vol 86 (1) ◽  
Author(s):  
Antoinette Olivier

Opsomming Gedurende sy vaste ampstermyn (1974–2010) as sangdosent by die Skool vir Musiek van die Potchefstroomse Universiteit vir Christelike Hoër Onderwys – sedert 2004 bekend as die Noordwes-Universiteit (Potchefstroomkampus) – is Werner Nel verantwoordelik vir die tegniese ontwikkeling wat sangstudente sou benodig om vokale kunsmusiek in die Europese tradisie uit te voer. Hierdie artikel ondersoek die stemtegniese beginsels wat Nel gebruik het om sy studente op te lei, met spesiale verwysing na die sentrale en kennelik moeilike begrip appoggio. Laasgenoemde is ʼn kernbelangrike stemtegniese en -estetiese ideaal van die bel canto sangtegniek en dit word gevolglik in hierdie artikel as vertrekpunt gebruik om Nel se onderrigmetodes, onderrigbeginsels of opvoedkundige benadering rakende effektiewe asemhaling vir esteties bevredigende klankproduksie in oënskou te neem. Die metodes van data-insameling vir hierdie enkele, beskrywende gevallestudie sluit beide ʼn tradisionele en sistematiese literatuuroorsig van die bel canto sangtegniek in, sommige van Nel se handgeskrewe en getikte dokumente, asook semi-gestruktureerde onderhoude met Nel en geselekteerde deelnemers wat by hom gestudeer het en wat huidig professioneel werk as sangers en pedagoë. Abstract During his fixed tenure (1974–2010) as singing lecturer at the School for Music of the Potchefstroom University for Christian Higher Education – known as the North-West University (Potchefstroom campus) since 2004 – Werner Nel was responsible for the technical development that singing students would need to perform vocal art music in the European tradition. This article investigates the voice-technical principles that Nel used to teach his students, with special reference to the fundamental and admittedly difficult concept appoggio. The latter is a voice-technical and aesthetic ideal of core importance for the bel canto singing technique and accordingly it is used in this article as a point of departure to examine Nel’s teaching methods, teaching principles or educational approach concerning effective breathing for aesthetically pleasing sound production. The methods of data collection for this single, descriptive case study includes both a traditional and systematic literature overview of the bel canto singing technique, some of Nel’s handwritten and typed documents, as well as semi-structured interviews with Nel and selected participants who studied with him and who currently work professionally as singers and pedagogues.


2020 ◽  
Vol 63 (11) ◽  
pp. 3714-3726
Author(s):  
Sherine R. Tambyraja ◽  
Kelly Farquharson ◽  
Laura Justice

Purpose The purpose of this study was to determine the extent to which school-age children with speech sound disorder (SSD) exhibit concomitant reading difficulties and examine the extent to which phonological processing and speech production abilities are associated with increased likelihood of reading risks. Method Data were obtained from 120 kindergarten, first-grade, and second-grade children who were in receipt of school-based speech therapy services. Children were categorized as being “at risk” for reading difficulties if standardized scores on a word decoding measure were 1 SD or more from the mean. The selected predictors of reading risk included children's rapid automatized naming ability, phonological awareness (PA), and accuracy of speech sound production. Results Descriptive results indicated that just over 25% of children receiving school-based speech therapy for an SSD exhibited concomitant deficits in word decoding and that those exhibiting risk at the beginning of the school year were likely to continue to be at risk at the end of the school year. Results from a hierarchical logistic regression suggested that, after accounting for children's age, general language abilities, and socioeconomic status, both PA and speech sound production abilities were significantly associated with the likelihood of being classified as at risk. Conclusions School-age children with SSD are at increased risk for reading difficulties that are likely to persist throughout an academic year. The severity of phonological deficits, reflected by PA and speech output, may be important indicators of subsequent reading problems.


Author(s):  
Julie L. Wambaugh ◽  
Lydia Kallhoff ◽  
Christina Nessler

Purpose This study was designed to examine the association of dosage and effects of Sound Production Treatment (SPT) for acquired apraxia of speech. Method Treatment logs and probe data from 20 speakers with apraxia of speech and aphasia were submitted to a retrospective analysis. The number of treatment sessions and teaching episodes was examined relative to (a) change in articulation accuracy above baseline performance, (b) mastery of production, and (c) maintenance. The impact of practice schedule (SPT-Blocked vs. SPT-Random) was also examined. Results The average number of treatment sessions conducted prior to change was 5.4 for SPT-Blocked and 3.9 for SPT-Random. The mean number of teaching episodes preceding change was 334 for SPT-Blocked and 179 for SPT-Random. Mastery occurred within an average of 13.7 sessions (1,252 teaching episodes) and 12.4 sessions (1,082 teaching episodes) for SPT-Blocked and SPT-Random, respectively. Comparisons of dosage metric values across practice schedules did not reveal substantial differences. Significant negative correlations were found between follow-up probe performance and the dosage metrics. Conclusions Only a few treatment sessions were needed to achieve initial positive changes in articulation, with mastery occurring within 12–14 sessions for the majority of participants. Earlier occurrence of change or mastery was associated with better follow-up performance. Supplemental Material https://doi.org/10.23641/asha.12592190


1972 ◽  
Vol 15 (4) ◽  
pp. 852-860 ◽  
Author(s):  
Zoe Zehel ◽  
Ralph L. Shelton ◽  
William B. Arndt ◽  
Virginia Wright ◽  
Mary Elbert

Fourteen children who misarticulated some phones of the /s/ phoneme were tape recorded articulating several lists of items involving /s/. The lists included the Mc-Donald Deep Test for /s/, three lists similar to McDonald’s but altered in broad context, and an /s/ sound production task. Scores from lists were correlated, compared for differences in means, or both. Item sets determined by immediate context were also compared for differences between means. All lists were found to be significantly correlated. The comparison of means indicated that both broad and immediate context were related to test result. The estimated “omega square” statistic was used to evaluate the percentage of test score variance attributable to context.


2017 ◽  
Vol 2 (11) ◽  
pp. 79-90
Author(s):  
Courtney G. Scott ◽  
Trina M. Becker ◽  
Kenneth O. Simpson

The use of computer monitors to provide technology-based written feedback during clinical sessions, referred to as “bug-in-the-eye” (BITi) feedback, recently emerged in the literature with preliminary evidence to support its effectiveness (Carmel, Villatte, Rosenthal, Chalker & Comtois, 2015; Weck et al., 2016). This investigation employed a single-subject, sequential A-B design with two participants to observe the effects of implementing BITi feedback using a smartwatch on the clinical behavior of student clinicians (SCs). Baseline and treatment data on the stimulus-response-consequence (S-R-C) contingency completion rates of SCs were collected using 10 minute segments of recorded therapy sessions. All participants were students enrolled in a clinical practicum experience in a communication disorders and sciences (CDS) program. A celeration line, descriptive statistics, and stability band were used to analyze the data by slope, trend, and variability. Results demonstrated a significant correlative relationship between BITi feedback with a smartwatch and an increase in positive clinical behaviors. Based on qualitative interviews and exit rating scales, SCs reported BITi feedback was noninvasive and minimally distracting. Preliminary evidence suggests BITi feedback with a smartwatch may be an effective tool for providing real-time clinical feedback.


Author(s):  
Tobias Hayer ◽  
Jens Kalke ◽  
Sven Buth ◽  
Gerhard Meyer

Einführung: Nach aktuellen rechtlichen Bestimmungen ist das Personal von Spielhallen in der Früherkennung problematischen Spielverhaltens zu schulen. Bisher werden von den Schulungsinstitutionen allerdings sehr heterogene und wissenschaftlich nicht überprüfte Checklisten eingesetzt. Zielsetzung: Das Forschungsprojekt verfolgte das Ziel, in einem systematischen Entwicklungsprozess ein empiriegestütztes Früherkennungsinstrument zu konzipieren, das einerseits die wichtigsten psychometrischen Gütekriterien erfüllt und gleichzeitig anwenderfreundlich sowie praxistauglich ist. Forschungsdesign: Das Instrument wurde in einem komplexen methodischen Prozess entwickelt, der im Kern folgende, aufeinander aufbauende Einzelschritte umfasst: Literaturrecherche, qualitative Interviews, Fokusgruppen-Gespräche, Befragung von Spielern und Spielstättenpersonal. Im Verlauf dieses Prozesses ließ sich der Item-Pool von 71 auf 18 Kriterien reduzieren. Ergebnis: Das Früherkennungsinstrument besteht aus insgesamt 18 Beobachtungsmerkmalen, die in erster Linie eine Kombination aus Kriterien der Verhaltensänderung, des aktuellen (Spiel‐)Verhaltens und des Umgangs mit Geld darstellen. Ausblick: Das Instrument müsste zukünftig in einem Praxistest mit einer angemessenen Stichprobengröße validiert werden. Zudem ist es erforderlich, die bisher in der Praxis angewendeten heterogenen Kriterienkataloge weiter zu vereinheitlichen.


1997 ◽  
Author(s):  
Edward J. Daly ◽  
James A. Wright ◽  
Susan Q. Kelly ◽  
Brian K. Martens

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