scholarly journals Homosexualidad latente en el cine del siglo XX = Homosexuality hidden on Cinema of the XX century

Author(s):  
Rosa María Sánchez del Pulgar Legido

Resumen. Desde el principio del siglo XX en los Estados Unidos y Europa, las personas vivían su homosexualidad a escondidas por temor a las leyes que la castigaban; el cine pues, les representa del mismo modo creando una subcultura en la que pueden ser ellos mismos.La cinematografía clásica y los años posteriores se componen de numerosos filmes cargados de representaciones homosexuales de manera oculta. Interpretados desde una lectura queer, conoceremos las mil maneras de sugerir a los gais y a las lesbianas en la gran pantalla, descubriendo así la verdadera condición sexual de muchos personajes.La modalidad latente sugiere la homosexualidad sin llegar a expresarla explícitamente.  Los filmes se producían y leían en clave heterosexual, pero a lo largo de todo el largometraje hay un subtexto homosexual.Este estudio atiende a la presencia de personajes gais y lesbianas, principales o secundarios; en los que su homosexualidad es latente por imposición de la censura. A fin de lograr una reflexión crítica sobre sus características y evolución, se estudian también algunos ejemplos claves de representación semilatente y explícita.El objetivo principal es conocer las razones de la censura y responder a cómo se podía ofrecer un relato con componentes homosexuales sin que ésta se percatara. La intención es analizar el contenido de esos filmes, la evolución de los roles y los significados que se han vinculado a cada uno de ellos y encontrar las relaciones en el discurso latente.Palabras clave: homosexualidad, representación latente, cine, LGBTI, gay, lesbiana.Abstract. From the beginning of the XX century in the United States and Europe people lived their homosexuality hidden for fear of the laws that punished it. The cinema represents them in the same way by creating a subculture where homosexuals can be themselves.Classical cinematography and beyond are composed of numerous films loaded with homosexual representations hidden. Interpreted from a ‘queer’ reading we know the thousand ways of suggesting gays and lesbians on the big screen, exposing the true sexual condition of many characters. Latent homosexuality suggests mode without explicitly express it. The films were produced and read in straight key but throughout the film there is a homosexual subtext.Gay statements had to be clear enough but care enough to avoid arousing the suspicion of the censors whonsometimes omitted so many movie scenes that were lacking a logical narrative.It pays attention the presence of gays and lesbians, major or minor characters, which their latent homosexuality is imposing by censorship.The main objective is to understand the reasons of censorship and respond to how they could offer a story with homosexual components without noticing it. The intention is to analyze the content of these films, the evolution of the roles and the meanings have been linked to each of them and find relationships in the latent discourse.Keywords: homosexuality, latent representation, cinema, LGBTI, gay, lesbian.

2020 ◽  
Vol 52 ◽  
pp. 127-146
Author(s):  
KRISTINA F. NIELSEN

Abstract (Spanish/English)Forjando el Aztecanismo: Nacionalismo Musical Mexicano del Siglo XX en el siglo XXI en Los ÁngelesHoy en día, un creciente número de músicos mexico-americanos en los Estados Unidos tocan instrumentos indígenas mesoamericanos y réplicas arqueológicas, lo que se conoce como “Música Azteca.” En este artículo, doy a conocer cómo los músicos contemporáneos de Los Ángeles, California, recurren a los legados de la investigación musical nacionalista mexicana e integran modelos antropológicos y arqueológicos aplicados. Al combinar el trabajo de campo etnográfico con el análisis histórico, sugiero que los marcos musicales y culturales que alguna vez sirvieron para unir al México pos-revolucionario han adquirido una nuevo significado para contrarrestar la desaparición del legado indígena mexicano en los Estados Unidos.Today a growing number of Mexican-American musicians in the United States perform on Indigenous Mesoamerican instruments and archaeological replicas in what is widely referred to as “Aztec music.” In this article, I explore how contemporary musicians in Los Angeles, California, draw on legacies of Mexican nationalist music research and integrate applied anthropological and archeological models. Pairing ethnographic fieldwork with historical analysis, I suggest that musical and cultural frameworks that once served to unite post-revolutionary Mexico have gained new significance in countering Mexican Indigenous erasure in the United States.


2019 ◽  
pp. 57-80
Author(s):  
Andrei P. Tsygankov

The chapter argues that Russia is partly responsible for its hostile perception by the US media. The Kremlin’s actions, including laws preventing gays and lesbians from speaking publicly, criminal trials against some of government’s critics, corruption, election falsifications, and assertive foreign policy, have contributed to such perceptions. The issue is the proportion and nuances of such criticism. The chapter assesses US media presentations as distortions of reality and questions the prudence of presenting other nations’ values as fundamentally threatening to those of America, particularly when they do not result in egregious examples of violence. The chapter also discusses Russia’s reactions to its presentation in the United States and argues that Russia’s anti-Americanism is reactive and dependent on pressure from the United States.


2013 ◽  
Vol 43 (7) ◽  
pp. 1382-1393 ◽  
Author(s):  
Eric Swank ◽  
Breanne Fahs

2019 ◽  
pp. 53
Author(s):  
Nicolás Mariné

ResumenEn la actualidad, varios teóricos del paisaje han notado una crisis continuada en la identidad profesional de la arquitectura del paisaje. Este problema, de hecho, cuenta ya con una larga trayectoria que nos lleva hasta el punto en que Frederick Law Olmsted, uno de los creadores de Central Park, concibió la profesión. Partiendo de las intuiciones mostradas en publicaciones recientes, este artículo trata las dificultades que tuvo la American Society of Landscape Architects (ASLA), la primera organización oficial de paisajistas, para definir la arquitectura del paisaje como una profesión moderna. Para explorar esta idea se han consultado los documentos originales que la ASLA produjo desde el momento de su fundación hasta la mitad del siglo XX, almacenados en uno de los archivos históricos de la Biblioteca del Congreso de Estados Unidos y que, hasta el momento, no han sido publicados en su mayor parte. Una lectura crítica de estos documentos muestra los conflictos y complicaciones que tuvo la sociedad para definir un ámbito profesional y un perfil concreto de cara al público.AbstractIn current times, several landscape theorists have noticed a persistent crisis in the professional identity of landscape architecture. Actually, this problem has a long history that can be traced back to when Frederick Law Olmsted, one of the creators of New York’s Central Park, conceived the profession. Following some of the ideas that recent publications have hinted at, in this paper we look into the difficulties that the American Society of Landscape Architects (ASLA), the first official organization of its kind, went through during the early attempts to define landscape architecture as a modern profession. To do this, we have consulted the original documents that the ASLA produced between its foundation and the middle of the 20th century. These are currently stored in the Library of Congress of the United States and some of them remain unpublished up until now. A critical reading of these records highlights the conflicts and complications in defining the field of landscape architecture and building a specific public profile.


2019 ◽  
Author(s):  
Andrew L Whitehead

The participation of gays and lesbians in all aspects of society is continually disputed in the United States. Religion is one of the key battlegrounds. The extent to which religious congregations include lesbians and gays in congregational life is vital to the wider debate over homosexuality because congregations consistently influence more Americans than any other voluntary social institution (Putnam 2000). Using nationally representative data from the 2006-2007 National Congregations Study this analysis investigates the level of acceptance of gays and lesbians within congregations as well as which congregations are most likely to allow lesbians and gays to become involved. I find that religious tradition, theological and political ideology, location, and demographic composition of congregations all influence the degree to which gays and lesbians are included into congregational life.


Author(s):  
Gary Mucciaroni ◽  
Francesca Scala

The substantial differences between Canada and the United States (U.S.) on LGBT rights and abortion policies arise from the two nations’ political and institutional conditions. Gays and lesbians in Canada enjoy a comprehensive set of rights while those in the U.S. do not. More recently, the gap between the countries has widened on transgender rights, where the U.S. lags behind Canada. While abortion is not a hotly contested issue in Canada as it is in the U.S., gaps in access to abortion services persist. The key political condition that accounts for these outcomes is the length of time in which liberal policymakers have been in power in Canada and conservatives in the U.S. The separation of powers, primary elections, and legislative fragmentation have also facilitated conservative influence on policy in the U.S., while Canada’s more unified institutions have made it easier for liberals to make comparatively rapid progress in these policy domains.


2009 ◽  
Vol 25 (2) ◽  
pp. 307-326
Author(s):  
Laura Muññoz

Este trabajo examina la labor del representante de Mééxico en Cuba en los primeros añños del siglo XX. Sostiene que sus labores como cóónsul interino y luego como cóónsul general y máás tarde enviado extraordinario correspondieron a dos etapas diferentes en la percepcióón mexicana respecto de esa Antilla. Ademáás, que en cada una de esas etapas, en las que las condiciones en la regióón y en Mééxico fueron diferentes, la diplomacia mexicana tuvo que tomar en consideracióón la presencia de los Estados Unidos en la regióón del Golfo-Caribe. Dichas etapas evidencian cóómo las percepciones reflejaron, a su vez, dos momentos con condiciones regionales y situaciones internas diversas, en las que la presencia e intereses norteamericanos tuvieron que ser contemplados en el diseñño de la diplomacia que podíía promover Mééxico. This article studies the work of the Mexican agent in Cuba during the early twentieth century. It argues that his functions as temporary consul and later on as general consul and extraordinary envoy reflect two different stages in the Mexican perception of the Antillean Island. It also claims that in each one of these stages, when conditions both in the region and in Mexico were different, Mexican diplomacy had to ponder the presence of the United States in the Gulf-Caribbean region. These stages clearly express two different moments with regional conditions and internal situations in which American presence had to be considered in the design of Mexican diplomacy.


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