scholarly journals The Fault in Our Stars by J. Green - 1st review

2016 ◽  
Vol 6 (2) ◽  
Author(s):  
Barbra BCR
Keyword(s):  
New York ◽  

Green, John. The Fault in Our Stars. New York: Penguin, 2012. PrintThis book is about two cancer stuck teens who later fall in love. Hazel Grace and Augustus travel on a plane toward Amsterdam to see a famous writer. I would recommend this book to people who love romance books and people who have a heart. I think that 13 year olds and up should read this considering there is a little bit of swears. Some people shall find this very heart breaking.Recommended Reviewer: BarbraMy name is Barbra. I like to read graphic novels. I am a dancer and I like to dance Pow Wow. I also like to shop. I don’t care for rude people. What’s unique about me is that I am weird.

2021 ◽  
Vol 14 (1) ◽  
pp. 89-95
Author(s):  
Fransiska Louwagie ◽  
Benoît Crucifix

Ewa Stańczyk, ed., Comic Books, Graphic Novels and the Holocaust: Beyond Maus. (Abingdon and New York: Routledge, 2020). 142 pp. ISBN: 9780367585921 (£29.59)Vittorio Frigerio, Bande dessinée et littérature: Intersections, fascinations, divergences (Macerata: Quodlibet, 2018). 96 pp. ISBN: 9788822902573 (€10.00)


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Matilda Roche

Rosenthal, Eileen. I Must Have Bobo! Illus. Marc Rosenthal. New York: Atheneum Books, 2010. Print. Perhaps I was expecting something more giddily nostalgia-smitten because I initially found the page layouts of I Must Have Bobo! too sparse. I came to realize the effectiveness of I Must Have Bobo! lies in its light aesthetic touch and refusal to indulge in hectic retro-pastiche. The page design could occasionally benefit from more balance between the negative space of the page and the illustrations’ carefully considered spatial dynamics and measured use of colour but it’s hard to begrudge more attention being drawn to the lovely, warm ivory paper on which the book is printed.While an adult reader may be tempted, as I was, to lazily conflate complexity with quality, a clean minimalist visual text can assist younger children in accessing a narrative more autonomously. As my children (two and four years of age) quickly familiarized themselves with I Must Have Bobo! the book’s charm and immediacy became apparent.I Must Have Bobo! restricts its text to dialogue and as children learn the text they can indulge in the gleeful pleasure of repeating the protagonist Willy’s simple but emphatic words. Even a very young child can become engaged in Willy’s endless efforts to keep his beloved stuffed monkey Bobo away from Earl, the family cat who is equally attached to Bobo for his own mysterious reasons. Earl appropriates Bobo at every opportunity and the book centres on Willy’s efforts to retain and relocate Bobo as he migrates around the house with Earl.An astute and playful book that maintains a respectful adherence to children’s sensibilities and narrative interests, “I Must Have Bobo!” is understatedly, intuitively appropriate for very early to late pre-school readers.Highly recommended:  4 out of 4 starsReviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.


Author(s):  
Sean Matharoo

Samuel R. Delany is a profoundly influential and award-winning African-American gay author, critic, and teacher, whose many novels, short stories, memoirs, and essays are among the most important of the 20th and 21st centuries. His works have fundamentally altered the terrain of science fiction (SF) due in part to their formally consummate, theoretically sophisticated, materially grounded, and politically radical explorations of difference. These explorations reach an apogee in Dhalgren (1975), a bestselling countercultural classic. Delany is a Science Fiction Writers of America (SFWA) Grand Master. He is also one of SF’s best critics. The courageous humility and pragmatism with which he treats his subjects, when considered alongside the virtuosity with which he writes, gesture at a cosmologically scaled multiplicity, the understanding of which is dependent on biography, a point rendered clear in his exquisite autobiography The Motion of Light in Water (1988). Delany was born in Harlem, New York, on 1 April 1942. He was educated at the prestigious Dalton School and Bronx High School of Science. He spent summers at progressive youth camps. He also briefly attended the City College of New York. Delany has held professorships at University of Massachusetts Amherst, SUNY Buffalo, and Temple University. From 1961 to 1980, he and poet Marilyn Hacker had an open marriage; they have one child. He has been in an open relationship with Dennis Rickett since 1991. He was astoundingly prolific at a prodigal age. He translated Rimbaud’s Le bateau ivre (1871) when he was eighteen. For a time, he lived in a commune in New York, writing songs for the folk-rock band Heavenly Breakfast. He has worked on shrimp boats in Texas. He has written graphic novels and a couple of stories for the Wonder Woman comics. He has written an opera, and he has written and directed a film. He has published pornographic novels that engage thoughtfully with the HIV/AIDS crisis. In short, to borrow a concept he develops in Empire Star (1966), Delany might be described as “multiplex”: even an ephemeral biography such as this one casts light on his singular ability to sustain and synthesize presumably opposed differences into a greater unity.


2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Matilda Roche

Henkes, Kevin. Junonia. New York: Greenwillow Books, 2011. Print. Henkes’ carefully considered novel for young adults, Junonia, showcases his ability to convey depth of emotion very clearly and intuitively. Going against the truism that children’s book illustrations have to represent the characters, the beautiful and restrained illustrations evoke the archetypal woodcut illustrations of vintage children’s books without descending into nostalgic kitsch. Both word and illustration contribute to Henkes’ candid and clear-eyed depictions of the natural world and the exterior manifestations of the characters’ inner lives. The story unfolds as Alice Rice returns with her parents to Sanibel Island in Florida for their annual winter holiday and to celebrate her tenth birthday. Henkes has a deft narrative grasp of the unknowability of the individual, both to themselves and others; an aspect of the human condition that young people experience particularly acutely. In Henkes’ books for younger readers, there are gentle and empathetic adults present to help children negotiate the complexity of the world and their own feelings. However, Junonia is for older children and its protagonist is beginning the process of learning to navigate and master her own feelings and expectations. While supportive adults are present, they can only offer Alice a limited degree of benevolent protection from the realities of the passage of time and the vagaries of human emotions. While the subject of the book is transition to, and reconciliation with, a more adult-level of self-awareness, the book never seems maudlin and retains a very lucid and almost austere tone. Junonia is an immersive and lovely introduction to literature created with the intent to closely follow the interior monologues of its characters. One could imagine moving on to Mrs Dalloway rather effortlessly. Highly recommended: 4 out of 4 starsReviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.


2021 ◽  
Vol 14 (1) ◽  
pp. 89-95
Author(s):  
Fransiska Louwagie ◽  
Benoît Crucifix

Ewa Stańczyk, ed., Comic Books, Graphic Novels and the Holocaust: Beyond Maus. (Abingdon and New York: Routledge, 2020). 142 pp. ISBN: 9780367585921 (£29.59)Vittorio Frigerio, Bande dessinée et littérature: Intersections, fascinations, divergences (Macerata: Quodlibet, 2018). 96 pp. ISBN: 9788822902573 (€10.00)


2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Matilda Roche

Scott, Michael. The Enchantress, New York : Delacourte Press , 2012. Print. Michael Scott's sixth, and final, book in his Nicholas Flamel series crashes to its conclusion with The Enchantress. Credit is due to Scott for colourfully evoking and drawing together many of the very interesting figures and cultural artifacts from history and mythology but in conception his books can be overtaxing. Reading the glib dialogue between Shakespeare and Prometheus as their saucer-shaped air craft, a Vimāna, is piloted into the side of the Yggdrasil tree doesn't strain credulity - this is a fantasy adventure - so much as it tramples vigorously on any sense of cohesive aesthetics. While the essential conceit is fun and entertaining, at this frenetic late stage in the series, many portions of the text read like an over-thought riff on "who I would invite to have tea/mead/drink blood together if I could choose anyone - including anyone imaginary". The strength in this series comes from Scott's characterizations. The women in this series benefit particularly from Scott's ability to combine momentum and brevity with enthusiastically lively and rich depiction. Perenelle Flamel, Virginia Dare and Scatach have genuine presence and the narrative hinges on their impressive abilities and intrinsic motivations. Scott's principals could benefit from a little more corporeal vulnerability. All his characters have trained in their respective arts for millennia and the perils that they face seems less then perilous to such champions, no matter how high the stakes are alleged to be. Scott's carefully structured universes and their integral relationships have always been on a mysterious trajectory and the narrative revelation at conclusion of The Enchantress is resonant and satisfying. It has formulaic elements but Scott has established his characters soundly enough that their presence lends immediacy to the more epic, mythological structures that Scott is simultaneously pursuing. While the quality of pacing and aesthetic of this ambitious and lengthy series have fluctuated over the course of its six volumes, the conclusion is cohesive, action-packed and worth the journey. The Enchantress is the sixth and final book in Scott's The Secrets of the Immortal Nicholas Flamel series. Recommended with reservations:  2 out of 4 starsReviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.


2015 ◽  
Vol 4 (4) ◽  
Author(s):  
Jackie Heinrich

Lonergan, Jesse. All Star. New York: NBM Publishing, 2014. Print.It’s the bottom of the ninth, with two runners on and two outs, in the second to last regular season high school baseball game in a small rural town in Vermont called Elizabeth. Carl Carter, Elizabeth Monarch School’s all star player, steps up to the plate and hits a home run to win the game. The Elizabeth Monarchs are off to the playoffs and Carl is on top of the world. He is graduating this year and has everything going for him; a baseball scholarship to the University of Maine, a great group of friends, and the admiration of everyone in town. However, being the golden boy leads Carl to take advantage of people around him. Carl believes he can do what he wants, when we wants, without any consequences.Carl’s best friend Esden is not a baseball superstar or town hero. Esden comes from a very dysfunctional, low-income family and is perceived by many people as a bad boy. Nonetheless, Carl enjoys his company and impulsive personality. A party, drinking, and impaired driving cause Carl and Esden to make a serious mistake. Will they each get the consequence they deserve, and how will the repercussions affect their futures and friendship?This graphic story, set in 1998, is a powerful story about fairness and self-perception in young adults. The manga-inspired art and text placement captivate the reader from start to finish. The reader’s eyes are drawn naturally from panel to panel by the simplistic black and white illustrations. Lonergan’s talent of capturing delicate and extreme body language is apparent in every character sketch. This book appeals to baseball fans and adolescents that yearn for a compelling, character driven story. All Star was the winner of 2015 ALA Great Graphic Novels for Teens and was nominated for the 2015 YALSA Quick Picks for Reluctant Young Adults Readers. The story includes mature language and content which may not appeal to all readers.Recommended: 3 out of 4 starsReviewer: Jackie HeinrichJackie Heinrich is the teacher-librarian at Wiltse Elementary School in Penticton, BC.  She is currently working towards her Masters of Education Degree in Teacher Librarianship and enjoys helping students become lifelong readers.


2016 ◽  
Vol 6 (2) ◽  
Author(s):  
Elese BCR

Telgemeier, Raina. Sisters. New York: Scholastic, 2014. Print.Is about a girl named Raina and how she always wanted a sister. But the sister she has is not the sister she wants. Raina wants a sister who is a girly girl and will play dolls with her not like her sister Amara who is a tomboy. People ages 10-15 who like graphic novels will enjoy this book. I give this book 5 STARS!Highly recommended: 5 out of 5 stars Reviewer: EleseMy name is Elese and I always stand out. I have lots of brothers and sisters. I love to hang out with friends and I love to read graphic novels.


2016 ◽  
Vol 4 (7) ◽  
pp. 223-226
Author(s):  
Ivan Lima Gomes
Keyword(s):  
New York ◽  

HAGUE, Ian. Comics and the senses: a multisensory approach to comics and graphic novels. New York: Routledge, 2014. 214p.


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