International Relations, Algeria, and〈Papicha〉: The Aesthetic Reconstruction of Societal Security

Peace Studies ◽  
2021 ◽  
Vol 29 (1) ◽  
pp. 179-210
Author(s):  
Seongwon Yoon
2020 ◽  
pp. 1-27
Author(s):  
Stephane J. Baele ◽  
Gregorio Bettiza

Abstract In the past two decades, calls for International Relations (IR) to ‘turn’ have multiplied. Having reflected on Philosophy's own linguistic turn in the 1980s and 1990s, IR appears today in the midst of taking – almost simultaneously – a range of different turns, from the aesthetic to the affective, from the historical to the practice, from the new material to the queer. This paper seeks to make sense of this puzzling development. Building on Bourdieu's sociology of science, we argue that although the turns ostensibly bring about (or resuscitate) ambitious philosophical, ontological, and epistemological questions to challenge what is deemed to constitute the ‘mainstream’ of IR, their impact is more likely to be felt at the ‘margins’ of the discipline. From this perspective, claiming a turn constitutes a position-enhancing move for scholars seeking to accumulate social capital, understood as scientific authority, and become ‘established heretics’ within the intellectual subfield of critical IR. We therefore expect the proliferation of turns to reshape more substantively what it means to do critical IR, rather than turning the whole discipline on its head.


2017 ◽  
Vol 2 (1) ◽  
pp. 105
Author(s):  
Siti Aliyuna Pratisti ◽  
Junita Budi Rachman

Aesthetic approach to politics is not really something considered as a novelty. Immanuel Kant has described the aesthetic relationship with rationality way back in the 17th century, as well as Friedrich Nietzsche and Jaques Rancier as a more contemporary counterpart. In the field of international relations, the study of aesthetics has been raised by a number of reviewers – from James Der Derian, Costas Constantinou, David Campbell, to Anthony Burke – who began to lay aesthetics as a foothold in approaching various phenomena. Roland Bleiker is one of the most consistent among them. In an essay entitled "The Aesthetic Turn in International Political Theory", Bleiker opened the discourse to establish aesthetics as one of the paradigms in international political theory. His essay is published in 2001, contrasts with the majority of international political theories that always try to "catch the world as it is". Bleiker assumes that there is always a distance between representation and what it represents. Through aesthetics, he criticizes approaches that fill this theoretical gap with mimetic ideas. He emphasizes that aesthetic studies do not try to mimic the reality, but it is trying to recognize the various emotions and sensibilities in the formation of a certain representation. The great role of "emotion" in politics is further explained by Bleiker through an essay entitled “Fear No More: Emotions and World Politics”, published seven years after.


Author(s):  
Catherine Baker

This introduction reviews debates about ‘militarisation’ in the disciplines which have contributed to Critical Military Studies (including history, geography, sociology and International Relations) and explains the ‘aesthetic’ and ‘embodied’ turns that this volume shows how to synthesise. To study militarisation, aesthetics and embodiment together, it argues, involves studying combinations of how things are sensed and how bodies experience them, across contexts related to the military and its place in wider society: the complex and contradictory affective interplay of aesthetics and embodiment, which feminist approaches have been particularly fruitful for theorising, informs what we know about militarisation today. However, the very concept of ‘militarisation’ makes assumptions about normal relationships between the state, the public and violence which may not be transhistorically or even globally applicable, especially where state violence has been inherent to enforcing systems of racial oppression.


2019 ◽  
Vol 63 (3) ◽  
pp. 707-716 ◽  
Author(s):  
Seva Gunitsky

Abstract“Parsimony” is a vague and divisive concept in political science. I identify three distinct but often conflated conceptions of parsimony. The aesthetic conception emphasizes a theory's elegance and clarity; the ontological conception, drawing upon the hard sciences, posits that the world is governed by simple fundamental laws. Neither applies in international relations theory or to social science more broadly. Instead, only the epistemological conception—abstracting from reality to highlight recurring patterns and build testable propositions—justifies parsimony. This view is not a naive simplification of the world but a self-conscious capitulation to its complexity. Though both critics and supporters of parsimony often do not distinguish among these three “visions,” doing so has important implications for how we think about evaluating theories.


Author(s):  
Brynne D. Ovalle ◽  
Rahul Chakraborty

This article has two purposes: (a) to examine the relationship between intercultural power relations and the widespread practice of accent discrimination and (b) to underscore the ramifications of accent discrimination both for the individual and for global society as a whole. First, authors review social theory regarding language and group identity construction, and then go on to integrate more current studies linking accent bias to sociocultural variables. Authors discuss three examples of intercultural accent discrimination in order to illustrate how this link manifests itself in the broader context of international relations (i.e., how accent discrimination is generated in situations of unequal power) and, using a review of current research, assess the consequences of accent discrimination for the individual. Finally, the article highlights the impact that linguistic discrimination is having on linguistic diversity globally, partially using data from the United Nations Educational, Scientific and Cultural Organization (UNESCO) and partially by offering a potential context for interpreting the emergence of practices that seek to reduce or modify speaker accents.


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