A Qualitative Inquiry into Musical Performance Anxiety

2003 ◽  
Vol 18 (2) ◽  
pp. 78-82
Author(s):  
Joann Marie Kirchner

This study examined the experience of performance anxiety in solo piano playing from the perspective of the participants. Research questions focusing on the following categories were addressed: (1) What does the experience of performance anxiety feel like to a solo pianist? (2) What are the ways in which performance anxiety manifests itself? A qualitative methodology was employed in this study. Six pianists on the faculties of southwestern colleges and universities were chosen selectively for participation. A survey questionnaire and an individual interview were used to collect data. The researcher analyzed the transcripts of the interviews, and codes were developed accordingly. The categories of research questions were used for the interpretation of the findings. The symptoms of performance anxiety manifested themselves through a combination of thought processes, feelings, and physiologic responses, activated by the perception of a threat by the performer. Negative thoughts and feelings dominated the experience of musical performance anxiety and undermined the self-confidence level of the performer. The identity of the performer was affected by how the individual viewed himself or herself and the individual’s perception of how others viewed him or her.

1982 ◽  
Vol 50 (3) ◽  
pp. 353-362 ◽  
Author(s):  
Margaret J. Kendrick ◽  
Kenneth D. Craig ◽  
David M. Lawson ◽  
Park O. Davidson

2003 ◽  
Vol 18 (3) ◽  
pp. 120-125
Author(s):  
Marnie Liston ◽  
Alexandra A M Frost ◽  
Philip B Mohr

This study addressed the identification of key predictor variables of musical performance anxiety among constructs previously shown to have associations with musical performance anxiety. Participants were 118 (75 female and 43 male) undergraduate and postgraduate music students in Adelaide, South Australia. They completed self-report measures of musical performance anxiety, cognitive strategies and self-statements, trait anxiety, self-esteem, personal efficacy, and six dimensions of perfectionism. Multiple regression analyses revealed catastrophizing to be the main predictor of musical performance anxiety, with personal efficacy a lesser predictor. The findings suggest that relationships with musical performance anxiety previously reported for such characteristics as perfectionism, gender, and trait anxiety are substantially explicable in terms of catastrophizing cognitions and personal efficacy. The implication of these findings is to narrow the prediction and possible explanation of musical performance anxiety to a focus on cognitions.


2011 ◽  
Vol 26 (1) ◽  
pp. 30-34 ◽  
Author(s):  
Jacob J Levy ◽  
Christopher M Castille ◽  
Justina A Farley

The purpose of this study was to investigate the prevalence of musical performance anxiety (MPA) in marching artists. The marching arts include high school and college marching bands, drum and bugle corps, and indoor color guard and percussion ensembles. Drawing on a sample of 780 world class drum and bugle corps performers, we examined the prevalence of somatic and cognitive symptoms of MPA. We also examined differences in endorsement of symptoms by performing section (i.e., brass players, percussionists, and dancers/color guard) and gender. Results revealed a relatively low prevalence of MPA symptoms as compared with prior studies of adolescent and young adult performers. In addition, color guard performers reported significantly greater magnitudes of somatic MPA symptoms than brass players, and female performers reported greater magnitudes of cognitive MPA symptoms than their male counterparts. Practical recommendations are discussed.


2016 ◽  
Vol 5 (2) ◽  
pp. 57-62
Author(s):  
IRMA ROSALINDA ◽  
MICHELLE NEIVI ARTISSY

This study was conducted to determine the effect of personality traits of musical performance anxiety among musicians. As well as to find out which personality trait has the most effect of musical performance anxiety. This is a quantitative study with psychological scale. Researcher adapt the scale of performance anxiety inventory  for musicians (PerfAIM) revised edition from Barbeau (2017) and adopt the big five inventory (BFI) scale from Ramdhani (2012). The item reliability for MPA are (0,97), openness (0,97), conscientiousness (0,95), extraversion (0,93), agreeableness (0,85), and neuroticism (0,88). Respondents of this study are 87 musicians. Hypothesis tested using regression analysis. The results shown that neuroticism has the higher effect of MPA which is 31,9%. And the effect is positive.


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