METAMORPHOSIS – INTERIOR SPACE TRANSFORMATION IN DESIGN PRACTICE AND RESEARCH

Author(s):  
Katarzyna Roslon
Interiority ◽  
2021 ◽  
Vol 4 (2) ◽  
Author(s):  
Paramita Atmodiwirjo ◽  
Yandi Andri Yatmo

An animated interior represents a departure from the idea of interior space as a permanent and timeless entity. The understanding of animated characters in the interior allows for the emergence of our complex relationship with space through various forms of engagement. The understanding of an animated interior offers further possibilities that become the basis of design practice. This issue of the Interiority journal presents a collection of inquiries and approaches that reveal various animated qualities of the interior in various contexts. The articles address the character of the interior, which is dynamic and dependent upon various temporal conditions of inhabitation. At the same time, they demonstrate the possible design practices that could emerge from the understanding of animated interiors.


Author(s):  
Joanna BOEHNERT

This workshop will create a space for discussion on environmental politics and its impact on design for sustainable transitions. It will help participants identify different sustainability discourses; create a space for reflection on how these discourses influence design practice; and consider the environmental and social implications of different discourses. The workshop will do this work by encouraging knowledge sharing, reflection and interpretative mapping in a participatory space where individuals will create their own discourse maps. This work is informed by my research “Mapping Climate Communication” conducted at the Centre for Science and Technology Policy Research (CSTPR) in the Cooperative Institute for Environmental Sciences (CIRES), the University of Colorado, Boulder. With this research project I developed a discourse mapping method based on the discourse analysis method of political scientists and sustainability scholars. Using my own work as an example, I will facilitate a process that will enable participants to create new discourse maps reflecting their own ideas and agendas.


Author(s):  
ROTHKÖTTER Stefanie ◽  
Craig C. GARNER ◽  
Sándor VAJNA

In light of a growing research interest in the innovation potential that lies at the inter­section of design, technology, and science, this paper offers a literature review of design initiatives centered on scientific discovery and invention. The focus of this paper is on evidence of design capabilities in the academic research environment. The results are structured along the Four Orders of Design, with examples of design-in-science initiatives ranging from (1) the design of scientific figures and (2) laboratory devices using new technology to (3) interactions in design workshops for scientists and (4) inter­disciplinary design labs. While design capabilities have appeared in all four orders of design, there are barriers and cultural constraints that have to be taken into account for working at or researching these creative intersections. Modes of design integration and potentially necessary adaptations of design practice are therefore also highlighted.


Author(s):  
Niki WALLACE

It is widely agreed that in order to contribute to transitions towards sustainability, both practitioners and design itself must also transition. This paper presents findings from the first two years of transition in my Australian-based design practice. The paper explores what this transition has required of me personally, politically, and professionally, and draws on cases from my PhD. The PhD and paper are both part of an analytic auto-ethnography of my practice’s transition from ‘making greener things’ towards design for transitions. The projects discussed use ethnography, action research and reflective practices in their temporal approaches. This paper explores how slower methods such as transition design and autonomous design can extend the political reach of a design practice and discusses sacrifice and the financial stabilisation that comes from enveloping old practices within the new. The analysis presented here also reflects on my experiences practicing design for transitions and on data collected through participant engagement.


Author(s):  
Silas DENZ ◽  
Wouter EGGINK

Conventional design practices regard gender as a given precondition defined by femininity and masculinity. To shift these strategies to include non-heteronormative or queer users, queer theory served as a source of inspiration as well as user sensitive design techniques. As a result, a co-design workshop was developed and executed. Participants supported claims that gender scripts in designed artefacts uphold gender norms. The practice did not specify a definition of a queer design style. However, the co-design practice opened up the design process to non-normative gender scripts by unmasking binary gender dichotomies in industrial design.


1977 ◽  
Vol 5 (1) ◽  
pp. 6-28 ◽  
Author(s):  
A. L. Browne

Abstract An analytical tool is presented for the prediction of the effects of changes in tread pattern design on thick film wet traction performance. Results are reported for studies in which the analysis, implemented on a digital computer, was used to determine the effect of different tread geometry features, among these being the number, width, and lateral spacing of longitudinal grooves and the angle of zigzags in longitudinal grooves, on thick film wet traction. These results are shown to be in good agreement with experimental data appearing in the literature and are used to formulate guidelines for tread groove network design practice.


2019 ◽  
Vol 2019 (1) ◽  
pp. 153-158
Author(s):  
Lindsay MacDonald

We investigated how well a multilayer neural network could implement the mapping between two trichromatic color spaces, specifically from camera R,G,B to tristimulus X,Y,Z. For training the network, a set of 800,000 synthetic reflectance spectra was generated. For testing the network, a set of 8,714 real reflectance spectra was collated from instrumental measurements on textiles, paints and natural materials. Various network architectures were tested, with both linear and sigmoidal activations. Results show that over 85% of all test samples had color errors of less than 1.0 ΔE2000 units, much more accurate than could be achieved by regression.


2020 ◽  
Vol 2020 (1) ◽  
pp. 100-104
Author(s):  
Hakki Can Karaimer ◽  
Rang Nguyen

Colorimetric calibration computes the necessary color space transformation to map a camera's device-specific color space to a device-independent perceptual color space. Color calibration is most commonly performed by imaging a color rendition chart with a fixed number of color patches with known colorimetric values (e. g., CIE XYZ values). The color space transformation is estimated based on the correspondences between the camera's image and the chart's colors. We present a new approach to colorimetric calibration that does not require explicit color correspondences. Our approach computes a color space transformation by aligning the color distributions of the captured image to the known distribution of a calibration chart containing thousands of colors. We show that a histogram-based colorimetric calibration approach provides results that are onpar with the traditional patch-based method without the need to establish correspondences.


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