PERPETRATORS AND VICTIMS OF SUICIDE - THE LITERARY REPRESENTATION IN LIFE IS STRANGE

2021 ◽  
Author(s):  
Anna-Carina Dellwing ◽  
Maja Römer
Keyword(s):  
Literary Representation ◽  
Perpetrators And Victims

‘Staring into All Their Yellow Eyes’: Where the Wild Things Are, the 1960s, and the Vietnam War

2017 ◽  
Vol 10 (1) ◽  
pp. 59-73
Author(s):  
Michelle Ann Abate ◽  
Sarah Bradford Fletcher
Keyword(s):  
East Asia ◽  
Vietnam War ◽  
Political Engagement ◽  
Critical Assessment ◽  
South East Asia ◽  
Psychological Perspective ◽  
Literary Representation ◽  
Military Involvement ◽  
The 1960S ◽  
Alternative Reading

Since its release in 1963, Maurice Sendak's Where the Wild Things Are has been viewed from a psychological perspective as a literary representation of children's inner emotional struggles. This essay challenges that common critical assessment. We make a case that Sendak's classic picturebook was also influenced by the turbulent era of the 1960s in general and the nation's rapidly escalating military involvement in Vietnam in particular. Our alternative reading of Sendak's text reveals a variety of both visual and verbal elements that recall the conflict in South East Asia and considers the significance of the book's geo-political engagement.

César Hautot – ein naturalistischer Ödipus? Guy de Maupassants Hautot père et fils auf der Schwelle zur Psychoanalyse

2018 ◽  
Vol 69 (1) ◽  
pp. 184-197
Author(s):  
Claudia Jacobi
Keyword(s):  
Literary Criticism ◽  
Literary Work ◽  
Oedipus Complex ◽  
Historical Process ◽  
Literary Representation ◽  
Short Novel ◽  
Scientific Approach

Abstract Literary criticism has mentioned some affinities between Guy de Maupassant’s literary work and Freud’s psychoanalysis, without ever reflecting on Maupassant’s literary anticipation of the Oedipus complex. The latter is particularly evident in the short novel Hautot père et fils (1889), which has not received much attention to date. The article aims to illustrate some evident parallels between Maupassant’s literary representation of a father-son conflict and Freud’s scientific approach. In doing so, it does not intend to deliver a demonstration of the emergence of Freudian concepts from naturalistic fiction. It shall rather be considered as a literary case study, which illustrates the discourse-historical process of transformation from the physiological paradigm of naturalism to the psychological paradigm of the arising psychoanalysis.

scholarly journals Promoting ‘Positive Stories’ of Help and Rescue from the 1992-1995 War in Bosnia and Herzegovina. An Alternative to the Dichotomy of Guilt and Victimhood?

Südosteuropa ◽  
2020 ◽  
Vol 67 (4) ◽  
pp. 447-475 ◽  
Author(s):  
Nicolas Moll
Keyword(s):  
Bosnia And Herzegovina ◽  
The Other ◽  
Mass Violence ◽  
The Public ◽  
Perpetrators And Victims

AbstractPublic discourses about wars and mass violence are often dominated by questions of guilt and victimhood as well as a focus on the figures of ‘perpetrators’ and ‘victims’. This can also be observed concerning the public remembrance of the 1992-1995 conflict in Bosnia-Herzegovina. However, attempts were made here to promote the memory of another war-related figure: that of the rescuer who helped people ‘from the other side’. The author analyses these attempts at remembrance in Bosnia-Herzegovina, and places them within the context of global efforts to publicly acknowledge rescuers, in particular the ‘Righteous Among the Nations’.

#17 The Effectiveness of Intervention Programs for Perpetrators and Victims of Intimate Partner Violence

Partner Abuse ◽  
2013 ◽  
Vol 4 (2) ◽  
pp. 1-26 ◽  
Author(s):  
Christopher I. Eckhardt ◽  
Christopher M. Murphy ◽  
Daniel J. Whitaker ◽  
Joel Sprunger ◽  
Rita Dykstra ◽  
...  
Keyword(s):  
Intimate Partner Violence ◽  
Partner Violence ◽  
Intimate Partner ◽  
Intervention Programs ◽  
Perpetrators And Victims

Flat Style: Things Fall Apart and Its Illustrations

PMLA ◽  
2016 ◽  
Vol 131 (1) ◽  
pp. 20-37 ◽  
Author(s):  
Emily Hyde
Keyword(s):  
Visual Arts ◽  
Visual Image ◽  
Visual Images ◽  
Early Publication ◽  
Literary Representation ◽  
Realist Novel ◽  
Anglophone Literature ◽  
Publication History ◽  
Things Fall Apart

In the early 1960s two editions of Chinua Achebe's Things Fall Apart were published with competing sets of illustrations. The first, by Dennis Carabine, illustrates a realist novel, the second, by Uche Okeke, a modernist one. Reading Achebe's iconic novel through its early publication history and for its visual images shows how the famous ending of Things Fall Apart turns, stylistically, to the impenetrable flatness of the modernist surface. At mid-century, modernist style could be made to serve realist imperatives, and Achebe's flat style challenges colonial modes of literary representation and the myth of modernist primitivism in the visual arts. This essay stresses the importance of the visual image to mid-century anglophone literature and the importance of modernist style to the poetics of decolonization.

The Afterlife of Empire in Beckett’s How It Is

2021 ◽  
Vol 33 (1) ◽  
pp. 88-105
Author(s):  
Anthony Cordingley
Keyword(s):  
Algerian War ◽  
Literary Representation ◽  
The Holocaust ◽  
History Of ◽  
Historical Moment

Abstract Relationships of political domination in Beckett’s Comment c’ est (1961)/How It Is (1964) are typically read through a specific historical moment (the Holocaust, the Algerian War) or literary representation (Dante, Sade). This article reveals spectres in the text from the long history of the colonisation of Ireland to the legacy of Renaissance and Enlightenment humanism; it explores Beckett’s sense of complicity in the Anglo-Irish Ascendency.

Clothing and Female Reclusion in The Life of Mary of Egypt and The Life of Christina of Markyate

2021 ◽  
Vol 3 (1) ◽  
pp. 17-31
Author(s):  
Anna McKay
Keyword(s):  
Middle Ages ◽  
Twelfth Century ◽  
Feminist Scholarship ◽  
Literary Representation ◽  
The Past ◽  
The World ◽  
Holy Women ◽  
Experiences Of Women ◽  
Mary Of Egypt ◽  
The Middle Ages

Over the past two decades, medieval feminist scholarship has increasingly turned to the literary representation of textiles as a means of exploring the oftensilenced experiences of women in the Middle Ages. This article uses fabric as a lens through which to consider the world of the female recluse, exploring the ways in which clothing operates as a tether to patriarchal, secular values in Paul the Deacon’s eighthcentury Life of Mary of Egypt and the twelfth-century Life of Christina of Markyate. In rejecting worldly garb as recluses, these holy women seek out and achieve lives of spiritual autonomy and independence.

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