Vertical Foreclosure with Product Choice and Allocation: Evidence from the Movie Industry

2016 ◽  
Author(s):  
Jaedo Choi ◽  
Yun Jeong Choi ◽  
Minki Kim
2019 ◽  
Vol 3 (6) ◽  

This article is about women and girls and the potential for major changes. I begin with two premises: first, the urethrovaginal gland (UVG) and its secretion, amrita, are critical elements of being a human female; and, second, there is a genetic underpinning to the robustness of UVG activity and its contribution to sexual satisfaction. The anticipation is that, in addition to facilitating women’s sexual satisfaction both through raising awareness and identifying geneticbased pharmaceuticals, we might also modestly enhance medical care and biomedical research endeavors relevant to human female sexual anatomy and physiology. However, there is substantial, almost uniform ignorance, reticence and untoward prejudice among medical professionals-both clinicians and researchers-that has compromised innumerable girls and women. Most important has been the ubiquitous incorrect presumption that the only fluid to pass through-or issue from-the female urethra is urine. The source of the other important urethral effluent, amrita, is the UVG (sometimes known as the Skene gland), but the UVG has most often been considered a fiction, a myth or irrelevant. Thus, its secretion, amrita, has similarly been considered a fiction, myth or irrelevant. Only one venue has openly acknowledged and exploited amrita: the adult movie industry. However, such endorsement predictably added to the rationales for making light of or ignoring this aspect of femininity.


MIS Quarterly ◽  
2018 ◽  
Vol 42 (2) ◽  
pp. 633-644 ◽  
Author(s):  
Joseph S. Valacich ◽  
◽  
Xuequn Wang ◽  
Leonard M. Jessup ◽  
◽  
...  
Keyword(s):  

Author(s):  
Oliver Entrop ◽  
Michael D. McKenzie ◽  
Marco Wilkens ◽  
Christoph Winkler
Keyword(s):  

Author(s):  
Jonas Westover

This chapter examines the movie adaptation of Little Shop of Horrors. The musical was a huge success Off-Broadway and it would have been natural to move it to a larger, Broadway theatre. But David Geffen, who had underwritten the musical’s move from its original, ninety-eight-seat Off-Off-Broadway theatre, the WPA, to the Off-Broadway Orpheum, was now working in the movie industry, developing projects for Warner Bros., thus providing lyricist Howard Ashman and composer Alan Menken with the unusual opportunity to develop a film adaptation of Little Shop. The film reconciles a broad understanding of what made the show work on the stage (by not allowing the landscape of the movie to become too large) with the need to accommodate a different medium (songs were dropped and new ones added). The movie was a huge success, showing how the behind-the-scenes decision to move to film rather than a Broadway theatre (as happened with the Off-Broadway Hair, for example) sustained Little Shop’s commercial and critical success.


2020 ◽  
Vol 63 (4) ◽  
pp. 763-812
Author(s):  
Chiara Fumagalli ◽  
Massimo Motta
Keyword(s):  

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