scholarly journals Islam in the Byzantine Perception in the Eighth Century A.D.: John of Damascus as a Paradigm الإسلام في المخيلة البيزنطية في القرن الثامن الميلادي: يوحنا الدمشقي نموذجاً

2021 ◽  
Vol 14 (1) ◽  
pp. 15-86
Author(s):  
Hesham Hassan
Author(s):  
Brian E. Daley, SJ

The Council of Chalcedon’s definition of the terms in which Nicene orthodoxy should conceive of Christ’s person remained controversial. Leontius of Byzantium argued for the correctness of the Council’s formulation, especially against the arguments of Severus of Antioch, but suggested that more than academic issues were at stake: the debate concerned the lived, permanently dialectical unity between God and humanity. In the mid-seventh century, imperially sponsored efforts to lessen the perceived impact of Chalcedonian language by stressing that Christ’s two natures were activated by “a single, theandric energy,” also remained without effect: largely because of the monk Maximus “the Confessor”, who argued that two complete spheres of activity and two wills remained evident in Christ’s life. Maximus’s position was ratified at the Lateran Synod and at the Third Council of Constantinople. The eighth-century Palestinian monk John of Damascus incorporated these arguments into his own influential synthesis of orthodox theology.


Scrinium ◽  
2019 ◽  
Vol 15 (1) ◽  
pp. 3-29
Author(s):  
Vladimir Baranov

Abstract The well-being of a person was viewed by the Byzantines as a complex interplay of divine providence, guiding a person throughout his life to salvation, and his will, freely choosing between virtue and sin. Several solutions were given to the problem of misfortunes which might befall a person, since they could not result from the actions of a good God: from ultimate non-involvement of God into the voluntary actions of humans, to pedagogical temporary “stepping aside” by God to demonstrate the futility of human actions which go against the best predestined course of life, to active divine intervention as “bitter medicine” for the correction of human wrongdoings and putting an end to uncorrected sin. These problems are discussed in the treatise On the Predestined Terms of Life by Patriarch Germanus I of Constantinople and in the Dialogue against the Manichees by John of Damascus, who thoroughly adapted and reworked the Homily That God Is Not the Author of Evil by Basil of Caesarea for the discussion of theodicy.


Afghanistan ◽  
2019 ◽  
Vol 2 (1) ◽  
pp. 153-165
Author(s):  
Waleed Ziad

This paper concerns a historically significant find of copper derivatives of Umayyad post-reform fulus from Gandhara, probably minted in the mid-eighth century under Turk Shahi sovereignty (c. 667–875). The coins share an unusual feature: two Brahmi aksharas on an Umayyad AE prototype, inversely oriented to a partially-corrupted Arabic legend. These base metal coins represent perhaps the only known caliphal imitative varieties issued by moneyers beyond the eastern limits of Umayyad and Abbasid sovereignty. They have the potential to inform our understanding of the complex relationship between political authority, confessional identity, and coin typology in late antiquity – particularly within early “Hindu”– “Muslim” contact zones. Moreover, they provide invaluable clues into the circulatory regimes of Umayyad coinage.


Author(s):  
Arezou Azad

Covering the period from 709 to 871, this chapter traces the initial conversion of Afghanistan from Zoroastrianism and Buddhism to Islam. Highlighting the differential developments in four regions of Afghanistan, it discusses the very earliest history of Afghan Islam both as a religion and as a political system in the form of a caliphate.  The chapter draws on under-utilized sources, such as fourth to eighth century Bactrian documents from Tukharistan and medieval Arabic and Persian histories of Balkh, Herat and Sistan. In so doing, it offers a paradigm shift in the way early Islam is understood by arguing that it did not arrive in Afghanistan as a finished product, but instead grew out of Afghanistan’s multi-religious context. Through fusions with Buddhism, Zoroastrianism, early Abrahamic traditions, and local cult practices, the Islam that resulted was less an Arab Islam that was imported wholesale than a patchwork of various cultural practices.


2020 ◽  
Vol 4 (3) ◽  
pp. 284-308
Author(s):  
James A. Francis

The Defense of Holy Images by John of Damascus stands as the archetypal exposition of the Christian theology of images. Written at the outbreak of the Iconoclastic Controversy, it has been mostly valued for its theological content and given scholarly short shrift as a narrowly focused polemic. The work is more than that. It presents a complex and profound explication of the nature of images and the phenomenon of representation, and is an important part of the “history of looking”in western culture. A long chain of visual conceptions connects classical Greek and Roman writers, such as Homer and Quintilian, to John: the living image, the interrelation of word and image, and image and memory, themes elaborated particularly in the Second Sophistic period of the early Common Era. For John to deploy this heritage so skillfully to the thorny problem of the place of images in Christianity, at the outbreak of a violent conflict that lasted a further 100 years after his writing, manifests an intellect and creativity that has not been sufficiently appreciated. The Defense of Holy Images, understood in this context, is another innovative synthesis of Christianity and classical culture produced by late antique Christian writers.


Author(s):  
Megan Bryson

This book follows the transformations of the goddess Baijie, a deity worshiped in the Dali region of southwest China’s Yunnan Province, to understand how local identities developed in a Chinese frontier region from the twelfth century to the twenty-first. Dali, a region where the cultures of China, India, Tibet, and Southeast Asia converge, has long served as a nexus of religious interaction even as its status has changed. Once the center of independent kingdoms, it was absorbed into the Chinese imperial sphere with the Mongol conquest and remained there ever since. Goddess on the Frontier examines how people in Dali developed regional religious identities through the lens of the local goddess Baijie, whose shifting identities over this span of time reflect shifting identities in Dali. She first appears as a Buddhist figure in the twelfth century, then becomes known as the mother of a regional ruler, next takes on the role of an eighth-century widow martyr, and finally is worshiped as a tutelary village deity. Each of her forms illustrates how people in Dali represented local identities through gendered religious symbols. Taken together, they demonstrate how regional religious identities in Dali developed as a gendered process as well as an ethno-cultural process. This book applies interdisciplinary methodology to a wide variety of newly discovered and unstudied materials to show how religion, ethnicity, and gender intersect in a frontier region.


Author(s):  
Brian E. Daley, SJ

Earlier Eastern Christian authors saw the veneration of images as idolatrous. Yet from the late fifth century, representations of Christ and the saints grew increasingly popular. Official hostility also grew. In 726, Emperor Leo III ordered a mosaic image of Christ to be removed from the palace in Constantinople. Controversy continued through the middle of the following century. Key figures were Emperor Constantine V, a critic of image-veneration, and Patriarch Nicephorus, whose writings in its defense provided—along with the council at Nicaea in 787—the main theological arguments linking this practice with the orthodox understanding of the person of Christ. Other important defenders were Patriarch Germanus of Constantinople, the monk John of Damascus, and the monastic leader Theodore of Stoudios. The conflict was finally resolved on March 11, 843, by the gesture of a procession with icons. The veneration of images was now accepted as standard Church practice.


Author(s):  
Lynda Coon

The final chapter of this volume explores the conversation on Jesus held between material and textual sources, where monumental works of sculpture extend salvific themes found in the lives of saints and the verses of poets. Merovingian meditations on Jesus are multivocal, reflecting the cross-cultural rhythms of a world open to and receptive of external influences, whether originating in classical or biblical texts or hailing from Mediterranean or Northern lands. In order to prove this hypothesis on the Merovingian body and the embodied savior, three works of sculpture produced during the early Middle Ages serve as sounding boards for Jesus’ earthly ministry as enacted by human players: the crucified savior featured on the seventh-century Moselkern Stele; the eighth-century Hypogée des Dunes’s sculpted relief of the two thieves crucified along with Jesus; and the so-called Niederdollendorf “Christ,” carved most likely in the seventh century. Saintly actors, such as Radegund of Poitiers (d. 587), animate three themes expressed in the sculpted sources respectively: (1) absence, (2) torture, and (3) light. The three subjects—light, torture, and absence—all point to strategies of integrating the realm of humanity within the celestial spheres, and each motif tracks different styles of meditating on Merovingian Jesus.


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