scholarly journals Smallholder Organic Farming: An Entrepreneurial Strategy in Harmony with Nature

Author(s):  
Dina Cartagena Magnaye

The paper examines the relationship between smallholder organic farming and entrepreneurship taking into account the environmental conservation approach of organic farming and the economic enhancement features of entrepreneurship. Further, it intends to determine through qualitative analysis using case studies how smallholder organic farming can be planned and the competencies needed by an organic farmer when venturing into an organic farm enterprise.

Author(s):  
Dina Cartagena Magnaye

The paper examines the relationship between smallholder organic farming and entrepreneurship taking into account the environmental conservation approach of organic farming and the economic enhancement features of entrepreneurship. Further, it intends to determine through qualitative analysis using case studies how smallholder organic farming can be planned and the competencies needed by an organic farmer when venturing into an organic farm enterprise.


2016 ◽  
Vol 9 (1) ◽  
pp. 91-91
Author(s):  
N. Rusetskaya ◽  

Objective: AIM: The primary goal of this paper is to examine further the relationship between sexual communication and sexual satisfaction .This research contributes to the clinical sexology literature on this topic in three ways. First, it investigates the relationship between sexual communication and sexual satisfaction using qualitative analysis from several case studies. Second, it introduces a treatment tool, Sexual Sentence Stems (SSS), which can be utilized for working with couples and individuals to improve their sexual communication skills. Finally, it applies this tool with several diverse couples in sex therapy and evaluates its effectiveness.


Asian Survey ◽  
2016 ◽  
Vol 56 (2) ◽  
pp. 325-347 ◽  
Author(s):  
Patrick Gorman

This article explores the relationship between netizens and the Chinese Communist Party by investigating examples of “flesh searches” targeting corrupt officials. Case studies link the initiative of netizens and the reaction of the Chinese state to the pattern of management of social space in contemporary China.


There is a growing body of evidence pointing towards rising levels of public dissatisfaction with the formal political process. Depoliticization refers to a more discrete range of contemporary strategies politicians employ that tend to remove or displace the potential for choice, collective agency, and deliberation. This book examines the relationship between these trends of dissatisfaction and displacement, as understood within the broader shift towards governance. It brings together a number of contributions from scholars who have a varied range of concerns but who nevertheless share a common interest in developing the concept of depoliticization through their engagement with a set of theoretical, conceptual, methodological, and empirical questions. The contributions in this volume explore these questions from a variety of different perspectives by using a number of different empirical examples and case studies from both within the nation state and from other regional, global, and multilevel arenas. In this context, this volume examines the limits and potential of depoliticization as a concept and its contribution to the larger and more established literatures on governance and anti-politics.


Author(s):  
Christopher M. Driscoll

This chapter explores the relationship between humanism and music, giving attention to important theoretical and historical developments, before focusing on four brief case studies rooted in popular culture. The first turns to rock band Modest Mouse as an example of music as a space of humanist expression. Next, the chapter explores Austin-based Rock band Quiet Company and Westcoast rapper Ras Kass and their use of music to critique religion. Last, the chapter discusses contemporary popular music created by artificial intelligence and considers what non-human production of music suggests about the category of the human and, resultantly, humanism. These case studies give attention to the historical and theoretical relationship between humanism and music, and they offer examples of that relationship as it plays out in contemporary music.


Author(s):  
Anthea Kraut

This chapter juxtaposes brief case studies of African American vernacular dancers from the first half of the twentieth century in order to reexamine the relationship between the ideology of intellectual property law and the traditions of jazz and tap dance, which rely heavily on improvisation. The examples of the blackface performer Johnny Hudgins, who claimed a copyright in his pantomime routine in the 1920s, and of Fred and Sledge, the class-act dance duo featured in the hit 1948 musical Kiss Me, Kate, whose choreography was copyrighted by the white modern dancer Hanya Holm, prompt a rethinking of the assumed opposition between the originality and fixity requirements of copyright law and the improvisatory ethos of jazz and tap dance. Ultimately, the chapter argues that whether claiming or disavowing uniqueness, embracing or resisting documentation, African American vernacular dancers were both advantaged and hampered by copyright law.


2015 ◽  
Vol 4 (3) ◽  
pp. 51 ◽  
Author(s):  
Joseph R. Heckman

<p>Environmental concerns associated with annual row crop grain production – including soil erosion, soil carbon loss, intensive use of chemicals and petroleum, limited arable land, among others – could be addressed by converting conventional livestock production to an organic pasture based system. The inclusion of tree crops would further enhance the opportunity for feeding pasture- raised livestock by providing shelter and alternative feed sources. Biodiversity is an essential aspect of an organic farm plan. The idea of including tree crops and other perennials into the vision of an organic farm as a “living system” is very much compatible with the goals and philosophy of organic farming. Before modern no-till farming systems were developed, tree crops and pasture systems were found to provide similar benefits for controlling soil erosion and conserving soil carbon. For example, J. Russell Smith’s <em>Tree Crops: A Permanent Agriculture</em> (Smith, 1950) and pioneered tree crop agriculture as the alternative to annual row crops for protecting soils from erosion while producing livestock feed such as acorns, nuts, and fodder. A survey of Mid-Atlantic USA soils under pasture found 60% higher soil organic matter content than cultivated fields. Because United States Department of Agriculture’s National Organic Program (USDA-NOP) standards require dairy cattle consume pasture forage and limited grain (7 C.F.R. pt. 206), organic milk contains higher concentrations of omega-3 and fewer omega-6 fatty acids than conventional milk. Organic standards also state “the producer must not use lumber treated with arsenate or other prohibited materials for new [fence posts] installations or replacement purposes in contact with soil or livestock.” Black locust (<em>Robinia pseudoacacia</em>) is a fast growing renewable alternative to treated lumber with many attributes compatible with organic farming. This versatile tree fixes nitrogen (N), provides flowers for honey bees and other pollinators, and produces a highly durable dense wood ideal for fence posts useable for up to 50 year.</p>


2017 ◽  
Vol 22 (2) ◽  
pp. 172-186
Author(s):  
Geoffrey Cox

Standard histories of electronic music tend to trace the lineage of musique concrète as lying mainly in the Futurists’ declarations of the 1910s, through Cage’s ‘emancipation’ of noise in the 1930s, to Schaeffer’s work and codifications of the late 1940s and early 1950s. This article challenges this narrative by drawing attention to the work of filmmakers in the 1930s that foreshadowed the sound experiments of Pierre Schaeffer and thus offers an alternative history of their background. The main focus of the article is on the innovations within documentary film and specifically the sonic explorations in early British documentary that prefigured musique concrète, an area ignored by electronic music studies. The theoretical and philosophical underpinnings of the documentary movement’s members, particularly their leader John Grierson, will be compared with those of Pierre Schaeffer, and the important influence of Russian avant-garde filmmaking on the British (and musique concrète) will be addressed. Case studies will focus on the groundbreaking soundtracks of two films made by the General Post Office Film Unit that feature both practical and theoretical correspondences to Schaeffer: 6.30 Collection (1934) and Coal Face (1935). Parallels between the nature and use of technologies and how this affected creative outputs will also be discussed, as will the relationship of the British documentary movement’s practice and ideas to post-Schaefferian ‘anecdotal music’ and the work of Luc Ferrari.


This volume offers an overview of current research on grammatical number in language. The chapters Part i of the handbook present foundational notions in the study of grammatical number covering the semantic analyses of plurality, the mass–count distinction, the relationship between number and quantity expressions and the mental representation of number and individuation. The core instance of grammatical number is marking for number distinctions in nominal expressions as in English the book/the books and the chapters in Part ii, Number in the nominal domain, explore morphological, semantic, and syntactic aspects of number marking within noun phrases. The contributions examine morphological marking of number the relationship between syntax and nominal number marking, and the interactions between numeral classifiers with semantic number and number marking. They also address cases of mismatches in form and meaning with respect to number displayed by lexical plurals and collective nouns. The final chapter reviews nominal number processing from the perspective of language pathologies. While number marking on nouns has been the focus of most research on number, number distinctions can also be found in the event domain. Part iii, Number in the event domain, presents an overview of different linguistic means of expressing plurality in the event domain, covering verbal plurality marking, pluractional modifiers of the form Noun preposition Noun, frequency adjectives and dependent indefinites. Part iv provides fifteen case studies examining different aspects of grammatical number marking in a range of typologically diverse languages.


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