Anti-Politics, Depoliticization, and Governance

There is a growing body of evidence pointing towards rising levels of public dissatisfaction with the formal political process. Depoliticization refers to a more discrete range of contemporary strategies politicians employ that tend to remove or displace the potential for choice, collective agency, and deliberation. This book examines the relationship between these trends of dissatisfaction and displacement, as understood within the broader shift towards governance. It brings together a number of contributions from scholars who have a varied range of concerns but who nevertheless share a common interest in developing the concept of depoliticization through their engagement with a set of theoretical, conceptual, methodological, and empirical questions. The contributions in this volume explore these questions from a variety of different perspectives by using a number of different empirical examples and case studies from both within the nation state and from other regional, global, and multilevel arenas. In this context, this volume examines the limits and potential of depoliticization as a concept and its contribution to the larger and more established literatures on governance and anti-politics.

Author(s):  
Mark Langan

This chapter examines the key ideas and concepts of nationalism as ideology. It first defines nationalism and considers how the nation is socially constructed as an imagined community. It then analyses the practical implications of nationalist ideology in terms of the functioning of the nation-state (and of nationalist political parties). It also looks at the ‘rational’ form of nationalism (that is, the civic variety) and its ‘sticky’ connections to liberalism and socialism; the link between nationalism and politics; and the relationship between nationalism and globalization. The rational and somewhat pragmatic nationalism is compared with the ‘irrational’ and emotional variant found within both conservatism and fascism. The chapter concludes by highlighting key lessons regarding nationalism as ideology. Case studies relating to Scottish national identity, Brexit, Chinese nationalism, and ethnic nationalism in Russia are presented.


2004 ◽  
Vol 3 (1) ◽  
pp. 53-80 ◽  
Author(s):  
Ankica Kosic ◽  
Anna Triandafyllidou

Research on party attitudes towards European integration has concentrated on the relationship between party ideology and positions related to European integration as an economic and/or political process, ignoring the representational aspect of party discourse. This study aims to contribute towards filling this gap by examining how Italian parties represent the European Union, the nation(-state) and the relationship between the two in their electoral platforms and parliamentary debates. We shall therefore analyse critically how parties use specific representations of Europe, the EU and the nation to frame and support their ideologies and positions and how they shape these representations in different ways depending on the challenge they are confronted with. We shall also look beyond presumed clear-cut relationships between party ideology and party attitudes towards European integration, exploring the complexities and ambiguities of party discourse and highlighting how specific EU or nation representations are used as legitimisation strategies by parties in combination to their left- or right-wing ideology.


Asian Survey ◽  
2016 ◽  
Vol 56 (2) ◽  
pp. 325-347 ◽  
Author(s):  
Patrick Gorman

This article explores the relationship between netizens and the Chinese Communist Party by investigating examples of “flesh searches” targeting corrupt officials. Case studies link the initiative of netizens and the reaction of the Chinese state to the pattern of management of social space in contemporary China.


Author(s):  
Christopher M. Driscoll

This chapter explores the relationship between humanism and music, giving attention to important theoretical and historical developments, before focusing on four brief case studies rooted in popular culture. The first turns to rock band Modest Mouse as an example of music as a space of humanist expression. Next, the chapter explores Austin-based Rock band Quiet Company and Westcoast rapper Ras Kass and their use of music to critique religion. Last, the chapter discusses contemporary popular music created by artificial intelligence and considers what non-human production of music suggests about the category of the human and, resultantly, humanism. These case studies give attention to the historical and theoretical relationship between humanism and music, and they offer examples of that relationship as it plays out in contemporary music.


Author(s):  
Laura Kropff Causa

Drawing from Latin-American and Argentinean ethnic studies, in dialogue with African philosophy and African youth studies, this essay addresses collective agency as it emerges at the intersection of age and ethnicity within national formations of otherness. These formations organize how people live and define who must die and how. The aim is to develop a theoretical input to enrich the debate on the concept of intersectionality. The essay focuses on how young Mapuche activism dismantles and/or reproduces identities and experiences available to Mapuche youth in contemporary Argentina. This activism gained prominence recently due to a neoliberal change in national politics that rearranged the relationship between the nation and its internal others in order to legitimize violent repression of social protest. Within this context, young Mapuche activists (mainly male) are portrayed as a public menace.


Author(s):  
Anthea Kraut

This chapter juxtaposes brief case studies of African American vernacular dancers from the first half of the twentieth century in order to reexamine the relationship between the ideology of intellectual property law and the traditions of jazz and tap dance, which rely heavily on improvisation. The examples of the blackface performer Johnny Hudgins, who claimed a copyright in his pantomime routine in the 1920s, and of Fred and Sledge, the class-act dance duo featured in the hit 1948 musical Kiss Me, Kate, whose choreography was copyrighted by the white modern dancer Hanya Holm, prompt a rethinking of the assumed opposition between the originality and fixity requirements of copyright law and the improvisatory ethos of jazz and tap dance. Ultimately, the chapter argues that whether claiming or disavowing uniqueness, embracing or resisting documentation, African American vernacular dancers were both advantaged and hampered by copyright law.


2017 ◽  
Vol 22 (2) ◽  
pp. 172-186
Author(s):  
Geoffrey Cox

Standard histories of electronic music tend to trace the lineage of musique concrète as lying mainly in the Futurists’ declarations of the 1910s, through Cage’s ‘emancipation’ of noise in the 1930s, to Schaeffer’s work and codifications of the late 1940s and early 1950s. This article challenges this narrative by drawing attention to the work of filmmakers in the 1930s that foreshadowed the sound experiments of Pierre Schaeffer and thus offers an alternative history of their background. The main focus of the article is on the innovations within documentary film and specifically the sonic explorations in early British documentary that prefigured musique concrète, an area ignored by electronic music studies. The theoretical and philosophical underpinnings of the documentary movement’s members, particularly their leader John Grierson, will be compared with those of Pierre Schaeffer, and the important influence of Russian avant-garde filmmaking on the British (and musique concrète) will be addressed. Case studies will focus on the groundbreaking soundtracks of two films made by the General Post Office Film Unit that feature both practical and theoretical correspondences to Schaeffer: 6.30 Collection (1934) and Coal Face (1935). Parallels between the nature and use of technologies and how this affected creative outputs will also be discussed, as will the relationship of the British documentary movement’s practice and ideas to post-Schaefferian ‘anecdotal music’ and the work of Luc Ferrari.


This volume offers an overview of current research on grammatical number in language. The chapters Part i of the handbook present foundational notions in the study of grammatical number covering the semantic analyses of plurality, the mass–count distinction, the relationship between number and quantity expressions and the mental representation of number and individuation. The core instance of grammatical number is marking for number distinctions in nominal expressions as in English the book/the books and the chapters in Part ii, Number in the nominal domain, explore morphological, semantic, and syntactic aspects of number marking within noun phrases. The contributions examine morphological marking of number the relationship between syntax and nominal number marking, and the interactions between numeral classifiers with semantic number and number marking. They also address cases of mismatches in form and meaning with respect to number displayed by lexical plurals and collective nouns. The final chapter reviews nominal number processing from the perspective of language pathologies. While number marking on nouns has been the focus of most research on number, number distinctions can also be found in the event domain. Part iii, Number in the event domain, presents an overview of different linguistic means of expressing plurality in the event domain, covering verbal plurality marking, pluractional modifiers of the form Noun preposition Noun, frequency adjectives and dependent indefinites. Part iv provides fifteen case studies examining different aspects of grammatical number marking in a range of typologically diverse languages.


2018 ◽  
Vol 15 (1) ◽  
pp. 11-30 ◽  
Author(s):  
Christopher Daase ◽  
Nicole Deitelhoff

Rule is commonly conceptualized with reference to the compliance it invokes. In this article, we propose a conception of rule via the practice of resistance instead. In contrast to liberal approaches, we stress the possibility of illegitimate rule, and, as opposed to critical approaches, the possibility of legitimate authority. In the international realm, forms of rule and the changes they undergo can thus be reconstructed in terms of the resistance they provoke. To this end, we distinguish between two types of resistance—opposition and dissidence—in order to demonstrate how resistance and rule imply each other. We draw on two case studies of resistance in and to international institutions to illustrate the relationship between rule and resistance and close with a discussion of the normative implications of such a conceptualization.


2006 ◽  
Vol 39 (2) ◽  
pp. 456-457
Author(s):  
Reeta Chowdhari Tremblay

Does Civil Society Matter? Governance in Contemporary India, Rajesh Tandon and Ranjita Mohanty, eds., New Delhi: Thousand Oaks, London: Sage Publications, 2003, pp. 363.In the last decade in North America, there has been an explosion of books on the subject of civil society. Like so many other concepts in contemporary political science, the notion of civil society has been imported to analyze other polities outside the North American hemisphere, and India is no exception. However, Tandon and Mohanty's edited book presents a fresh perspective by combining academic analysis with that of on-the-ground practitioners to examine the relationship between civil society and governance. The book is divided into two parts: the first deals with the theoretical conceptualization of civil society and the second with actual case studies.


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