scholarly journals Informação, Publicidade, Propaganda: Correspondentes estrangeiros, agências noticiosas e a “Grande Guerra de palavras” da primeira metade do século XX

2021 ◽  
Vol 45 ◽  
pp. 11-31
Author(s):  
Fernando Clara
Keyword(s):  
World War Ii ◽  
Public Space ◽  
Case Studies ◽  
Public Discourse ◽  
Foreign Correspondents ◽  
Decisive Importance ◽  
Starting Point ◽  
News Agencies ◽  
The Great War ◽  
Political Scene

The essay takes as a starting point Goebbels’ speech delivered at the closing session of the Continental Advertising Congress, held in Vienna in June 1938, and explores the transformations that the communicational public space of the first half of the twentieth century underwent following the two world conflicts that erupted then. In the first part, the essay addresses the progressive hybridisation of public discourse at the time, the increasing blurring of information, advertising and propaganda, and the rapid acceleration of the international circulation of communication during the period. In this context, special attention is paid to actors who, though not new to the international political scene – such as foreign correspondents and news agencies –, gained a new and decisive importance throughout the period in question. The second part analyses two case studies involving these actors and their power on the international political scene during World War II. Geographically, the two case studies are centred around an axis that is usually considered peripheral to the war – neutral Portugal – but which appears central and, in a way, paradigmatic to the “Great War of Words” that was also being fought in the international public space.

Narracje historyczne w niemieckim dyskursie publicznym – wybrane problemy i implikacje dla Polski

2020 ◽  
Vol 18 (2) ◽  
pp. 255-274
Author(s):  
Krzysztof Garczewski
Keyword(s):  
World War Ii ◽  
Public Space ◽  
Public Discourse ◽  
Source Analysis ◽  
Historical Narratives ◽  
Political Organizations ◽  
World War ◽  
Historical Discourse ◽  
German Press

The main purpose of the research was to analyze selected elements of the German discourse on historical narratives present in public space and to determine the implications for Poland thereof. German- and Polish-language monographs and studies related to the issues of historical narratives and Polish-German relations were used and the content of selected German press materials was analyzed. The author used the method of analyzing history discourse, and the source analysis of selected German-language documents was made. The autor defined the concept of historical narratives and analyzed terminology used in German historical discourse. The author pointed out the role of The Federation of Expellees (BdV) and political organizations in public discourse. The role of anniversaries and historical of the World War II in German cinema were identified. Such analysis was the basis for describing importance of this proces for Poland. The main reference point in German narratives about World War II that are present in public space is the memory of the Holocaust. At the same time, the process of consistent promotion of the memory of German victims of war continues in Germany, taking place simultaneously on many levels. In parallel, the memory of the crimes committed during World War II by the Nazi regime on Poles is in the background, which is still a serious gap in German narratives of that period and also requires the Polish side to take further action to change this situation. Germany’s important instrument for promoting a positive narrative about the latest history of Germany is promoting the memory of the fall of the Berlin Wall and therefore further strengthening the image of Germany on the international stage.

scholarly journals Dwa sanatoria / dwa uniwersytety

Schulz/Forum ◽  
2018 ◽  
Author(s):  
Józef Olejniczak
Keyword(s):  
World War Ii ◽  
Great War ◽  
The Novel ◽  
World War ◽  
Starting Point ◽  
The Holocaust ◽  
The University ◽  
The Great War

The starting point of the paper is Jacques Derrida’a reflection on the university today presented in his lecture on the „Unconditional University.” Then the author analyzes some passages from Thomas Mann’s Magic Mountain to demonstrate that the novel has been based on the picture of the university during the anti-positivist reaction. In Mann’s novel, the Sanatorium is an allegory of the University, while the protagonist, Hans Castorp, is a student seeking Mentors and the Truth. Schulz’s story, “Sanatorium under the Sign of the Hourglass,” has been interpreted as inspired by The Magic Mountain, since arguably it includes some traces of the „sanatorium – university” parallel. The paper refers also to Paweł Huelle’s novel Castorp, which tells a story of Mann’s character during a period of his studies in Gdańsk, anticipating the events described in The Magic Mountain. All the three texts – by Mann, Schulz, and Huelle – are connected by the debates characteristic of the humanities before the Great War (Mann, Huelle) and before World War II and the Holocaust (Schulz).

Presbyterians and Ethics

2019 ◽  
pp. 525-537
Author(s):  
Mark Douglas
Keyword(s):  
World War Ii ◽  
Great Awakening ◽  
Reformed Theology ◽  
Second Great Awakening ◽  
World War ◽  
Early Nineteenth Century ◽  
History Of Ethics ◽  
Presbyterian Church ◽  
Starting Point ◽  
History Of

The history of ethics in the Presbyterian Church has been shaped by the theological commitments of Reformed theology, the church’s ecumenical and interreligious encounters, its interactions with the wider cultures in which it functions, and its global scope. Consequently, Presbyterian ethics have become increasingly diverse, culturally diffused, ecumenically directed, and frequently divisive. That said, its history can helpfully be divided into three lengthy periods. In the first (roughly from the church’s origins in 1559 to the Second Great Awakening in the early nineteenth century), theology, ethics, and politics are so interwound that distinguishing one from the others is difficult. In the second (roughly from the Second Great Awakening to the end of World War II), moral concerns emerge as forces that drive the church’s theology and polity. And in the third (for which proclamation of the Universal Declaration of Human Rights in 1948 might be a heuristically helpful starting point), ethics increasingly functions in ways that are only loosely tethered to either Reformed theology or polity. The strength of the church’s social witness, the consistency of its global engagements, and the failings of its internecine strife are all evident during its five-hundred-year history.

Nonaligned Modernism: Yugoslav Culture, Nonaligned Cultural Diplomacy, and Transnational Solidarity

2021 ◽  
pp. 1-19
Author(s):  
Bojana Videkanić
Keyword(s):  
World War Ii ◽  
Cultural Diplomacy ◽  
Cultural Work ◽  
Political Agency ◽  
Cultural Hegemony ◽  
Bilateral Agreements ◽  
Political Cooperation ◽  
History Of ◽  
Transnational Solidarity ◽  
Political Scene

Abstract This article examines aspects of the history of socialist Yugoslavia’s contribution to creating a transnational Non-Aligned Movement (NAM) culture. It does so by analyzing cultural diplomacy on the Yugoslav cultural and political scene between the 1950s and 1980s. The cultural diplomacy of Yugoslavia and its nonaligned partners is seen as a form of political agency, paralleling and supplementing larger activities of forming economic and political cooperation in the Global South. Yugoslavia’s role in building NAM culture was instrumental in nurturing nascent transnationalism, which was born out of anti-colonial movements following World War II. Cultural events, bilateral agreements, and cultural institutions were used to complement Yugoslav participation in an anti-colonial, anti-capitalist struggle; they promoted NAM ideals and sought to create transcultural networks that would counter Western cultural hegemony. Such examples of solidarity were based in a modernist cultural ethos, but espoused political, social, and cultural forms that were indigenous to various NAM countries. For Yugoslavia, nonaligned modernism and transnationalism solidified the country’s transition from a hardline, Soviet-style state to a more open, humanist-socialist one. The history of transnational collaboration, examined through the narrative of cultural work, is an example of Yugoslav attempts at building political agency and international cooperation through the promotion of nonaligned ideals.

scholarly journals Understanding diversity in later life through images of old age

2020 ◽  
pp. 1-20 ◽  
Author(s):  
Friederike Enßle ◽  
Ilse Helbrecht
Keyword(s):  
Qualitative Research ◽  
Old Age ◽  
Public Discourse ◽  
Social Groups ◽  
Later Life ◽  
Older Individuals ◽  
Starting Point ◽  
Conceptual Debate ◽  
Micro Level ◽  
Images Of Old Age

Abstract This article aims to enhance the conceptual debate on diversity in old age by exploring the interplay of diversity in later life and images of old age. We argue that the analysis of images of old age on the micro-level is a fruitful methodology in order to unravel the meaning of diversity in later life. Drawing on findings from qualitative research in Berlin, we explore how new and diverse imaginations, experiences and lifestyles of old age emerge. The conceptual focus on images of old age enables us to investigate further what diversity in later life comprises and how it simultaneously fosters the genesis of new images of old age. The manifold new images we found in our research suggest that prevalent societal discourses about old age on the macro-level are rather deceptive and represent mostly stereotypes such as ‘active agers’ or ‘frail and dependent elders’. We offer three explanations why alternative images of old age are currently barely present in public discourse: (a) the actors transmitting images of age; (b) the institutionalisation of the images; and (c) the challenge to communicate complexity. We conclude by suggesting that images of old age are a promising starting point to explore and make visible both the diversity of social groups within the older generation as well as the heterogeneity of older individuals.

scholarly journals Zero-Tolerance in Catalonia: Policing the Other in Public Space

2020 ◽  
Author(s):  
Martin Lundsteen ◽  
Miquel Fernández González
Keyword(s):  
Public Space ◽  
Case Studies ◽  
Urban Space ◽  
Zero Tolerance ◽  
The Other ◽  
Social Effects ◽  
Main Argument ◽  
Sociocultural Practices

AbstractRecent studies have argued for more nuanced understandings of zero tolerance (ZT) policing, rendering it essential to analyze the significance and actual workings of the policies in practice, including the context in which they are introduced. This article aims to accomplish this through a comparison of two case studies in Catalonia: one in the neighborhood of Raval in Barcelona and one in Salt—a municipality in the comarca (or county) of Girona. We identify a transformation in the use of ZT policies in Catalonia and a contradiction between their social effects and proclaimed objectives. This article attempts to address how specific sociocultural groups gain power and privilege from these policies. The main argument is that a set of commonsensical ideas have become hegemonic, which allows and naturalizes certain sociocultural practices in urban space, while persecuting others, fundamentally pitting two categories against each other: the desired civil citizen and the undesirable and uncivil stranger.

Drag resistance: Necropolitics, queer survival and a Balkan counterpublics

2021 ◽  
Vol 6 (2) ◽  
pp. 159-174 ◽  
Author(s):  
T. Anna
Keyword(s):  
Financial Crisis ◽  
Right Wing ◽  
Cultural Events ◽  
Starting Point ◽  
Political Choices ◽  
Financial Crisis Of 2008 ◽  
Political Scene ◽  
Drag Queens

Taking the murder of Greek HIV+ and queer activist Zak Kostopoulos as its starting point – an exercise of necropolitical power in broad daylight – this article explores the work of drag queens in Greece and their aesthetic/political choices. It interprets their performances as tactics of survival and resistance and as creative responses to queer trauma. The role of queerfeminist spaces, cultural events and collectives also is examined as a response to the increasing right-wing turn in the country’s political scene – itself the result of the financial crisis of 2008. It imports José Esteban Muñoz’s disidentifications and counterpublics, Elizabeth Freeman’s erotohistoriography and Achille Mbembe’s necropolitics into the Greek/Balkan context and analyses the particular configurations and intersections of sexualities, genders, statehood, race, class and religion in Greece. It then examines disidentifications and counterpublics as empowering practices of community forming, offering glimpses of a queer Balkan counterpublics and the tools employed towards its making (humour, parody, reclaiming, disidentification, mourning and embodied pleasures).

PERFORMING CRISIS IN GREEK THEATRE: SCENOGRAPHIC STRATEGIES AS DRAMATURGIES OF CRISIS

2021 ◽  
Vol 1 (46) ◽  
pp. 45-70
Author(s):  
María Konomi ◽  
Keyword(s):  
Visual Culture ◽  
Public Space ◽  
Case Studies ◽  
Site Specific ◽  
Specific Performance

This essay will investigate a series of performances in Greece that showcase the theme of crisis discussed through the particular frame of their expanded scenographic strategies as dramaturgies of crisis. This expanded scenography is not restricted to politics and aesthetics of scenographic representation extending well beyond traditional staging paradigms to aspects that reinstate the emergence of social realities and a fundamentally social conception of space. Indicatively, this includes strategies like introducing various charged elements from lived experi-ence and contemporary visual culture, as well as conflictual aesthetics of the crisis and visual and spatial dramaturgies of the precarious. Sce-nographic dramaturgies of crisis seem to thrive on new spatial perfor-mance forms that directly interact with social realities and real spaces (like site-specific performance), while they mobilize a renewed address to found, shared public space putting to use strategies of participation. In this context of the crisis, the widespread multimedia idioms and the proliferation of video and cinematic idioms are also notable. Perfor-mances that thematize aspects of the crisis, such as Revolt Athens (2016), and the twin site-specific performances built with a core topographical address, Tea Time Europe (2014-15) and Eat Time Europe (2016) will be an-alyzed as key case studies to exemplify and further contextualize their scenographic approaches as content and context-oriented formulations, as visual and spatial dramaturgies that provide us with an entryway into performing crisis.

On Others’ Emotions, and Ours: a Reflection on Narratives, Categories, and Heuristic Devices

Relations ◽  
2013 ◽  
pp. 9-22
Author(s):  
Sabrina Tonutti
Keyword(s):  
Case Studies ◽  
Social Relations ◽  
Cultural Anthropology ◽  
Collective Phenomena ◽  
Individual Level ◽  
Starting Point ◽  
Heuristic Devices

This article reflects on some epistemological and methodological tenets of cultural anthropology such as the informants’ role in ethnographical research, the relation between collective phenomena and individuals, and that between case studies (individual level) and abstraction (generalization). These tenets will be addressed focusing on the lack of recognition of animals’ individuality and agency in social relations, and on the related humans/animals opposition. With the topic of the emotional lives of animals as a starting point, the essay sets out to reflect on how the narratives we use to interpret and describe them inform our enquiry within an anthropocentric and essentialist view, consequently biasing our understanding of diversity.

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