scholarly journals Internationalization through the Lens: Nineteenth- and Twentieth-Century Art Periodicals and Decentred Circulation

2019 ◽  
Vol 4 (2) ◽  
Author(s):  
Béatrice Joyeux-Prunel
Keyword(s):  
Social History ◽  
Modern Art ◽  
Point Of View ◽  
Global Perspective ◽  
Avant Garde ◽  
The Arts ◽  
History Of ◽  
Median Approach ◽  
The 1960S

Periodicals are an exceptional source for the study of artistic and cultural internationalization. Their content, traditional for occasional research, allows us to reconstruct the chronicle of events and artistic debates of an era, a milieu or a metropolis. However, periodicals are also available as commensurable sources, at an international scale and in the long term. As such, art magazines in particular offer a global perspective on artistic internationalization in the contemporary era. This article proposes a new reading of the history of the internationalization of modern art and the avant-garde through the prism of art periodicals, from the 1860s to the end of the 1960s. We combine three interrelated and complementary levels: the microhistory of transfers between journals, the median approach of social history, and the distant point of view of cartographic study and network analysis. The result is a dynamic and decentralized idea of world geopolitics for the arts, far from the canonical narrative that turns certain centres into the dominant producers of innovation, where peripheries are supposed to remain mere imitators. *** Les périodiques sont une source exceptionnelle pour l’étude de l’internationalisation artistique et culturelle. Leur contenu, traditionnellement utilisé pour des recherches ponctuelles, permet de reconstituer la chronique des événements et des débats artistiques d’une époque, d’un milieu ou d’une métropole. Cependant les périodiques constituent aussi des sources commensurables, à l’échelle internationale et sur la longue période. À ce titre, les revues d’art en particulier offrent une perspective globale sur l’internationalisation artistique à l’ère contemporaine. Cet article propose de relire l’histoire de l’internationalisation de l’art moderne et de l’avant-garde au prisme des périodiques d’art, des années 1860 à la fin des années 1960. Trois échelles complémentaires sont articulées: la micro-histoire des transferts entre revues, l’approche médiane de l’histoire sociale, et le point de vue lointain de l’étude cartographique et de l’analyse des réseaux. Il en résulte une idée dynamique et décentrée de la géopolitique mondiale des arts, loin du récit canonique qui fait de certains centres les producteurs dominants de l’innovation tandis que les périphéries n’auraient été qu’imitatrices.

The Renaissance versus the Avant-Garde

2014 ◽  
Vol 18 (2) ◽  
pp. 139-168
Author(s):  
Maxim Kantor
Keyword(s):  
Social History ◽  
20Th Century ◽  
Second World War ◽  
Point Of View ◽  
World War ◽  
Avant Garde ◽  
European Culture ◽  
Fertile Ground ◽  
History Of ◽  
Second World

The essay contrasts two recurring phenomena of European culture: renaissance and avant-garde. The author discusses the paradigmatic Renaissance of 15th and 16th centuries and the paradigmatic Avant-Garde of early 20th century from the point of view of a practicing artist, interested in philosophical, social, religious, and political involvements of artists and their creation. The author shows the artistic and social history of 20th century as a struggle between the Avant-Garde and the Renaissance ideals, which, as he points out, found a fertile ground in in the 20 years that followed immediately the Second World War.

ADVANCES IN THE HISTORY OF MAGIC, WITCHCRAFT, AND RELIGION

2020 ◽  
Keyword(s):  
Early Modern ◽  
Point Of View ◽  
Global Perspective ◽  
Religious Practices ◽  
Classical Period ◽  
Modern Times ◽  
Construction Of Identity ◽  
History Of ◽  
Early Modern Times

This series aims at advancing knowledge and the understanding of official and unofficial religious practices and their relationship with culture, society, and the construction of identity, from the Classical period through the Early modern times, with particular emphasis on beliefs, rites, institutions, emotions, cultural and social fractures, especially those revolving around the domains of magic, witchcraft, and religion. The series concentrates on Europe, although it welcomes a long-term global perspective and a comparative point of view.

scholarly journals Danish Sixties Avant-Garde and American Minimal Art

Nordlit ◽  
2007 ◽  
Vol 11 (1) ◽  
pp. 169
Author(s):  
Max Ipsen
Keyword(s):  
American Art ◽  
International Perspective ◽  
Avant Garde ◽  
Works Of Art ◽  
Art And Literature ◽  
The Arts ◽  
Minimal Art ◽  
Art Historians ◽  
History Of ◽  
The 1960S

Denmark is peripheral in the history of minimalism in the arts. In an international perspective Danish artists made almost no contributions to minimalism, according to art historians. But the fact is that Danish artists made minimalist works of art, and they did it very early.Art historians tend to describe minimal art as an entirely American phenomenon. America is the centre, Europe the periphery that lagged behind the centre, imitating American art. I will try to query this view with examples from Danish minimalism. I will discuss minimalist tendencies in Danish art and literature in the 1960s, and I will examine whether one can claim that Danish artists were influenced by American minimal art.

Italian-Jewish Patrons of Modern Art in Nineteenth- and Twentieth-Century Italy

2020 ◽  
Vol 16 (1) ◽  
pp. 3-29
Author(s):  
Luisa Levi D’Ancona Modena
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
Social History ◽  
Modern Art ◽  
European Countries ◽  
The Social ◽  
History Of ◽  
Public Museums

With a focus on art donations, this article explores several case studies of Jewish Italian patrons such as Sforni, Uzielli, Sarfatti, Castelfranco, Vitali, and others who supported artists of movements that were considered modern at their time: the Macchiaioli (1850-1870), the Futurists (1910s), the Metaphysical painters (1920s), the Novecento group (1920-1930s), and several post WWII cases. It reflects on differences in art donations by Jews in Italy and other European countries, modes of reception, taste, meanings and strategy of donations, thus contributing to the social history of Italian and European Jewry and the history of collections and donations to public museums.

How the Desert got a Past: A History of Quaternary Research in Australia’s Deserts

2014 ◽  
Vol 25 (2) ◽  
pp. 172 ◽  
Author(s):  
Mike Smith
Keyword(s):  
Climate Changes ◽  
Conceptual Space ◽  
The Past ◽  
History Of ◽  
The 1960S

This paper examines how the past of desert landscapes has been interpreted since European explorers and scientists first encountered them. It charts the research that created the conceptual space within which archaeologists and Quaternarists now work. Studies from the 1840s–1960s created the notion of a ‘Great Australian Arid Period'. The 1960s studies of Lake Mungo and the Willandra Lakes by Jim Bowler revealed the cyclical nature of palaeolakes, that changed with climate changes in the Pleistocene, and the complexity of desert pasts. SLEADS and other researchers in the 1980s used thermoluminescence techniques that showed further complexities in desert lands beyond the Willandra particularly through new studies in the Strzelecki and Simpson Dunefields, Lake Eyre, Lake Woods and Lake Gregory. Australian deserts are varied and have very different histories. Far from ‘timeless lands', they have carried detailed information about long-term climate changes on continental scales.

Disability Rights Activism in Kenya, 1959–1964: History from Below

2012 ◽  
Vol 55 (3) ◽  
pp. 103-122 ◽  
Author(s):  
Fikru Negash Gebrekidan
Keyword(s):  
Social History ◽  
Point Of View ◽  
Disability Rights ◽  
Great Expectations ◽  
Persons With Disabilities ◽  
Rehabilitation Programs ◽  
The Disabled ◽  
History Of ◽  
The Government ◽  
Historical Agency

Abstract:This article examines the early history of disability rights activism in Kenya. The transitional years from colonialism to independence were a period of great expectations. For persons with disabilities in particular, decolonization held additional possibilities and potential. National independence promised not just majority rule but also an all-inclusive citizenship and the commitment to social justice. Among the visually impaired of Kenya, such collective aspirations led to the birth of the Kenya Union of the Blind in 1959. In 1964, after years of futile correspondence with government officials, the Union organized a street march to the prime minister's office to attract attention to its grievances. The result was a government panel, the Mwendwa Committee for the Care and Rehabilitation of the Disabled, whose published report became the blueprint for social and rehabilitation programs. The government possessed limited resources, and the reforms that ensued were long overdue. Yet the sociohistorical dynamics behind the march are of particular significance. From the social historian's point of view, they affirm not only the historical agency of persons with disabilities, but also the need to recast and broaden the scope of African social history.

scholarly journals evolution of thesauri and the history of knowledge organization

2016 ◽  
Vol 10 (1) ◽  
Author(s):  
Francisco Javier Garcia Marco
Keyword(s):  
User Interface ◽  
Resource Discovery ◽  
Point Of View ◽  
Knowledge Mapping ◽  
History Of Knowledge ◽  
Internet Searching ◽  
Search Processes ◽  
History Of ◽  
And Control

Thesauri are considered as an optimum between maximum ontological modelling (best knowledge mapping) and minimal alphabetic ordering (less expensive access). From this point of view a swift history of its evolution is provided. The recent evolutions in Internet searching are also analysed from this perspective. In this context, there is an immediate role for thesauri to ensure interoperability and feed up the new Internet semantic engines; and in the long term as a simple semantic user interface for resource discovery and navigation, which ensures proper transparency and control by the user who wants to take the effort to supervise and analyse its search processes. It is proposed that better devices for ensuring semantic sorting are provided when necessary, and that a distributed hub for thesauri interconnection is provided, perhaps using the existent big open Internet semantic facilities, as Wikipedia

Toward a Global History of Young Israel

2021 ◽  
Vol 9 (2) ◽  
pp. 259-292
Author(s):  
Oded Heilbronner
Keyword(s):  
Reference Point ◽  
Theoretical Framework ◽  
State Building ◽  
Point Of View ◽  
Global Perspective ◽  
Global History ◽  
Western History ◽  
Building Process ◽  
History Of ◽  
Western European

Abstract This article argues that the first two decades of Israeli state-building can be compared structurally to some main processes in postwar Western-European societies, and that this approach productively situates Israel within a global perspective, uncovering new relationships between the local and the global. In addition, it proposes a methodological reading of the young Israeli society before the Six-Day War and a theoretical framework in which to place it. It provides an analysis of this young society from the perspective of Western history, constituting a new reference point that does not strive to negate other common approaches. If, until now, the history of the first two decades of Israel has been examined from a local and particular point of view – whether the state-building process or political, social, and national controversies – I propose to view the Israel of the 1950s–1960s as a postwar society that underwent the same structural processes as other Western European societies during those years, despite domestic differences.

Interview with Argha Manna

2020 ◽  
Vol 11 (2) ◽  
pp. 405-421
Author(s):  
Partha Bhattacharjee ◽  
Priyanka Tripathi
Keyword(s):  
Social History ◽  
History Of Science ◽  
Academic Research ◽  
Visual Medium ◽  
Visual Narratives ◽  
Arts And Humanities ◽  
The Arts ◽  
Global Pandemic ◽  
History Of ◽  
Medical Histories

Argha Manna is a cancer-researcher-turned cartoonist. He worked as a research fellow at Bose Institute, India. After leaving academic research, he joined a media-house and started operating as an independent comics artist. He loves to tell stories from the history of science, social history and lab-based science through visual narratives. His blog, Drawing History of Science (https://drawinghistoryofscience.wordpress.com), has been featured by Nature India. Argha has been collaborating with various scientific institutes and science communicator groups from India and abroad. His collaborators are from National Centre for Biological Science (NCBS, Bangalore), Centre for Cellular and Molecular Biology (CCMB, Hyderabad), Jadavpur University (Kolkata), Heidelberg Center for Transcultural Studies (University of Heidelberg, Germany) and a few others. Last year, he received STEMPeers Fellowship for creating comics on the history of vaccination and other aspects of medical histories, published in Club SciWri, a digital publication wing of STEMPeers Group. Currently, Argha is collaborating in a project, ‘Famine Tales from India and Britain’ as a graphic artist. This is a UK-based project, funded by the Arts and Humanities Research Council, led by Dr Ayesha Mukherjee, University of Exeter. In this interview, Partha Bhattacharjee and Priyanka Tripathi speak with Indian ‘alternative’ cartoonist Argha Manna to trace his journey from a cancer researcher to a cartoonist. Manna is a storyteller of history of science, in visuals. Recently, his works reflect social problems under the light of historical and scientific theories. Bhattacharjee and Tripathi trace Manna’s shift from a science-storyteller in a visual medium to a medical-cartoonist who is working on issues related to a global pandemic, its impact on life and literature vis-à-vis social intervention. They also focus on Manna’s latest comics on COVID-19.

Sign in / Sign up

Export Citation Format

Share Document