scholarly journals 'Het is vol wondren om ons heen'. Over wonderen, wetenschap en wereldbeeld

2020 ◽  
Vol 63 (4) ◽  
pp. 377-389
Author(s):  
R. Peels

How do miracles in the Christian tradition, such as the resurrection of Christ, relate to the methods, explanations, and ways of thinking that science and academic scholarship more generally pursue? Do the two conflict? What is the problem? This article explores seven possible obstacles and argues that none of them constitutes a serious challenge to believing both in miracles as specific acts of God and the value and validity of science. Rather, miracles constitute a challenge to an entirely naturalistic worldview.

Author(s):  
William J. Abraham

This book builds upon the groundwork laid in the first volume, where it was established that no generic concept of action will suffice for understanding the character of divine actions explicit in the Christian faith. This volume argues that in order to understand divine action rightly, one must begin with the array of specific actions predicated of God in the Christian tradition. The author argues, in a way, that one must do theology in order to analyze properly the concept of divine action. Thus the book offers a careful review and evaluation of the particularities of divine action as they appear in the work of biblical, patristic, medieval, and Reformation-era theologians. Particular attention is given to the divine inspiration of Scripture, creation, incarnation, transubstantiation in the Eucharist, predestination, and divine concurrence. The motive here is not simply to repeat the doctrinal formulations found in the Christian tradition, but to examine them in order to find fresh ways of thinking about these issues for our own time, especially with respect to the contemporary debates about divine agency and divine action.


2010 ◽  
pp. 227-243
Author(s):  
Grzegorz Krzywiec

The life of Julian Unszlicht (1883–1953) illustrates the case and process of the assimilation of Polish Jews. However, Unszlicht’s case is special as it shows that holding anti-Semitic views, which were to be a ticket to a Catholic society, guaranteed neither putting the roots down permanently nor gaining a new identity. The biography of a priest-convert allows to look closer at the processes of effacement and convergence of anti-Jewish rhetoric. The modern one, of the turn of 19th and 20th centuries, with Catholic anti-Judaism, which was constantly excused by religious reasons and at the same time, it often spread to the ethnic-racial mental grounds. Contrary to common definitions and distinctions, those two ways of thinking perfectly complemented and strengthened each other, both living using the other’s reasoning. The Holocaust added a tragic punch line to the embroiled story of the priest-convert


2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.


This volume is an interdisciplinary assessment of the relationship between religion and the FBI. We recount the history of the FBI’s engagement with multiple religious communities and with aspects of public or “civic” religion such as morality and respectability. The book presents new research to explain roughly the history of the FBI’s interaction with religion over approximately one century, from the pre-Hoover period to the post-9/11 era. Along the way, the book explores vexed issues that go beyond the particulars of the FBI’s history—the juxtaposition of “religion” and “cult,” the ways in which race can shape the public’s perceptions of religion (and vica versa), the challenges of mediating between a religious orientation and a secular one, and the role and limits of academic scholarship as a way of addressing the differing worldviews of the FBI and some of the religious communities it encounters.


2020 ◽  
Vol 9 (4) ◽  
pp. 35-43
Author(s):  
Chris Ingraham

Drawing from in situ fieldwork in Longyearbyen, Svalbard, the northernmost settlement on Earth, these notes bring out the affective, ambient, and atmospheric power of extended darkness during the polar night, when the sun does not appear above the horizon for several months at a time. Each entry is composed of 113 words to reflect the number of days without light in Longyearbyen during the winter of my visit. Through a mixture of ethnographic observations, researched academic scholarship, and some endeavors of poetic worldmaking, these notes attempt to evoke the ineffable force of global warming by performing the sort of acutely observed and felt attentiveness to planetary being that is needed for our time.


2019 ◽  
Vol 74 (3) ◽  
pp. 305-331
Author(s):  
John Owen Havard

John Owen Havard, “‘What Freedom?’: Frankenstein, Anti-Occidentalism, and English Liberty” (pp. 305–331) “If he were vanquished,” Victor Frankenstein states of his monstrous creation in Mary Shelley’s Frankenstein (1818), “I should be a free man.” But he goes on: “Alas! what freedom? such as the peasant enjoys when his family have been massacred before his eyes, his cottage burnt, his lands laid waste, and he is turned adrift, homeless, pennyless, and alone, but free.” Victor’s circumstances approximate the deracinated subject of an emergent economic liberalism, while looking to other destitute and shipwrecked heroes. Yet the ironic “freedom” described here carries an added charge, which Victor underscores when he concludes this account of his ravaged condition: “Such would be my liberty.” This essay revisits the geographic plotting of Frankenstein: the digression to the East in the nested “harem” episode, the voyage to England, the neglected episode of Victor’s imprisonment in Ireland, and the creature’s desire to live in South America. Locating Victor’s concluding appeal to his “free” condition within the novel’s expansive geography amplifies the political stakes of his downfall, calling attention to not only his own suffering but the wider trail of destruction left in his wake. Where existing critical accounts have emphasized the French Revolution and its violent aftermath, this obscures the novel’s pointed critique of a deep and tangled history of English liberty and its destructive legacies. Reexamining the novel’s geography in tandem with its use of form similarly allows us to rethink the overarching narrative design of Frankenstein, in ways that disrupt, if not more radically dislocate, existing rigid ways of thinking about the novel.


10.1558/32682 ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 83-104
Author(s):  
Jon Paul Sydnor
Keyword(s):  

This essay elaborates a constructive, comparative, nondual theodicy for the Christian tradition based on the Hindu Vai??ava tradition. According to the Indologist Henrich Zimmer, in Vai??avism everything is an emanation of Vi??u, therefore everything is of Vi??u. All apparent opposites are inherently divine and implicitly complementary. Good and bad, joy and suffering, pain and pleasure are not conflicting dualities; they are interdependent qualities that increase one another’s being. The Hindu myth of Samudra Manthan, or the Churning of the Ocean, exemplifies Vai??ava nondualism. In that story, gods and demons—seeming opposites—cooperate in order to extract the nectar of immortality from an ocean of milk. If “opposites” are interdependent, hence complementary, then they are not “opposites” but mutually amplifying contrasts. Given this phenomenology, and applying it to the Christian tradition, a benevolent God who desires full vitality for her creatures would have to create pain, suffering, darkness, and death in order to intensify their correlates. Love would demand their creation, because love would want abundant life for all. In this aesthetic theodicy, the interplay of all contrasts results from the love of a life-giving God.


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