scholarly journals Sensory Chunking and the Like: Testing a Pedagogical Treatment Applied to the Strengthening of the Third-Person Singular-s

2021 ◽  
Vol 3 (3) ◽  
pp. p16
Author(s):  
Verónica Mendoza-Fernández
Keyword(s):  
Foreign Language ◽  
Control Group ◽  
Northern Spain ◽  
Verbal Morphology ◽  
Generative Linguistics ◽  
The Third ◽  
Foreign Language Acquisition ◽  
Third Person ◽  
The Third Person ◽  
Accuracy Rates

Research into foreign language acquisition reports that learners of English as a foreign language are inconsistent with the suppliance of verbal morphology and tend to omit morphemes such as the third-person singular -s even at advanced instructional stages. Researchers rely on Generative linguistics and models such as the Minimalist Programme (Chomsky, 2000, 2015/1995) and the Feature Assembly Hypothesis (Lardiere, 2005, 2007, 2009) to account for such variability. The present study attempted to increase the accuracy rates of the -s. The author designed a treatment (©2018, 2019, Verónica Mendoza Fernández) that centered around sensory chunking (teaching with chunked sentences). Sixty-four learners of English as a foreign language from three different rural schools of primary education in Northern Spain participated in a classroom experiment that followed a pretest-postest procedure. Participants from school 1 constituted the control group and participants from schools 2 and 3, the experimental groups. The results of a grammaticality judgement task indicated a statistically significant increase in the accuracy rates of the -s for one of the experimental groups and a trend towards significance for the other experimental group. The treatment could promote the learning of linguistic items contained within blocks of language, as well as the learning of such blocks, and thus foster language automatisation.

The development of suppletive and affixal tense and agreement morphemes in the L3 English of Basque-Spanish bilinguals

2010 ◽  
Vol 27 (1) ◽  
pp. 129-149 ◽  
Author(s):  
María del Pilar García Mayo ◽  
Izaskun Villarreal Olaizola
Keyword(s):  
Foreign Language ◽  
Surface Morphology ◽  
Past Tense ◽  
Cross Sectional ◽  
Third Language ◽  
The Third ◽  
The Past ◽  
Third Person ◽  
The Third Person ◽  
Spanish Bilinguals

This article examines the third language (L3) developing morphology of 78 Basque—Spanish bilinguals following a Content and Language Integrated Learning (CLIL) program and a mainstream English as a foreign language (non-CLIL) program. The analysis of cross-sectional and longitudinal oral data shows that (1) the omission of inflection in the L3 English interlanguage of these groups of learners is due to problems with the realization of surface morphology, (2) there is a dissociation in frequency of suppliance between suppletive inflection (copula and auxiliary be) and affixal inflection (the third person morpheme -s and the past tense morpheme -ed) already attested in L2 data, and (3) no significant differences were found between the two groups tested as far as the development of suppletive and affixal tense and agreement morphemes. The overall findings seem to support full-UG explanations for the variable use of morphology in the acquisition of non-native systems.

scholarly journals Ethnic Mentality in the Context of a Folklore Culture

2019 ◽  
pp. 425-434
Author(s):  
T.K. George
Keyword(s):  
Foreign Language ◽  
Folk Songs ◽  
Spanish Speaking ◽  
The Third ◽  
Local Diversity ◽  
The People ◽  
Third Person ◽  
Dynamic Stereotypes ◽  
The Moment ◽  
The Third Person

The study of a foreign language is inseparable from the understanding of the culture of its speakers, and the study of culture will inevitably touch on the national features of ethnicity. The character of ethnos is due to and at the same time is the guiding vector at the moment of interpretation of the life of the people, the history and culture. The paper analyses in a comparative view the French and the Russian folk songs and the Spanish romance with a similar initial situation and different options of development/stagnation of intrigue, which is due to the exclusivity of national worldview and is a bright example of its implementation. The local diversity of dynamic stereotypes is determined both by the specifics of the performance of folklore, formed historically during the process of oral translation in conditions of continuity and variability, and often by extramusical factors. The long lyrical reflections from the first person (Russian, Spanish versions) contrast the cheerful novelist message from the third person (French version). A certain convergence between Spanish and Russian variants (opposed to the French one) of the interpretation of the topic under consideration is explained by the thesis on the proximity of Russian and Spanish souls, which, in turn, is due to the border specificity of the linguistic and cultural space of Russian-speaking and Spanish-speaking civilization models.

Effects of Light-Hearted and Serious Entertainment on Enjoyment of the First and Third Person

2016 ◽  
Vol 28 (1) ◽  
pp. 42-48 ◽  
Author(s):  
Matthias Hofer
Keyword(s):  
Young People ◽  
Media Consumption ◽  
First Person ◽  
Online Experiment ◽  
Entertainment Media ◽  
Third Person Effect ◽  
The Third ◽  
Third Person ◽  
Perceived Enjoyment ◽  
The Third Person

Abstract. This was a study on the perceived enjoyment of different movie genres. In an online experiment, 176 students were randomly divided into two groups (n = 88) and asked to estimate how much they, their closest friends, and young people in general enjoyed either serious or light-hearted movies. These self–other differences in perceived enjoyment of serious or light-hearted movies were also assessed as a function of differing individual motivations underlying entertainment media consumption. The results showed a clear third-person effect for light-hearted movies and a first-person effect for serious movies. The third-person effect for light-hearted movies was moderated by level of hedonic motivation, as participants with high hedonic motivations did not perceive their own and others’ enjoyment of light-hearted films differently. However, eudaimonic motivations did not moderate first-person perceptions in the case of serious films.

Causal determinism and a totally global fatalism from the third-person perspective

2020 ◽  
Author(s):  
Xiaoyang Yu
Keyword(s):  
Human Brain ◽  
Human Language ◽  
Causal Determinism ◽  
The Third ◽  
Person Perspective ◽  
Neural Substrate ◽  
Third Person ◽  
Third Person Perspective ◽  
Physical Laws ◽  
The Third Person

The human brain and the human language are precisely constructed together by evolution/genes, so that in the objective world, a human brain can tell a story to another brain in human language which describes an imagined multiplayer game; in this story, one player of the game represents the human brain itself. It’s possible that the human kind doesn’t really have a subjective world (doesn’t really have conscious experience). An individual has no control even over her choices. Her choices are controlled by the neural substrate. The neural substrate is controlled by the physical laws. So, her choices are controlled by the physical laws. So, she is powerless to do anything other than what she actually does. This is the view of fatalism. Specifically, this is the view of a totally global fatalism, where people have no control even over their choices, from the third-person perspective. And I just argued for fatalism by appeal to causal determinism. Psychologically, a third-person perspective and a new, dedicated personality state are required to bear the totally global fatalism, to avoid severe cognitive dissonance with our default first-person perspective and our original personality state.

scholarly journals Deictic Shifting in Greek Contractual Writing (I–IV AD)

Philologus ◽  
2020 ◽  
Vol 164 (1) ◽  
pp. 83-106
Author(s):  
Klaas Bentein
Keyword(s):  
Literary Texts ◽  
Ancient Greek ◽  
Narrative Technique ◽  
The Third ◽  
Third Person ◽  
The Third Person

AbstractMuch attention has been paid to ‘deictic shifts’ in Ancient Greek literary texts. In this article I show that similar phenomena can be found in documentary texts. Contracts in particular display unexpected shifts from the first to the third person or vice versa. Rather than constituting a narrative technique, I argue that such shifts should be related to the existence of two major types of stylization, called the ‘objective’ and the ‘subjective’ style. In objectively styled contracts, subjective intrusions may occur as a result of the scribe temporarily assuming himself to be the deictic center, whereas in subjectively styled contracts objective intrusions may occur as a result of the contracting parties dictating to the scribe, and the scribe not modifying the personal references. There are also a couple of texts which display more extensive deictic alter­nations, which suggests that generic confusion between the two major types of stylization may have played a role.

Yahweh, Women, and the Trinity

1975 ◽  
Vol 32 (3) ◽  
pp. 234-242
Author(s):  
Jay G. Williams
Keyword(s):  
Holy Spirit ◽  
New Age ◽  
The Third ◽  
The Holy Spirit ◽  
Third Person ◽  
The Third Person ◽  
The Church ◽  
The Trinity

“Might it not be possible, just at this moment when the fortunes of the church seem to be at low ebb, that we may be entering a new age, an age in which the Holy Spirit will become far more central to the faith, an age when the third person of the Trinity will reveal to us more fully who she is?”

The Mystery of Jesus' Teaching about “The Son of Man”

2012 ◽  
Vol 42 (2) ◽  
pp. 70-80
Author(s):  
Edward A. Beckstrom
Keyword(s):  
Dead Sea Scrolls ◽  
Dead Sea ◽  
High Priest ◽  
The Third ◽  
Son Of Man ◽  
Third Person ◽  
The Will ◽  
The Dead ◽  
The Third Person ◽  
Will Of God

For centuries a mystery has surrounded the meaning of Jesus' term “The Son of Man” in his ministry, and today it is often called “The Son of Man Problem.” Studying “Son of Man” in all of its biblical references, and apocryphal usages, together with insights from the Dead Sea Scrolls, I propose a solution that the idiom means “Priest” or “High Priest,” but most especially “Heavenly High Priest” and is framed in the third person by Jesus because it is expressed as his destiny given by God—it is the Will of God. “The Son of Man” is distinct from Jesus own will, but is the destiny he follows. It is also the use of this term that caused Caiaphas to cry “blasphemy” at Jesus' Sanhedrin trial, who then sent him to Pilate for crucifixion, yet asserting that Jesus proclaimed himself “King of the Jews.” Caiaphas, knew, I believe, that “Son of Man” was synonymous with “High Priest.”

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