scholarly journals La cartografía y la racionalidad ambiental: en búsqueda de la superación de la racionalidad instrumental

2021 ◽  
Vol 17 (48) ◽  
pp. 1-20
Author(s):  
Celeste Dias Amorim ◽  
Luis Artur de Santos Cestari
Keyword(s):  
Bruno Latour

Este artículo presenta el movimiento contemporáneo de la cartografía y la racionalidad ambiental como medio de superar el paradigma moderno que promueve la instrumentalización de la ciencia. En este caso, el enfoque explorado se encuentra en la frontera entre el movimiento de la modernidad y el de la contemporaneidad en lo que concierne al concepto de hacer ciencia. De esa forma, el camino que seguiremos en este texto hará un recorrido entre estos dos movimientos. Se partirá del diagnóstico de la crisis de la modernidad presentado por Boaventura de Souza Santos y la influencia del mismo en el debate sobre las cuestiones ambientales de manera fiel a como lo hizo en este ámbito Enrique Leff, por ejemplo, y enseguida, basado en los estudios de otros autores como Bruno Latour que buscan presentar un modo de producir conocimiento que se presenta como cartográfico. En este sentido, promueve la aproximación del discurso de la racionalidad ambiental al discurso de la cartografía, que en este momento podrá ayudar a superar la racionalidad instrumental.

Site, Adapt, Perform: A Practice-as-Research Confrontation with Climate Change

2017 ◽  
Vol 35 (1) ◽  
pp. 111-129 ◽  
Author(s):  
Melanie Kloetzel
Keyword(s):  
Climate Change ◽  
Creative Process ◽  
Adaptive Performance ◽  
Bruno Latour ◽  
Research Methodologies ◽  
Arts Festivals ◽  
A Site

In recent years, arts festivals around the globe have become enamoured of touring, site-based performance. Such serialised site work is growing in popularity due to its accessibility, its spectacular characteristics, and its adaptive qualities. Employing practice-as-research methodologies to dissect the basis of such site-adaptive performances, the author highlights her discovery of the crumbling foundation of the adaptation discourse by way of her creative process for the performance work Room. Combining findings from the phenomenological explorations of her dancing body as well as from cultural analyses of the climate change debate by Dipesh Chakrabarty (2009), Claire Colebrook (2011, 2012), and Bruno Latour (2014), the author argues that only by fundamentally shifting the direction of the adaptation discourse – on scales from global to the personal – will we be able to build a site-adaptive performance strategy that resists the neoliberal drive towards ecological and economic precarity.

Politics of Nature: The board game

2021 ◽  
Vol 51 (1) ◽  
pp. 139-164
Author(s):  
Jakob Raffn ◽  
Frederik Lassen
Keyword(s):  
Decision Making ◽  
Status Quo ◽  
Board Game ◽  
Bruno Latour ◽  
Political Ontology ◽  
The Status ◽  
Group Ideation ◽  
Politics Of Nature

Here we introduce the board game Politics of Nature, or PoN as it is now known. Inspired by the work of Bruno Latour, PoN offers an alternative take on co-existence by implementing a flat political ontology in a gamified meeting protocol. PoN does not suggest that humans have no special abilities, only that humans at the outset, are bestowed with no more rights than other kinds of beings. Designed to enable people of all walks of life to playfully unpack and resolve controversies, PoN provides a space where beings can have their existence renegotiated. The aim of PoN is to play as a team to explore and decide on potential good common worlds in which more indispensable beings can exist than if the status quo is continued. By playing PoN iteratively through rounds, each having four stages, the players gradually construct PoN - a planet mirroring ‘real worlds’. The four stages provide a novel combination of identification, representation, meditation, prioritization, mapping, individual and group ideation, proposal formulation, and decision-making; only to ask the players to challenge and change PoN to fit their requirements after each round. What follows is taken directly from the manual.

Surface Media: McLuhan, the Bauhaus and the Tactile Values of TV

2021 ◽  
pp. 1357034X2110089
Author(s):  
Henning Schmidgen
Keyword(s):  
Media Use ◽  
Bruno Latour ◽  
Marshall Mcluhan ◽  
Political Factors ◽  
The Social ◽  
Human Actors ◽  
Sense Of Touch ◽  
Light Beams ◽  
Digital Computers

Marshall McLuhan understood television (TV) as a tactile medium. This understanding implied what Bruno Latour might call a ‘symmetrical’ conception of tactility. According to McLuhan, not only human actors are endowed with the sense of touch. In addition, TV, digital computers and other ‘electric media’ use light beams and similar scanning techniques for ceaselessly ‘caressing the contours’ of their surroundings. This notion of tactility was crucially shaped by the holistic aesthetics of the early Bauhaus. To get at the specific features of the TV image, McLuhan relied on the writings of László Moholy-Nagy and Sigfried Giedion, in particular their use of photography for capturing and highlighting the ‘texture’ of surfaces. However, he hardly reflected the social and political factors that, in the age of electric media, contribute to the ‘symmetricization’ of touch.

scholarly journals Declarations of Dependence: On the Constitution of the Anthropocene

2020 ◽  
pp. 026327642097828
Author(s):  
Henrik Enroth
Keyword(s):  
Climate Change ◽  
Hannah Arendt ◽  
Anthropogenic Climate Change ◽  
Bruno Latour ◽  
The Public

As the gravity of anthropogenic climate change is dawning on humanity, essential political aspects of the climatic situation remain unexplored. This article argues that our entering the Anthropocene amounts to a constitutive moment: a moment in which new principles of coexistence are being declared. Drawing on, as well as critically engaging with, the work of Bruno Latour and Hannah Arendt, I introduce and explicate the metaphor declarations of dependence to make sense of what scientists, activists, academics and journalists are doing, in political terms, when they announce the Anthropocene. Theoretically as well as practically, this metaphor opens for a more helpful understanding of the fraught relationship between science and the public on the issue of anthropogenic climate change. I end by considering the possibility that this metaphor, literally construed, can help us make today the first day in the rest of our lives in the Anthropocene.

scholarly journals Uttering geographies: Speech acts, felicity conditions and modes of existence

2019 ◽  
Vol 44 (6) ◽  
pp. 1124-1140
Author(s):  
Miles Ogborn
Keyword(s):  
Speech Acts ◽  
Speech Act ◽  
Speech Act Theory ◽  
Bruno Latour ◽  
Human Speech ◽  
Everyday Talk ◽  
Modes Of Existence

The geographies of speech has become stuck in a form of interpretation which considers the potentially infinite detail of spoken performances understood within their equally infinitely complex contexts. This paper offers a way forward by considering the uses, critiques and reworkings of J.L. Austin’s speech act theory by those who study everyday talk, by deconstructionists and critical theorists, and by Bruno Latour in his AIME (‘An Inquiry into Modes of Existence’) project. This offers a rethinking of speech acts in terms of power and space, and a series of ontological differentiations between forms of utterances and enunciations beyond human speech.

scholarly journals Guerreiro Ramos e “O Drama de ser Dois”

2016 ◽  
Vol 18 (1) ◽  
pp. 041
Author(s):  
Ariston Azevêdo ◽  
Renata Ovenhausen Albernaz
Keyword(s):  
Bruno Latour

http://dx.doi.org/10.5007/2175-8034.2016v18n1p41O artigo propõe uma crítica sobre a forma como a ideia de simetria tem sido acionada pela produção em antropologia da ciência brasileira. Seus vínculos promovem associações à terminologia da ANT que representam poucos esforços efetivos de implementação do projeto proposto por Bruno Latour (1994). A partir dessa análise, são sugeridas bases para um protocolo de estudos antropológicos sobre as ciências que considerem a especificidade do estatuto da (não) modernidade no Brasil.

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