On the Potential of Exercises in Live Art Pedagogy

2021 ◽  
Author(s):  
Kristina Junttila
Keyword(s):  
Live Art ◽  
2020 ◽  
Vol 11 (1) ◽  
pp. 110-113
Author(s):  
Smilena Smilkova ◽  

The proposed material examines the creative task of students majoring in Social Pedagogy at the University „Prof. Dr. Assen Zlatarov“ in Burgas, and studying the discipline Art Pedagogy – Part 1 – Music. In the course of the lecture course students get acquainted with the elements of musical expression, as a means of figurative representations and impact of music, with different techniques concerning individual musical activities, with the endless and diverse opportunities that music provides in the use of art pedagogy for social work teachers.Verbal interpretation of music is a necessary component when working with children with special educational needs, at risk and in the norm. Looking at Tchaikovsky’s short and extremely figurative piano piece „The Sick Doll“ from his charming „Children’s Album“, in the form of a short story, tale or essay, students express their personal vision, feeling and transformation of the musical image. The aim of the task is to transcribe the sound image into a verbal one. This requires speed, flexibility and logic in thinking, through imagination and creativity in its manifestation. Children love to listen, especially when they are involved. In search of the right way to solve problems and situations, future social educators could successfully benefit from the conversion of sound into words, according to the needs and deficits of the individual or group.


Author(s):  
Ihor Koliada

In the article «The role of O. Dovzhenko in the formation and becoming of M. Vingranovskyias a film director» I. Koliada highlights facts from biography of the outstanding poet, film director, scriptwriter and actor M. Vingranovskyi; was made an attempt to analyze the role of influence on the formation of his personality as a film director, prominent Ukrainian filmmaker O. P. Dovzhenko. The autor analyzes the peculiarities of pedagogy of O. Dovzhenko, reveals the peculiarities of organization as an artist of the educational process at the film director’s course; were supplemented with new facts the biographies of both O. Dovzhenko and M. Vingranovskyi. Keywords: cinema art, film direction, scriptwriter, cinema art pedagogy, film creativity, creativesearch


2013 ◽  
Vol 18 (3) ◽  
pp. 130-146 ◽  
Author(s):  
Cath Lambert

This article examines the political possibilities for an aesthetic disruption of urban space and time. Locating the discussion within debates about the neoliberal city, selected art-works from Fierce live art festival in Birmingham, England are used in order to examine how, in a specific and localised context, normative spatial patterns and temporal rhythms can be challenged and subverted. The analysis draws on, and contributes to, a sociological account of the centrality of aesthetics to political and social organisation.


2018 ◽  
pp. 154-160
Author(s):  
José Manuel Ruiz Martín ◽  
Cesar Portilla

Este artículo presenta el proceso de realización y activación del proyecto multimedia Register, que aborda la discontinuidad entre la inmediatez orgánica de la vida y el mundo simbólico mediante tecnologías intervenidas. Para ello, se emplearon tecnologías libres y abiertas formadas por dos sistemas interactivos de registro. Con ello, se generó una instalación formada por diferentes ambientes, donde dos artistas se encuentran inmersos en labores de recolección, clasificación y ficción, empleando diversos géneros, lenguajes y medios, como live art, new media performance y sound design, entre otros. El usuario se enfrenta a la construcción técnica manipulada de su propia imagen y a una experiencia estética donde se posiciona como espectador y es material fundamental e involuntario de la obra. Así, Register devela el proceso de construcción de la realidad mediada por imágenes esterotipadas en la cultura contemporánea.


2021 ◽  
Vol 187 ◽  
pp. 20-25
Author(s):  
Amelia Ehrhardt ◽  
Jenn Goodwin ◽  
Cathy Gordon

In the format of an interpolated Zoom transcript, former SummerWorks Curators Amelia Ehrhardt, Jenn Goodwin, and Cathy Gordon discuss the disciplining and undisciplining of SummerWorks Performance Festival between 2015 and 2019. The authors came to SummerWorks as specific curators of the dance and live-art streams and watched the festival grow from being a theatre-focused festival known to invite other art forms to a performance festival focused on a multidisciplinary perspective. Ehrhardt, Goodwin, and Gordon discuss the festival’s transition and specific works that exemplified their curatorial lenses-Ehrhardt and Goodwin from dance and Gordon from live art. "Is Dearth a Little or a Lot?" reads conversationally with an editorial voice interrogating the transcript, checking facts, or chiming in with context like a pop-up-video-style literary device. The authors question the function and outcome of creating discipline-specific streams for artists, audiences, and the structure of the festival and discuss hopes for the future of an undisciplined festival.


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