The Far East in the Second World War: An Outline History of International Relations and National Liberation Struggle in East and South-East Asia

1977 ◽  
Vol 82 (2) ◽  
pp. 424
Author(s):  
Yoji Akashi ◽  
A. M. Dubinsky ◽  
V. Epstein

The destruction of Japan’s empire in August 1945 under the military onslaught of the Allied Powers produced a powerful rupture in the histories of modern East Asia. Everywhere imperial ruins from Manchuria to Taiwan bore memoires of a great run of upheavals and wars which in turn produced revolutionary uprisings and civil wars from China to Korea. The end of global Second World War did not bring peace and stability to East Asia. Power did not simply change hands swiftly and smoothly. Rather the disintegration of Japan’s imperium inaugurated a era of unprecedented bloodletting, state destruction, state creation, and reinvention of international order. In the ruins of Japan’s New Order, legal anarchy, personal revenge, ethnic displacement, and nationalist resentments were the crucible for decades of violence. As the circuits of empire went into meltdown in 1945, questions over the continuity of state and law, ideologies and the troubled inheritance of the Japanese empire could no longer be suppressed. In the Ruins of the Japanese Empire takes a transnational lens to this period, concluding that we need to write the violence of empire’s end – and empire itself - back into the global history of East Asia’s Cold War.


2021 ◽  
Author(s):  
Ku Daeyeol

This important new study by one of Korea’s leading historians focuses on the international relations of colonial Korea – from the Japanese rule of the peninsula and its foreign relations (1905–1945) to the ultimate liberation of the country at the end of the Second World War. In addition, it fills a significant gap – the ‘blank space’ – in Korean diplomatic history. Furthermore, it highlights several other fundamental aspects in the history of modern Korea, such as the historical perception of the policy-making process and the attitudes of both China and Britain which influenced US policy regarding Korea at the end of World War II.


Author(s):  
Cheow-Thia Chan

Best regarded as a member of the vanguard of the ‘New Literature’ movement closely related to the nationalist ‘May Fourth Incident’ in 1919, Yu Dafu was a distinguished figure in the Chinese literary scene of the 1920s and the 1930s, known especially for his explicit depictions of eroticism and sexuality. In 1921, towards the end of his sojourn in Japan, Yu published his first book through the Creation Society [創造社] (1921–1930), a literary organization he co-founded with like-minded friends who subscribed to similar romantic notions about literature. He went on to become a prolific writer of fiction, essays, and classical poetry, an occasional translator, as well as an editor of several literary journals. Contending that ‘all literary works are autobiographies of their authors,’ his prose writings familiarized readers with his creative drive, as well as his peripatetic experiences in China and Japan–countries which provided the settings for most of his fictional works. He spent the last eight years of his life in south-east Asia (1938–1945). From a newspaper editor to becoming a wanted fugitive during the Second World War, his career and life ended with his enigmatic disappearance in Sumatra, Indonesia, soon after Japan had officially surrendered. It is believed that he was killed by the Japanese before their retreat. Yu’s body was never recovered.


1968 ◽  
Vol 41 (2) ◽  
pp. 263
Author(s):  
John Davidson ◽  
George Alexander Jensen ◽  
Charles W. Forman ◽  
John J. Saunders ◽  
Joseph R. Levenson

1999 ◽  
Vol 25 (1) ◽  
pp. 107-122 ◽  
Author(s):  
CHRISTOPHER HILL

They tell us that the Pharoahs built the pyramids. Well, the Pharoahs didn't lift their little fingers. The pyramids were built by thousands of anonymous slaves . . . and it's the same thing for the Second World War. There were masses of books on the subject. But what was the war like for those who lived it, who fought? I want to hear their stories.Writing about international relations is in part a history of writing about the people. The subject sprang from a desire to prevent the horrors of the Great War once again being visited upon the masses and since then some of its main themes have been international cooperation, decolonisation, poverty and development, and more recently issues of gender.


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