Pure Land Buddhist Painting.

1978 ◽  
Vol 33 (2) ◽  
pp. 229
Author(s):  
Alfred Bloom ◽  
Joji Okazaki ◽  
Elizabeth ten Grotenhuis
Keyword(s):  
2018 ◽  
Vol 35 (1-2) ◽  
pp. 125-134
Author(s):  
Anālayo Bhikkhu

With the present paper I study and translate a discourse in the Ekottarika-?gama preserved in Chinese of which no parallel in other discourse collections is known. This situation relates to the wider issue of what significance to accord to the absence of parallels from the viewpoint of the early Buddhist oral transmission. The main topic of the discourse itself is perception of impermanence, which is of central importance in the early Buddhist scheme of the path for cultivating liberating insight. A description of the results of such practice in this Ekottarika-?gama discourse has a somewhat ambivalent formulation that suggests a possible relation to the notion of rebirth in the Pure Abodes, suddh?v?sa. This notion, attested in a P?li discourse, in turn might have provided a precedent for the aspiration, prominent in later Buddhist traditions, to be reborn in the Pure Land.


Author(s):  
S. A. Polkhov ◽  

The article provides a Russian translation of the book IX of «Shincho̅-ko̅ ki». This part of the chronicle narrates the renewal of the war between Nobunaga and Honganji Temple. The followers of the True School of Pure Land besieged in Ozaka managed to inflict painful counterattacks against the forces of the “unifier of Japan”. Nobunaga detachments, trying to capture the Kizu fortress on the outskirts of Ozaka were surrounded and defeated. Ban Naomasa, one of his prominent military leaders, was killed, the army from Ozaka attacked the Tenno̅ji fortress, and only the help immediately rendered by Nobunaga saved the garrison from death. After that, Nobunaga blocked Ozakа on land and at sea. However, the fleet of the Mo̅ri house, which joined the ranks of Nobunaga opponents, and the allies of Mo̅ri were able to defeat the naval forces of Nobunaga and deliver provisions to Ozaka, which allowed Honganji to continue the struggle. Book IX also contains a description of the construction of Azuti Castle and its main tower (tenshu), Nobunaga’s residence. The unique information of the chronicle formed the basis for the further reconstruction of the tenshu’s appearance. The castle became the personification of the wealth and omnipotence of Nobunaga, a reflection of his claims to the role of supreme ruler of Japan. The wall paintings of the main tower halls manifest the influence of Confucianism, Buddhism and Taoism. The key symbols of the images are taken from Chinese political ideology.


Author(s):  
Robert F. Rhodes

The Ōjōyōshū, written by the Heian period Tendai monk Genshin (942-1017), played a pivotal role in establishing Pure Land Buddhism in Japan. This book is a study of the central teachings of the Ōjōyōshū. Furthermore, in order to situate this text in its historical background, a substantial portion of the volume is taken up with discussions of the development of Pure Land Buddhism before Genshin’s time and to Genshin’s event-filled life. Part One provides a brief survey of Pure Land Buddhism in India and China and then treats how it developed in Japan before Genshin’s time. Part Two focuses on the main events of Genshin’s life. Part Three turns to two main issues taken up in the Ōjōyōshū: its Pure Land cosmology and its nenbutsu teaching. In his description of the Pure Land cosmology, Genshin describes, in often graphic detail, the suffering inherent in the six realms of transmigration, including hell, and urges his readers to seek birth in Amida Buddha’s Pure Land, a realm beyond suffering. Furthermore, in the central portion of the Ōjōyōshū, Genshin presents a systematic analysis of the nenbutsu, or the practice of focusing one’s mind on Amida, which is the central practice for attaining birth in the Pure Land.


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