Hagiography and Modern Russian Literature

1991 ◽  
Vol 35 (3) ◽  
pp. 369
Author(s):  
Julia Alissandratos ◽  
Margaret Ziolkowski
Keyword(s):  
Russian Literature ◽  
Modern Russian

Word and Digit

2021 ◽  
Vol 64 ◽  
pp. 484-500
Author(s):  
Yuri M. Polyakov
Keyword(s):  
Russian Literature ◽  
Russian Language ◽  
Point Of View ◽  
Self Identity ◽  
Local Television ◽  
Personal Issue ◽  
National Life ◽  
Tv Shows ◽  
Modern Russian

The author analyzes the negative processes in modern Russian culture including the degradation of the Russian language use in literature, society and mass media; general substitution of Russian terms for borrowed foreign analogues; low artistic level of local television serials; openly pro-Western character of entertainment TV shows. Still these processes have a deeper layer: actual denial of the art educational and instructive role in Russia, including literature, theatre and cinema; the loss of the tradition that envisaged artistic research of social and moral state of the society. Against this background the author studies the dual-community factor of modern Russian literature: “pochvenicheskiy” and “intertextual”. The first interprets literature as part of the national life, when the last defines it as strictly personal issue. The isolation of two communities from each other, the state self-barring from the support of the most important from the point of view of self-identity issues, senses and directions in modern Russian literature, in particular, and in culture and art, in general, lead Russian literature (philology) in the direction of Russophobia commercial exploitation. An important part here is played by the degradation of the institutes of the literary community inner expertise, and in particular – the lowering of the level and quality of literary critic.

An Outline of Modern Russian Literature (1880-1940)

Books Abroad ◽  
1944 ◽  
Vol 18 (4) ◽  
pp. 390
Author(s):  
A. K. ◽  
Ernest J. Simmons
Keyword(s):  
Russian Literature ◽  
Modern Russian

scholarly journals THE ROLE OF ZAKHAR PRILEPIN IN MODERN RUSSIAN LITERATURE

2019 ◽  
pp. 234-244
Author(s):  
Madinabonu AHMEDOVA
Keyword(s):  
General Public ◽  
Russian Literature ◽  
First Century ◽  
Human Values ◽  
Modern World ◽  
New Realism ◽  
Essential Components ◽  
Literary Process ◽  
Modern Russian

The article is devoted to the problem of the evolution of the literary hero and the types of heroes in modern Russian literature of the XXI century. The admiration of the person of the person being described and the desire to redirect this feeling to the reader make the style of the work of Zakhar Prilepin realistic through the prism of modernity (neorealism). The writer sets himself the task of telling about the fate of a modern person who faces many difficulties to squeeze in the modern world where human values have already changed, transformed beyond recognition than they were in the literature of the 19th and 20th centuries. Zakhar Prilepin is gradually moving to comprehending a more global problem: is it possible in the conditions where absolutely everyone is wearing a bit of hell in himself. The writer seeks to get an answer to this question on a truly epochal, historical scale.This article also discusses the role of Zakhar Prilepin in the context of modern Russian literature. He writes willingly and openly on topics of concern to the general public. One of the essential components of such statements is his reflections on classical and modern Russian literature, showing love or, on the contrary, dislike for the work of this or that author.The aim of the work is to determine the transformation of modern Russian prose on the example of the works of contemporary Russian writer Zakhar Prilepin. His views on the formation and development of the literary process in the twenty-first century, explores the peculiarities of the hero and the specifics of the writer's artistic world based on the work and literary analyzes. Types of heroes’ characteristic of the prose of this neorealist writer: the hero-provincial, the rebellious hero, the intellectual hero and others. The article attempts to analyze the main features of the imaginative system in the works of Z. Prilepin in the context of the traditions of the new realism (neorealism). Мақола адабий қаҳрамон эволюцияси муаммоси ва ХХI аср замонавий рус адабиётидаги қаҳрамонлар турларини ўрганишга бағишланган. Захар Прилепиндаги таърифлаётган шахснинг ҳайрати ва ички дунёсини ёритиб бериш истаги ва уни китобхонга етказиш учун қўллаган услуби асарларини замон (неореализм) призмаси орқали реализмга олиб ўтади. Ёзувчи ўз олдига ХIХ ва ХХ аср адабиётларидаги инсоният қадриятлари ХХI асрга келиб мутлақоўзгариб, таниб бўлмас даражага етганини замонавий одамнинг тақдири орқалий ёритиб бериш вазифасини қўяди. Захар Прилепин аста-секин янада глобал муаммони англашга интилмоқда: мутлақо ҳамма ўзини дўзах азобига солаётган шароитда бу мумкинми? Ёзувчи ушбу саволгзамон ва тарих миқёсида жавоб олишга интилади.Ушбу мақолада замонавий рус ёзувчиси Захар Прилепиннинг замонавий рус адабиётида тутган ўрни муҳокама қилинади. У кенг жамоатчиликни қизиқтирган мавзуларда очиқ ёзади. Бундай баёнотларнинг муҳим таркибий қисмлариданбири, бу –унинг классик ва замонавий рус адабиётига бўлган муҳаббатини акс эттириши ёки аксинча у ёки бу муаллифнинг ишини ёқтирмаслигидир.Ушбу мақоланинг мақсади замонавий рус ёзувчиси Захар Прилепиннинг ижоди мисолида замонавий рус насрнинг ўзгаришини аниқлашдир. Унинг ХХI аср адабий жараёнининг шаклланиши ва ривожланиши ҳақидаги фикрлари, қаҳрамонининг ўзига хос хусусиятлари ва ёзувчининг ижодий дунёсининг ўзига хос хусусиятларини кўрсатишдир. Бу неореализм оқимига мансуб ёзувчининг насрига хос қаҳрамонлар турлари: провинциал қаҳрамон (қишлоқ аҳолиси), исёнкор қаҳрамон, интеллектуал қаҳрамон ва бошқалар. Муаллиф З. Прилепин асарларидаги образлар тизимига хос хусусиятларни янги реализм (неореализм) анъаналари контекстида таҳлил қилган. Статья посвящена проблеме эволюции литературного героя и типов героев в современной русской литературе XXI века. Восхищение личностью описываемогочеловека и желание переадресовать это чувство читателю делают стилистику произведении Захара Прилепина реалистическими через призму современности (неореализма). Писатель ставит перед собой задачу рассказать о судьбе современной личности сталкивающегося с множеством затруднений чтобы выжать в современном мире где уже человеческие ценности изменились, трансформировались до неузнаваемости чем были в литературе XIXи ХХ веке. Захар Прилепин постепенно переходит к постижению более глобальной проблемы: возможно ли то же самое условиях, где частичку ада в себе носит абсолютно каждый. Ответ на этот вопрос писатель стремится получить в поистине эпохальном, историческом масштабе.А такжев данной статье рассматривается роль Захара Прилепина в контексте современной русской литературы. Он пишет охотно и открыто на темы, волнующие широкую общественность. Одной из существенных составляющих такого рода высказываний становятся его размышления о классической и современной русской литературе, проявляющие любовь или наоборот, неприязнь, к творчеству того или иного автора.Целью работы является определить трансформацию современной русской прозы на примере творчества современного писателя России – Захара Прилепина. Его взгляды на формирование и развитие литературного процесса вХХIвеке; исследуются особенности героя и специфика художественного мира писателяна основе произведении и литературных анализов. Типы героев; характерные для прозы этого писателя-нео реали зма : герой-провинциал; бунтующий герой; герой-интеллигент и другие.В статье осуществляется попытка анализа основных особенностей образной системы в творчестве З. Прилепинав контексте традиций нового реализма (неореализм).

scholarly journals THE REPRESENTATION OF SUBCONCEPT THE BRITISH IN THE RUSSIAN BÉLLES-LÉTTRES

2021 ◽  
Vol 1 (11(79)) ◽  
pp. 34-37
Author(s):  
Anastasiia Plakhtii
Keyword(s):  
National Identity ◽  
Public Opinion ◽  
Russian Literature ◽  
Point Of View ◽  
The World ◽  
Textual Approach ◽  
Belles Lettres ◽  
The Individual ◽  
Modern Russian

The purpose of this article is to analyze the lexical means of verbalization of the subconcept “THE BRITISH” in the Russian belles-lettres. The problem of national identity is closely related to the problem of national stereotype. The stereotype, including the national one, is closely related to the linguistic factor and has a discursive nature. According to S. Filyushkina, the national stereotype also creates its own special, verbalized reality, reflecting the nation’s ideas about itself or about another, very biased as a rule. These ideas have a collective character and are inherited by the individual due to education, the influence of the environment and public opinion. From the standpoint of the textual approach, the analysis of the linguistic embodiment of the kernel and the near periphery of the modern Russian literature of various periods (over 1000 samples). Verbalization of the image of the British in the artistic picture of the world is carried out using such frames as character, appearance, clothing, behavior. The appearance of the British is often assessed negatively. In terms of character, behavior and clothing, the British are divided into gentlemen and non-gentlemen. The former receive either a positive or an ironic assessment, the latter – more often negative, sometimes ironic. The good manners of the English are highlighted, especially in the process of their meal. English speech and pronunciation are also important from the point of view of authors.

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