Volksconcerte in Vienna and Late Nineteenth-Century Ideology of the Symphony

1997 ◽  
Vol 50 (2-3) ◽  
pp. 421-453 ◽  
Author(s):  
Margaret Notley
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
The People ◽  
Late Nineteenth ◽  
The City

Late nineteenth-century journalistic criticism in Vienna offers many precedents for Paul Bekker's interpretation of the symphony. Beethoven's symphonies provided the model for an aesthetics of the genre-couched in metaphors connecting it to "the people"-that motivated the reception of works by Brahms and Bruckner. Activists who wished to inaugurate symphonic Volksconcerte in the city took the figurative utopian function of the genre literally. Though their efforts were confounded not only by institutionalized elitism but also by the preferences of the Viennese Volk for other kinds of music, their work bore fruit in the early twentieth century with the founding of the Wiener Konzertverein and the Arbeiter-Symphonie-Konzerte.

With a Little Help from a Friend: Habeas Corpus and the Magna Carta after Runnymede

2010 ◽  
Vol 43 (03) ◽  
pp. 475-478 ◽  
Author(s):  
Justin J. Wert
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Due Process ◽  
Late Nineteenth Century ◽  
Habeas Corpus ◽  
The Real ◽  
Early Twentieth Century ◽  
The People ◽  
Magna Carta ◽  
Late Nineteenth

At the beginning of the twentieth century, Charles McIlwain observed that the new histories of the Magna Carta were portraying the charter as a “document of reaction” that could only fulfill its purported greatness “when men [were] no longer able to understand its real meaning” (McIlwain 1914, 46). Characteristic of these early-twentieth-century writers was Edward Jenks, who, in his 1904 article “The Myth of Magna Carta,” came to the conclusion that the real beneficiaries of the document—theliber homoof Article 39—were not “the people” we traditionally imagine, but rather an “aristocratic class … who can no more be ranked amongst the people, than the country gentleman of to-day” (Jenks 1904, 269). Although Jenks's position is often criticized as extreme, it is nevertheless the case that virtually all of the Magna Carta's modern commentators recognize vast historical inaccuracies in the Whiggish accounts of the charter's development up until the late nineteenth century (Radin 1946; Reid 1993; Halliday 2010, 15–16). What these new revisionist histories suggested was that the Magna Carta's great provisions—due process and trial by jury—only became great when, forgetting or ignoring the charter's seemingly lackluster beginnings, generations subsequent to 1215 gave them new meaning.

scholarly journals The Agency of the Paper Plan: The Building Plans of Late Nineteenth-Century and Early Twentieth-Century Berlin

2019 ◽  
Vol 46 (2) ◽  
pp. 270-288
Author(s):  
Tilo Amhoff
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
Town Development ◽  
Late Nineteenth ◽  
Verbal Knowledge ◽  
The City ◽  
The Town ◽  
Building Plans

This article closely investigates the unique visual representations of the building plans of late nineteenth-century and early twentieth-century Berlin, and emphasizes the agency of the paper plan in the profession and discipline of Städtebau. Following positions in German media theory, the paper plan is understood and theorized as a medium of bureaucracy and the plan drawing as a set of cultural techniques. In doing so, the article traces the refinement of the instruments for regulating the building of the city—from the building plan, to the building zones plan, to the town development plan. It is argued that the paper plans themselves have agency in seeing the city and hence thinking about the city (through their methods of visual representation), and agency in the formation of graphic terms and concepts (derived from the making of building plans). The paper plans mediated visual and verbal knowledge of the city that would have been inconceivable without them.

Making a Space for Antisemitism: The Catholic Hierarchy and the Jews in the Early Twentieth Century

2003 ◽  
pp. 415-430
Author(s):  
Brian Porter
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Common Ground ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
The Common ◽  
Late Nineteenth ◽  
The Church

This chapter argues that as recently as the 1880s, Catholicism, as it existed in Poland at the time, was still somewhat resistant to expressions of antisemitism. Catholicism, in other words, was configured in such a way in the late nineteenth century as to make it hard for antisemites to express their views without moving to the very edges of the Catholic framework. Catholicism and antisemitism did overlap at the time, but the common ground was much more confined than it would later become. If one moves forward fifty years, to the 1930s, one sees a different picture: the discursive boundaries of Catholicism in Poland had shifted to such a degree that antisemitism became not only possible, but also difficult to avoid. The upshot of this argument is that Catholicism in Poland is not antisemitic in any sort of essential way, and that religion did not directly generate the forms of hatred that would become so deadly and virulent in the early twentieth century. None the less, Catholicism did become amenable to antisemitism in Poland, so much so that the Church in Poland between the wars was one of the country's leading sources of prejudice and animosity.

Gay Affections

2014 ◽  
Author(s):  
Gerard P. Loughlin
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
First Century ◽  
Late Nineteenth Century ◽  
Gay Identity ◽  
Same Sex ◽  
The People ◽  
History Of ◽  
Late Nineteenth ◽  
Gay Identities

This chapter considers how gay identities—and so gay affections—were formed in the course of the twentieth century, building on the late nineteenth-century invention of the ‘homosexual’. It also considers earlier construals of same-sex affections and the people who had them, the soft men and hard women of the first century and the sodomites of the eleventh. It thus sketches a history of continuities and discontinuities, of overlapping identities and emotional possibilities. The chapter resists the assumption that gay identity and experience can be reduced to anything less than the multitude of gay people, and that as Christians they have to give an account of themselves in a way that heterosexual Christians do not. The chapter warns against thinking gay identity undone in Christ.

Concepts of race in the Historicography of northeast Africa

1966 ◽  
Vol 7 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Wyatt Macgaffey
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Political Development ◽  
Physical Anthropology ◽  
Social Processes ◽  
Late Nineteenth Century ◽  
Ideal Types ◽  
Early Twentieth Century ◽  
History Of ◽  
Late Nineteenth

Recent accounts of the proto-history of Africa use data from physical anthropology, but also concepts of race which physical anthropologists in general have abandoned as unsatisfactory; the paper seeks to explain this phenomenon sociologically. Late nineteenth-century political and sociological trends helped to produce patterns of thought which can no longer be regarded as affording adequate explanations of social processes. These patterns combined idealism, or the method of contrasting ideal types, with pseudo-Darwinism, which sought the origins of political development in the interaction of differently endowed groups. In African ethnography of the early twentieth century such concepts led to the view that the continent was inhabited by two groups, Caucasoids and Negroids, and by mixtures of the two which remained mixtures, to be analysed as such. The Caucasoid and Negroid types were regarded as absolute and universal, represented equally in the biological, linguistic, cultural and political aspects of man.

“An Extraordinary Feeling for Ornament”: Elena Polenova and the Neo-Russian Style in Embroideries and Painted Textile Panels

Experiment ◽  
2016 ◽  
Vol 22 (1) ◽  
pp. 53-71
Author(s):  
Louise Hardiman
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Important Process ◽  
Russian Art ◽  
British Art ◽  
National Movement ◽  
Early Twentieth Century ◽  
Late Nineteenth

This article examines several important designs by Elena Dmitrievna Polenova (1850-1898) for art embroideries and textile panels. These are the least studied of Polenova’s works, but offer new insights into the artist’s role as a leader of the neo-national movement in late nineteenth-century and early twentieth-century Russian art. Linking extant designs with photographs of exhibition displays and unpublished archival sources, including contemporary accounts by the British art journalist Netta Peacock (1864-1938), this project seeks to initiate the important process of identifying and analysing Polenova’s designs within the context of the movement.

Main Trends of Islamic Theological Thought from the Late Nineteenth Century to Present Times

2015 ◽  
Author(s):  
Rotraud Wielandt
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Central Asia ◽  
Arab Countries ◽  
Late Nineteenth Century ◽  
Islamic Theology ◽  
Early Twentieth Century ◽  
Late Nineteenth ◽  
Theological Thought ◽  
Islamic Modernism

This chapter examines the main trends of Islamic theological thought from the late nineteenth century to the present times, tracing developments in various Arab countries, in Turkey, Iran and India, Central Asia and Indonesia. It begins by tackling the question of the relation between indigenous roots and modern Western stimuli, tradition and innovation in Islamic theology during this period. Subsequently the author discussed the innovative trends. An overview of the theological ideas of the pioneers of Islamic modernism, the Indian Sayyid Ahmad Khan and the Egyptian Muḥammad ʿAbduh, is given, followed by an analysis of the views of modernist theological thinkers of the early twentieth century. Next the theology of the Indian philosopher and poet Muhammad Iqbal, an eminent example of theological modernism between the two world wars, is addressed. Another section deals with new hermeneutical and epistemological approaches to the Qurʾānic revelation. Finally the development of the interest in a new kind of philosophy-basedkalāmis delineated from their beginnings with Sayyid Ahmad Khan up to their present-day Iranian, Turkish and Arab protagonists.

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