August Poem for Bei Dao

2021 ◽  
pp. 14-14
Keyword(s):  
Author(s):  
Wolfgang Kubin
Keyword(s):  

2013 ◽  
Vol 27 (3) ◽  
pp. 357-377
Author(s):  
Bill Ashcroft
Keyword(s):  
Bei Dao ◽  

2018 ◽  
Vol 8 (1) ◽  
pp. 84
Author(s):  
Rahadjeng Pulungsari

<p>Misty poetry or 朦胧诗 <em>menglongshi</em> is a poem that appeared in the era of the 70s during the Cultural Revolution (1966-1976). The emergence of a new kind of poetry that is different from the previous poem marks a new way of writing poetry in China. Its uniqueness is in wordplay, metaphor, synesthesia, and symbols that are not open to its meaning. This new type of Misty poem also received attention from the Chinese government, because behind the symbols and sequence of sentences contain thoughts that are considered not in accordance with the government. Among these Misty wing poets, Bei Dao and Gu Cheng were two important poets. This paper reviews two poems of Bei Dao and two poems by Gu Cheng on the intrinsic element that contains imagery and style of language to understand the meaning. Furthermore, In order to support the analysis, this research also reviews the extrinsic elements to gain the whole meaning of the poetry. Therefore, the explanation of the Cultural Revolution is very important for this analysis. This analysis will explain how this Misty poems play an important role to explain the Cultural Revolution through the works of Bei Dao and Gu Cheng.</p><p> </p><p> </p><p class="JudulAbstrakKeyword"> </p>


2009 ◽  
Vol 83 (3) ◽  
pp. 4-5
Author(s):  
Vera Schwarcz
Keyword(s):  

2017 ◽  
Vol 27 (12) ◽  
pp. 1892-1904
Author(s):  
Wan-Lin Lee ◽  
Yi-Chen Hou ◽  
Yaw-Sheng Lin

In the present study, we used the phenomenological approach to rediscover the ontological meaning of relationships with the deceased in Taiwanese widows/widowers. We first revised the original Western definitions of grief, bereavement, and mourning to fit Taiwanese culture. We used the word bei dao to indicate the mixed nature of grief and mourning in the Taiwanese bereavement process. Then we reanalyzed data from a previous study, which was conducted in 2006. In the previous qualitative research, each subject was interviewed 3 to 4 times in the mourning state over an 18-month interval that began at the point of the spouse’s death. Results showed that two main themes emerged in the present analysis: (a) a blurred boundary of life and death and (b) a transformation of ethical bonds. The present study reveals the culturally unique aspects of the Taiwanese bei dao process. Limitations of the present study and future directions are discussed and reflected.


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