Rabbi Shlomo Carlebach (b. 1925–d. 1994) was a spiritual guide, charismatic religious leader, and influential composer of popular modern Hasidic tunes. Through his musical storytelling, inspirational insights, and personal contacts, he inspired a new form of heartfelt soulful Judaism and became a progenitor of the 20th-century neo-Hasidic renaissance. Born in Berlin on 14 January 1925, he grew up in Baden near Vienna where his father, Rabbi Naphtali Carlebach, served as chief rabbi (1931–1938). Shlomo was named after his paternal grandfather, Rabbi Dr. Shlomo (Salomon) Carlebach (b. 1845–d. 1919), chief rabbi of Lübeck, Germany. Shlomo’s maternal grandfather was Rabbi Dr. Asher (Arthur) Cohn (b. 1885–d. 1926), Chief Rabbi of Basel, Switzerland. Young Shlomo was destined by his parents to continue in the family’s rabbinic calling. With the ominous Nazi rise to power, the Carlebach family fled, eventually arriving in New York on 23 March 1939. Shlomo studied in the Haredi yeshiva high school Mesivta Torah Vodaas until April 1943, and then joined a dozen students who helped Rabbi Aharon Kotler establish the first Haredi full-time Torah-learning yeshiva in Lakewood, New Jersey. Then, in 1949, Shlomo embarked upon a career as the outreach emissary for the Chabad Lubavitch Rebbe. From the home base of his father’s synagogue, Kehillath Jacob, in Manhattan, Shlomo set up the first Hasidic outreach program in America. But by 1955 he had begun charting a unique “outreach” career as a “singing Rabbi.” Highlights of his career include establishing the House of Love and Prayer (HLP) in Haight-Ashbury (1968–1978) and Moshav Meor Modi’in in Israel (1976). He was the featured singer at rallies of the Student Struggle for Soviet Jewry (SSSJ), and his most famous song, “Am Yisrael Chai,” was composed for their protest movement. In 1989, he led the first Jewish music tour in Russia, reaching fifty thousand people in three weeks and inspiring Soviet Jewry. He also visited Poland 1–10 January 1989 with eight concerts in ten days and thus was the first openly religious Jew to perform in Communist Poland after the 1967–1968 wave of anti-Semitism. But in his own eyes, his major achievement was as “Rebbe of the Street-Corner.” His potential constituency could be found in any forlorn corner that he encountered. And since he traveled around the world sharing his utopian vision of love and peace, he assumed a unique role as a charismatic iconoclast rebbe.
Jewish music in northern morocco and the building of sonic identity boundaries