THE GREATEST ROCK AND ROLL BAND IN THE WORLD

2020 ◽  
pp. 313-321
Keyword(s):  
2016 ◽  
Vol 21 (6) ◽  
pp. 384
Author(s):  
Marcella McConnell ◽  
Joanne Caniglia

The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, is a 150,000-square-foot building that serves as the permanent home of rock and roll's most memorable experiences. Designed by internationally renowned architect Ieoh Ming Pei, the building rises above the shores of Lake Erie. “In designing this building,” Pei explained, “it was my intention to echo the energy of rock and roll. I have consciously used an architectural vocabulary that is bold and new, and I hope the building will become a dramatic landmark for the city of Cleveland and for fans of rock and roll around the world.”


2021 ◽  
Vol 33 (1) ◽  
pp. 36-41
Author(s):  
Maya Angela Smith

Seventy-six-year-old Alvenia Bridges is someone who could be described as forever young. While she contends with typical signs of aging such as osteoporosis and arthritis, her daily meditative walks, diet of primarily salmon and avocados, and invigorating friendships contribute to her youthful demeanor. But a healthy lifestyle can only account for so much. Her captivating storytelling is what truly keeps her young. When she recounts her ability to move throughout the world in the heyday of her youth and when she describes how music allowed her to escape a violent beginning and discover her true purpose for existing, she transports both herself and her listener to another place and time. In doing so, age loses all meaning. Furthermore, her experience as a Black woman navigating the predominantly white and male-run world of Rock and Roll bears witness to the racial and gendered dynamics that exist in the music industry, highlighting how the past informs the present. By narrating an incident that occurred when Bridges was tour-managing the Rolling Stones, this lecture explores how our ethnographic memoir entitled Reclaiming Venus: The Many Lives of Alvenia Bridges conveys the power one wields when telling a story on one’s own terms.


Author(s):  
Jasmine Johnson

Black dance is both an aesthetic and historical category. When the term first appeared in the late 1960s, it referred to dance forms grounded in African Americans’ collective experience, but over time the term "black dance" has come to encompass both vernacular (social) and theatrical (stage) dance created by African-descended peoples in the United States and around the world. From the Cakewalk to the Charleston to the Lindy Hop to rock and roll dancing, twentieth-century social dances emerged first within black subcultures and then circulated broadly within dominant cultures. Over the same period, black artists commanded the international dance stage, from Bert Williams and George Walker to Josephine Baker to Katherine Dunham to Alvin Ailey. In everyday life and on the concert stage, black dance is a constitutive dimension of modernism.


2018 ◽  
Vol 79 (8) ◽  
pp. 410
Author(s):  
Mandi Goodsett ◽  
Evan Meszaros ◽  
Michelle S. Millet ◽  
Jennine Vlach
Keyword(s):  

We’re all very excited to have you join us April 10–13, 2019, in Cleveland for the ACRL 2019 conference. The theme, “Recasting the Narrative,” is definitely an appropriate descriptor for current-day Cleveland. Gone is most of the manufacturing that made Cleveland the fifth largest city in the country in the mid-20th century. Our city’s current renaissance is built on medicine, arts, and foodie culture.


2018 ◽  
Vol 41 ◽  
Author(s):  
Ana Gantman ◽  
Robin Gomila ◽  
Joel E. Martinez ◽  
J. Nathan Matias ◽  
Elizabeth Levy Paluck ◽  
...  

AbstractA pragmatist philosophy of psychological science offers to the direct replication debate concrete recommendations and novel benefits that are not discussed in Zwaan et al. This philosophy guides our work as field experimentalists interested in behavioral measurement. Furthermore, all psychologists can relate to its ultimate aim set out by William James: to study mental processes that provide explanations for why people behave as they do in the world.


2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.


2019 ◽  
Vol 42 ◽  
Author(s):  
Nazim Keven

Abstract Hoerl & McCormack argue that animals cannot represent past situations and subsume animals’ memory-like representations within a model of the world. I suggest calling these memory-like representations as what they are without beating around the bush. I refer to them as event memories and explain how they are different from episodic memory and how they can guide action in animal cognition.


1994 ◽  
Vol 144 ◽  
pp. 139-141 ◽  
Author(s):  
J. Rybák ◽  
V. Rušin ◽  
M. Rybanský

AbstractFe XIV 530.3 nm coronal emission line observations have been used for the estimation of the green solar corona rotation. A homogeneous data set, created from measurements of the world-wide coronagraphic network, has been examined with a help of correlation analysis to reveal the averaged synodic rotation period as a function of latitude and time over the epoch from 1947 to 1991.The values of the synodic rotation period obtained for this epoch for the whole range of latitudes and a latitude band ±30° are 27.52±0.12 days and 26.95±0.21 days, resp. A differential rotation of green solar corona, with local period maxima around ±60° and minimum of the rotation period at the equator, was confirmed. No clear cyclic variation of the rotation has been found for examinated epoch but some monotonic trends for some time intervals are presented.A detailed investigation of the original data and their correlation functions has shown that an existence of sufficiently reliable tracers is not evident for the whole set of examinated data. This should be taken into account in future more precise estimations of the green corona rotation period.


Popular Music ◽  
2003 ◽  
Vol 22 (2) ◽  
pp. 241-245
Author(s):  
Inez H. Templeton
Keyword(s):  
Hip Hop ◽  

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