scholarly journals DESIGNING THE ARCHITECTURE OF THE FIRST UKRAINIAN NATIONAL THEATER PAVILION FOR THE WORLD EXHIBITION

2020 ◽  
Vol 6 (1) ◽  
pp. 120-127
Author(s):  
Proskuryakov V. ◽  
Keyword(s):  
Design Decision ◽  
National Theater ◽  
The World ◽  
World Exhibition

The paper presents the design search for the architecture of the Ukrainian pavilions for world theater forums and, in particular, the design decision for the architecture of the First Ukrainian National Theater Pavilion at the Prague Quadrennial 2019.

scholarly journals Performing in Crisis Mode: the Munich National Theater, the Great Exhibition and the Cholera Epidemic in 1854

2020 ◽  
Vol 69 (4) ◽  
pp. 39-61
Author(s):  
Meike Wagner
Keyword(s):  
German Industry ◽  
Cholera Epidemic ◽  
Global Pandemic ◽  
National Theater ◽  
The World ◽  
Final Count ◽  
Risk Zones ◽  
The City ◽  
Great Exhibition

In 1854, the city of Munich had arranged for the “First General German Industrial Exhibition” to promote German industry to the world and invited a global audience to the event. At the same time, Franz Dingelstedt, director of the National Theater, organized a festival displaying the finest actors from Germany. Right after the opening of the festival, cholera started raging in the city and leaving 3,000 deaths in the final count. The author sketches out the role of the theatre in this crisis, when Dingelstedt was ordered by the king to keep the theatre open at any cost. This appears awkward, in regard to the current global pandemic crisis where theaters have been identified as risk zones for infection and consequently closed down. Why was the theatre at the time considered a safe and appropriate place even helping to counter the disease?

The power of visualization choices: Different images of patterns in space

2020 ◽  
Author(s):  
Britta Ricker ◽  
Menno-Jan Kraak ◽  
Yuri Engelhardt
Keyword(s):  
United Nations ◽  
Gender Inequality ◽  
Design Decision ◽  
Inequality Index ◽  
Design Decisions ◽  
The Public ◽  
Decision Points ◽  
The World ◽  
The United Nations ◽  
Made In

Maps are representations of the world. They offer summaries or simplifications of data that are collected, attempt to reveal unknowns, to simplify and communicate complex spatial phenomena. Numerous decisions are made in the process of creating a map. Seemingly inconsequential variations of cartographic design decisions offer many ways to illustrate this process. We use an open dataset related to the United Nations Gender Inequality Index to demonstrate design decision points and their output. As governments are increasingly making data open to the public, and map-making tools and software are now more accessible online, these considerations are important both for those making and reading maps online.

Model Innovation of Exhibition Logistic Supply Chain

2013 ◽  
Vol 397-400 ◽  
pp. 2672-2676
Author(s):  
Xiao Ming Wang
Keyword(s):  
Supply Chain ◽  
Market Economy ◽  
Chain Structure ◽  
International Exhibition ◽  
Structure Model ◽  
Characteristic Analysis ◽  
The World ◽  
Supply Chain Structure ◽  
Exhibition Industry ◽  
World Exhibition

Exhibition has been widely recognized as a strong booster of market economy in the world. Exhibition logistics is the basic guarantee for the development of exhibition industry. In this study, some improvement and innovation ideas of Chinese traditional exhibition logistics were proposed through the characteristic analysis of international exhibition logistics. A new supply chain structure model of international exhibition logistics is needed to accelerate the specialization, speed, standardization and informatization of exhibition logistics.

scholarly journals The implementation of the impressionistic method in the Karl Kahl’s works

2016 ◽  
Author(s):  
Е.А. Даценко
Keyword(s):  
Far East ◽  
The Far East ◽  
Special Place ◽  
The World ◽  
Artistic Life ◽  
The Usa ◽  
Imperial Art ◽  
Private Collections ◽  
World Exhibition

Творчество Карла Николаевича Каля занимает особое место в художественной жизни Дальнего Востока 1910 – 1930х годов. С его именем исследователи связывают становление региональной школы пейзажа и проявление импрессионизма. Он один из немногих художников, кто приехал во Владивосток уже сложившимся мастером, с профессиональным художественным образованием (Дюссельдорфская академия художеств, 1892 – 1898) и внушительным перечнем выставок, среди которых выставка в залах Императорской академии художеств и Всемирная выставка в Сент-Луисе (США). Но, несмотря на активную выставочную деятельность художника и произведения, хранящиеся в Музее искусств города Толедо (США) и других государственных и частных собраниях, творчество художника до приезда во Владивосток по сей день остается малоизученным. The Karl Nikolayevich Kahls art work takes a special place in the artistic life of the Far East in the 1910 – 1930 years. The formation of the regional school of landscape and manifestation of impressionism are connected with his name according to the researchers opinions. He is one of the few artists, who came to Vladivostok being a formed artist with the professional artistic education (Dusseldorf Art Academy, 1892 – 1898) and with the impressive list of exhibitions, among which there is the exhibition in the halls of the Imperial Art Academy and the World Exhibition in St. Louis (the USA). To the present day the artists art work before coming to Vladivostok, is still poorly studied despite his active exhibition activities and works, kept in the Museum of Art in Toledo (the USA) and in other state and private collections.

Reformationsjubiläum 2017. Rückblick, Ernte und neue Herausforderungen

2018 ◽  
Vol 78 (6) ◽  
pp. 407-414
Author(s):  
Margot Käßmann
Keyword(s):  
Local Church ◽  
The Reformation ◽  
The World ◽  
The Impact ◽  
World Exhibition ◽  
Church Communities

AbstractThis contribution offers a retrospective on the events of the year 2017 in Germany from the perspective of the Special Envoy for the Reformation Anniversary (of the EKD). It highlights individual climaxes such as the Kirchentag or the World Exhibition of the Reformation in Wittenberg and appreciates the spirit of ecumenical openness and the global horizon of the celebrations. It also discusses some challenges for present-day Christianity, namely preaching in an environment that is both secular and multi-religious. According to the author, it will be decisive to keep the impact of the anniversary alive in the local church communities beyond the year 2017.

Expressing Local Specificity: The Flemish Renaissance Revival in Belgium and the Antwerp City Architect Pieter Jan Auguste Dens

2007 ◽  
Vol 50 ◽  
pp. 149-170 ◽  
Author(s):  
Inge Bertels
Keyword(s):  
Nineteenth Century ◽  
Art Nouveau ◽  
Local Identities ◽  
The World ◽  
The Creation ◽  
World Exhibition

While globalizing trends stimulate the creation of entirely new regions, established regional and local identities remain. Architectural historians, among others, explore the ways in which regionalism has been — and continues to be — defined and redefined. Current issues in this debate include what regional architectural traditions might be; whether regions can be defined by architecture; and how regional traditions of architecture have been defined and interpreted by artists, authors and scholars. Nineteenth-century Belgian architecture is particularly relevant in this context. The formation of Belgian Art Nouveau’s style and identity have both been the object of numerous studies, but while Art Nouveau is probably the best-known creation of Belgian nineteenth-century architecture, it is hardly the only one, nor indeed the only interesting one. One of the sources identified for Belgian Art Nouveau has been the milieu of the so-called Flemish Renaissance Revival, which produced such architectural gems as Emile Janlet’s (1839–1919) Belgian pavilion at the World Exhibition in Paris (1878) and Jean Winders’ (1849–1936) own house and studio (1882–83) in Antwerp (Fig. 1).

Sign in / Sign up

Export Citation Format

Share Document