scholarly journals Feministic Approach in The Novel’s of Githa Hariharan: A Critical Study

2021 ◽  
pp. 71-83
Author(s):  
Ashok Singh ◽  
Dr. Mukesh Sharma
Keyword(s):  
New Age ◽  
Indian Society ◽  
Critical Study ◽  
Indian Woman ◽  
Feminine Gender ◽  
The Feminine ◽  
Woman Author

Githa Hariharan, a well-known Indian woman author, has tried to focus on the deeply entrenched biases of Indian society against the feminine gender. Githa Hariharan’s new-age feminism is not about the eradication of differences between the sexes or the attainment of equal prospects, but rather concerns the individual’s rights to identify one and be comfortable in one’s own skin. The chief psychological consistencies between the sexes include women’s emotive uncertainty, greater acceptance for tiresome details, inability for intellectual thought and proneness to submission. The feminist mindfulness is to identify oneself as the victim to the power of men in society and the system. However, modern day feminists are against masculinist hierarchy but are firm believers of sexual dichotomy. This paper will study the feministic approach of Githa Hariharan in her four novels that is The Thousand Faces of Night, The Ghosts of Vasu Master, In Times of Siege and Fugitive Histories.

scholarly journals Prejudice Nation: Hypersexualization and Abuse in Jude Dibia’s Unbridled

SAGE Open ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 215824402110326
Author(s):  
Chinenye Amonyeze ◽  
Stella Okoye-Ugwu
Keyword(s):  
Gender Roles ◽  
Sexual Violence ◽  
Social Values ◽  
Implicit Bias ◽  
Girl Child ◽  
Feminine Gender ◽  
Traditional Gender Roles ◽  
Patriarchal Society ◽  
The Feminine ◽  
Culture Of Silence

With the global #Metoo movement yet to arrive in Nigeria, Jude Dibia’s Unbridled reflects an emblematic moment for the underrepresented to occupy their stories and make their voices heard. The study analyzes patriarchy’s complicated relationship with the Nigerian girl child, significantly reviewing the inherent prejudices in patriarchy’s power hierarchies and how radical narratives explore taboo topics like incest and sexual violence. Contextualizing the concepts of hypersexualization and implicit bias to put in perspective how women, expected to be the gatekeepers of sex, are forced to navigate competing allegiances while remaining submissive and voiceless, the article probes the struggles of sexual victims and how hierarchies in a patriarchal society exacerbate their affliction through a culture of silence. Arguing that Dibia’s Unbridled confronts the narrative of silence in Nigerian fiction, the article explores ways the author empowers gender by challenging social values and traditional gender roles, underscoring gender dynamics and the problematic nature of prevalent bias against the feminine gender in Nigeria.

scholarly journals Gender Assignment in Six North Scandinavian Languages: Patterns of Variation and Change

2021 ◽  
Vol 33 (3) ◽  
pp. 264-315
Author(s):  
Briana Van Epps ◽  
Gerd Carling ◽  
Yair Sapir
Keyword(s):  
Statistical Analysis ◽  
Word Frequency ◽  
Old Norse ◽  
Gender Assignment ◽  
Feminine Gender ◽  
The Feminine ◽  
Old Swedish ◽  
Gender System ◽  
Gender Change

This study addresses gender assignment in six North Scandinavian varieties with a three-gender system: Old Norse, Norwegian (Nynorsk), Old Swedish, Nysvenska, Jamtlandic, and Elfdalian. Focusing on gender variation and change, we investigate the role of various factors in gender change. Using the contemporary Swedish varieties Jamtlandic and Elfdalian as a basis, we compare gender assignment in other North Scandinavian languages, tracing the evolution back to Old Norse. The data consist of 1,300 concepts from all six languages coded for cognacy, gender, and morphological and semantic variation. Our statistical analysis shows that the most important factors in gender change are the Old Norse weak/strong inflection, Old Norse gender, animate/inanimate distinction, word frequency, and loan status. From Old Norse to modern languages, phonological assignment principles tend to weaken, due to the general loss of word-final endings. Feminine words are more susceptible to changing gender, and the tendency to lose the feminine is noticeable even in the varieties in our study upholding the three-gender system. Further, frequency is significantly correlated with unstable gender. In semantics, only the animate/inanimate distinction signifi-cantly predicts gender assignment and stability. In general, our study confirms the decay of the feminine gender in the Scandinavian branch of Germanic.

scholarly journals Gender Change in Norwegian Dialects: Comprehension is affected before Production

2016 ◽  
Vol 2 (s1) ◽  
Author(s):  
Björn Lundquist ◽  
Yulia Rodina ◽  
Irina A. Sekerina ◽  
Marit Westergaard
Keyword(s):  
Spoken Word Recognition ◽  
Spoken Word ◽  
Production Task ◽  
Gender Agreement ◽  
Language Variation And Change ◽  
Feminine Gender ◽  
Indefinite Article ◽  
The Feminine ◽  
Gender System ◽  
Gender Change

AbstractThis article investigates language variation and change in the grammatical gender system of Norwegian, where feminine gender agreement is in the process of disappearing in some Northern Norwegian dialects. Speakers of the Tromsø (N=46) and Sortland (N=54) dialects participated in a Visual Word experiment. The task examined whether they used indefinite articles (en, ei, et) predictively to identify nouns during spoken-word recognition, and whether they produced feminine articles in an elicited production task. Results show that all speakers used the neuter indefinite article et as a predictive cue, but no speakers used the feminine ei predictively, regardless of whether they produced it or not. The masculine article en was used predictively only by the speakers who did not produce feminine gender forms. We hypothesize that in dialects where the feminine gender is disappearing, this change in the gender system affects comprehension first, even before speakers stop producing the feminine indefinite article.

scholarly journals Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture

2021 ◽  
Vol 9 (1) ◽  
pp. 14-41
Author(s):  
Osakue S. Omoera ◽  
Charles C. Okwuowulu
Keyword(s):  
Paradigm Shift ◽  
African Continent ◽  
Film Culture ◽  
African Culture ◽  
Female Representation ◽  
Feminine Gender ◽  
Representation Of Women ◽  
Observation Methods ◽  
The Feminine ◽  
Video Films

There has been constant resonance of feminine image misrepresentation in most narratives since the (re)invention of video-films in Nigeria, Ghana, and indeed across the African continent. In spite of the binary struggle between the (presumed) chauvinist filmmakers and their feminist counterparts, masculinity always (re)emerges in new forms or topoi to dominate femininity. Consequently, there seems to be a paradigm shift on the (mis)representation of women that reinforces Laura Mulvey’s sexual voyeuristic objectification of the feminine gender as reflected in near-nude costumes as well as sexually larded scenes that are common sights in African films, particularly those from Ghana. Employing the historical-analytic and observation methods, this article examines three selected films:  The Maid I Hired (2010), Why Did I Get Married? (2007) and To Love a Prince (2014) by Frank Rajah Arase (FRA), an African filmmaker of Benin (Edo) extraction who largely operates in the Diaspora, to foreground and highlight the voyeuristic imprints in Ghanaian films (Ghallywood), which tend to demean the feminine gender in the context of African culture that hegemonizes the male folk.

scholarly journals A Quest for Identity - A Feminist Approach in Manju Kapur’s Home

2019 ◽  
Vol 7 (8) ◽  
pp. 10
Author(s):  
S. Shobana
Keyword(s):  
Social Organization ◽  
Family Life ◽  
Indian Society ◽  
The Novel ◽  
Self Identity ◽  
Feminine Identity ◽  
Indian Family ◽  
Female Hero ◽  
Search For Self ◽  
The Feminine

The paper aims to research the search for self-identity and feminism in Manju Kapur's Home. Home is a masterful novel of the acts of kindness, compromise, and secrecy that lies at the center of each family. The novel, narrate of Indian family life spans three generations whose destiny and dreams are pasted to the Banwarilal cloth shop.  Nisha the protagonist has got to struggle for establishing her identity and to survive during this male-dominated world.  In Indian society, women have never been acknowledged as a person outside their              pre-destined roles of a woman, daughter, and mother.  The female hero of Home tries to free herself of ‘dependence syndrome' thrust upon her by the agents of social organization. The paper focuses on the journey of the feminine protagonist, Nisha towards individuality and self-identity and don't wish to be seen as a self-sacrificing rubber-doll. She had to struggle for her existence as, like different heroines of Manju Kapur, she is within the transformation to innovate the search of autonomy and feminine identity.  

scholarly journals Lexical-semantic classification of euphemisms of the feminine gender in the Uzbek language

Academia Open ◽  
2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Gulnamova Shakhnoza Kakhramonovna ◽  
B. Mengliyev
Keyword(s):  
Language Use ◽  
Female Sexuality ◽  
Men And Women ◽  
Semantic Classification ◽  
Feminine Gender ◽  
Lexical Semantic ◽  
The Feminine

The two sexes - men and women - are not only biologically diverse, but also have their differences in language use. This article presents a lexical-semantic classification of euphemisms of female sexuality in Uzbek, and analyzes each of the euphemic agents in each group.

“Sun” of the feminine gender

1852 ◽  
Vol s1-VI (154) ◽  
pp. 352-352
Author(s):  
C. H.
Keyword(s):  
Feminine Gender ◽  
The Feminine

 New replacement name for a homonym in Lepeophtheirus (Crustacea: Copepoda: Caligidae)

Zootaxa ◽  
2020 ◽  
Vol 4852 (1) ◽  
pp. 143-144
Author(s):  
KEIICHI KAKUI ◽  
DAISUKE UYENO
Keyword(s):  
Species Group ◽  
International Commission ◽  
Zoological Nomenclature ◽  
International Code ◽  
Feminine Gender ◽  
Platichthys Stellatus ◽  
The Feminine ◽  
Masculine Gender

Markevich (1940) established Pseudolepeophtheirus Markevich, 1940 for Pseudolepeophtheirus longicauda Markevich, 1940 based on copepods collected from the pleuronectid fish Platichthys stellatus (Pallas, 1787). Dojiri & Ho (2013) synonymized the genus and the species with Lepeophtheirus Nordmann, 1832 and Lepeophtheirus parvicruris Fraser, 1920, respectively. Later, Homma et al. (2020) resurrected Markevich’s species as a member of Lepeophtheirus, i.e., as L. longicauda (Markevich, 1940). The last component of the names of both genera is ‘phtheirus’ (transliterated from the Greek φθειρ; Nordmann 1832: 30), a masculine noun, and thus under Article 30.1.2 of the International Code of Zoological Nomenclature (hereinafter, Code; International Commission on Zoological Nomenclature 1999), both generic names are also masculine. The species-group name longicauda might be regarded as either a noun in apposition or as an adjective in the feminine gender, and Markevich (1940) did not specify his intention in this regard. Bearing in mind that ‘cauda’, meaning ‘tail’, actually is a feminine Latin noun and that Markevich did not change the final ‘-a’ to ‘-us’ to match the masculine gender of the genus, we deem that longicauda Markevich, 1940 is a noun in apposition, a position supported by Article 31.2.2 of the Code. 

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