scholarly journals Communication Routes of Upper Irtysh Region of 17th — Early 18th Centuries in “Horographic Book” and “Drawing Book of Siberia” by S. U. Remezov

2021 ◽  
pp. 344-362
Author(s):  
L. G. Zaitseva ◽  
D. S. Bobrov

The characteristics of land communications of the Upper Irtysh region in the structure of communications in the south of Western Siberia at the turn of the 17th—18th centuries, is described in the article according to the chorographic drawings of S. Remezov. The source corpus of the study is based on the atlases of the Tobolsk isographer, which retain heuristic significance, and the published information of Russian diplomats. The increasing importance of traffic routes in the Upper Irtysh region is considered in the context of the dynamics of the ethnosocial and political situation in the region. Special attention is paid to the correlation of specific trajectories of movement with physical-geographical (hydrological, geomorphological) and sociopolitical (monasteries, rulers’ rates) terrain objects. The authors propose their own interpretation of the category “way”, present an original map-scheme of communication routes in the upper and part of the middle reaches of the Irtysh. The existence of two key trajectories of movement in the Upper Irtysh region in early modern times is proved: the caravan paths that left the Irtysh and connected in the upper reaches of the Chara; the way from the Kalbinsky ridge along the western plain of the Zaisan past the Ortentau mountains to the Tarbagatai ridge and the Emel River.

Author(s):  
Claudia von Collani

Chinese religions, philosophy, and especially Confucianism constituted a great challenge for the Catholic mission since its beginnings in China in early modern times. This essay looks at the way the missionaries, especially the Jesuits, made several attempts to solve the problem. Niccolò Longobardo s.j., for example, refused to use Chinese terms for the Christian God, dismissing them as insufficient or atheistic. Most Jesuits, however, advocated for terms such as Tian, Shangdi, Tianzhu, and Taiji for God in China. The Mandate of the Vicar Apostolic Charles Maigrot m.e.p., prohibiting the use of the Yijing and Taiji as the Chinese name for God, became a great challenge for Joachim Bouvet s.j. in developing his Figurism. With this system, he found complements for Christianity in China and created a new theology combining Eastern and Western ideas. These efforts were stopped by the prohibition of the Chinese rites and by the historical-critical method for reading the old Chinese books.


Author(s):  
Federico De Romanis

This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean. When viewed against the twin backdrops of ancient sources on South Indian trade and of medieval and early modern documents on pepper commerce, the two texts become foundational resources for the history of commercial relationships between South India and the West.


2012 ◽  
Vol 16 (6) ◽  
pp. 481-501
Author(s):  
Robert J. Antony

Abstract All pirates had reputations for violence and terror, but in Asia people also depicted them as bloodthirsty demons who practiced cannibalism and human sacrifices. But how deserved were those reputations? Here I examine the images, nature, and meanings of pirate violence in the South China Sea between the fifteenth and early nineteenth centuries. Pirates consciously used violence and brutality to obtain money and goods, to seek vengeance against their enemies, and to instill fear in anyone who might resist them. In this article I focus on what I call the cultural construction of violence with Chinese characteristics.


Author(s):  
Elia Nathan Bravo

The purpose of this paper is two-fold. On the one hand, it offers a general analysis of stigmas (a person has one when, in virtue of its belonging to a certain group, such as that of women, homosexuals, etc., he or she is subjugated or persecuted). On the other hand, I argue that stigmas are “invented”. More precisely, I claim that they are not descriptive of real inequalities. Rather, they are socially created, or invented in a lax sense, in so far as the real differences to which they refer are socially valued or construed as negative, and used to justify social inequalities (that is, the placing of a person in the lower positions within an economic, cultural, etc., hierarchy), or persecutions. Finally, I argue that in some cases, such as that of the witch persecution of the early modern times, we find the extreme situation in which a stigma was invented in the strict sense of the word, that is, it does not have any empirical content.


Author(s):  
Brandon Shaw

Romeo’s well-known excuse that he cannot dance because he has soles of lead is demonstrative of the autonomous volitional quality Shakespeare ascribes to body parts, his utilization of humoral somatic psychology, and the horizontally divided body according to early modern dance practice and theory. This chapter considers the autonomy of and disagreement between the body parts and the unruliness of the humors within Shakespeare’s dramas, particularly Romeo and Juliet. An understanding of the body as a house of conflicting parts can be applied to the feet of the dancing body in early modern times, as is evinced not only by literary texts, but dance manuals as well. The visuality dominating the dance floor provided opportunity for social advancement as well as ridicule, as contemporary sources document. Dance practice is compared with early modern swordplay in their shared approaches to the training and social significance of bodily proportion and rhythm.


1977 ◽  
Vol 37 (1) ◽  
pp. 13-19 ◽  
Author(s):  
Earl J. Hamilton

Wars in early modern times, although frequent, generated little price inflation because of their limited demands on real resources. The invention of paper currency and the resort to deficit financing to pay for wars changed that situation. In recent centuries wars have been the principal causes of inflation, although since World War II programs of social welfare unmatched by offsetting taxation have also fueled inflationary flames.


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