scholarly journals The International Poetic and Cultural Manifestation “Ante Popovski – Ante’s quill” – a traditional event that is yet to become a synonym for the true values of the Macedonian literary reality

2021 ◽  
Vol 50 (6) ◽  
pp. 50-60
Author(s):  
Ivan Antonovski ◽  
Keyword(s):  
20Th Century ◽  
Literary History ◽  
Digital Age ◽  
Creative Work ◽  
Literary Production ◽  
Scientific Symposium ◽  
Standard Program ◽  
Literary Life ◽  
True Values

The text raises the question of the significance of literary manifestations for literary reality. The thesis is that the significance of a specific literary manifestation in this digital age is not predominantly conditioned by its format and how conventional or modern it is, but by whether its mission is primarily based on aesthetic and literary criteria and consequently, by its content – how much new impulses it gives to the literary life. As a confirmation of this perception, the text highlights the international poetic and cultural manifestation “Ante Popovski – Ante’s Quill”, which has been part of the Macedonian literary reality for four years. Although it is quite new, with an aspiration to become traditional manifestation, and although it is organized in a conventional format and program, without pretentious efforts for non-standard program contents, it is already recognizable on the Macedonian cultural map, as an event that simultaneously seeks to invest in the valorization and affirmation of the lasting values of the Macedonian culture, to promote the Macedonian literary production, to enable less affirmed authors to emerge from the shadows of living literary monuments and to encourage literary science. Moreover, the text analyzes and valorizes the achievements of this year’s edition of the manifestation. Particular emphasis is placed on the international scientific symposium which posed key and hitherto unactualized questions about the creative work of one of the greatest Macedonian authors of the 20th century – Ante Popovski. At the same time, the concept of the manifestation is analyzed, which is constantly evolving, enabling it to be an event that leaves a mark and can lead to happenings that will one day have to be written down in literary history.

«The Forties, Fateful…» in David Samoylov’s Poetry: a Lingvo-stylistic Analysis of Three Poems about War (To the 100th Anniversary of the Birth)

2020 ◽  
Vol 81 (3) ◽  
pp. 63-69
Author(s):  
E. A. Frolova
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
100Th Anniversary ◽  
Stylistic Analysis ◽  
Creative Work ◽  
Creative Activity ◽  
War Poetry ◽  
Artistic Manner ◽  
Different Levels ◽  
Linguistic Means

The article presents an analysis of three poems about war («The Tale of Our Lady and Russian Soldiers» («Slovo o Bogoroditse i Russkih Soldatah»), «The Attack» («Ataka»), «The Forties» («Sorokovye»)) written by D. Samoylov in different periods of his creative activity. On the basis of the existing research of the creative work of the famous poet of the 20th century, a multilevel characteristic of his war lyrics is given. The aim of the article is to characterize the specific features of the poetic language of such an original author by means of a lingvo-stylistic analysis of D. Samoilov’s poems, to reveal the richness and diversity of his artistic manner. The following research methods were used: analytical reading, comparative analysis, ontological method, a multilevel analysis of poetry. The author accentuates reminiscences in D. Samoilov’s war poetry, the contrast and contrast means, repetition as an artistic device, paronomasia in the stylistic mixture of linguistic means belonging to different levels. A multidimensional poet’s approach to the theme of the war is the conclusion of the article.

Why management models are crucial to the success of business models

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Stephen Denning
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Design Methodology ◽  
Business Models ◽  
Digital Age ◽  
Management Model ◽  
Digital Innovation ◽  
Content Type ◽  
Management Models ◽  
Practical Implications

Purpose The author posits that the management model of an organization determines what kind of business models can be pursued within that organization and that successful 21st century management models are very different from those that succeeded in the 20th century. Design/methodology/approach The author compares and contrasts successful 21st century management models with models that succeeded in the 20th century. Findings Success in the digital age requires a 21st century management model and mindset based on an obsession with delivering value to customers. Practical implications The management model incorporates the key ‘written and unwritten rules’ of the firm. The success of digital innovation can be threatened by 20th Century management assumptions that thwart Agile initiatives. Originality/value Article explains how Agile mindsets and practices are essential to the 21st century management model, and how they potentiate the firm’s focus on creating customers.

Leonīds Vīgners – komponists

2021 ◽  
pp. 352-360
Author(s):  
Inese Žune
Keyword(s):  
20Th Century ◽  
Practical Method ◽  
Creative Work ◽  
Piano Sonata ◽  
Extensive Form ◽  
Musical Education ◽  
Composition Class ◽  
Percussion Instruments ◽  
Instrumental Works

The aim of the article is to highlight the creative work of the outstanding 20th- century Latvian conductor and pedagogue Leonīds Vīgners in the field of composition. The facts are based on the materials of Leonīds Vīgners’s archives found in the Museum of Literature and Music, which allows tracing the entire, versatile activities of the musician. Leonīds’s understanding of music, much like that of his sisters Beatrise, Meta, and prematurely deceased brother Vitālis, developed early in childhood, when they became the examples of the success of the new practical method of absolute musical hearing championed by their father Vīgneru Ernests. Later, the talented musician received a comprehensive musical education at the Latvian Conservatory. In addition to conducting the orchestra, playing the organ and percussion instruments, he also graduated from the composition class of Jāzeps Vītols. In the 1920s and 1930s, Leonīds Vīgners composed a range of instrumental works, from simple minuets to an extensive form of a piano sonata. In total, the museum’s collection contains 16 manuscripts of his instrumental works. The largest part of Leonīds Vīgners’s work consists of his solo and choir songs composed or reworked in different periods of time. He has mentioned that he has composed about 80 solo and 300 choir songs, but some of them perished during the war. Examining the manuscripts of Leonīds Vīgners’s songs, as well as many drafts that have been included in the collection of the Museum of Literature and Music, it can be concluded that he attached great importance to the words that evoked his musical ideas. Leonīds Vīgners always remained himself, with his own views on music and Latvian nationalism. However, behind his seemingly harsh exterior, there was a sensitive and fragile soul, which is truly revealed in his compositions with the plastic, bittersweet sense of melody characteristic to the Romantics and at times the impressionistic freshness and subtlety of his harmonies.

scholarly journals The creative work of Sergey Paradzhanov as an event of Postmodernism

2009 ◽  
Vol 1 (1) ◽  
pp. 124-132
Author(s):  
Anna Georgievna Lukashova
Keyword(s):  
20Th Century ◽  
New Method ◽  
Past Century ◽  
Creative Work ◽  
The Past

In this article a new method of analysis of S. Paradzhanov's creative work is suggested: the works of Paradzhanov-artist and Paradzhanov-director are examined as a united paradigm, which gives an opportunity to present the phenomenon of his art in the context of art culture of the 20th century in the most adequate way, and deine the connection of the aesthetics of his work and the basic tendencies of the past century.

scholarly journals Archive Fund of the Bibliographer M.Z. Vinokouroff in the Alaska State Library (USA)

2020 ◽  
pp. 100-103
Author(s):  
Elena Stepanovna Rufova
Keyword(s):  
20Th Century ◽  
Source Analysis ◽  
The Political ◽  
Literary Life ◽  
State Library ◽  
Russian America

This paper presents the study of the information potential of documents from the personal fund of Michael Z. Vinokouroff, stored in the Alaska Histori-cal Library (USA). Their source analysis will deter-mine the directions of their further scientific use. Numerous documents, diaries, letters, books, pho-tographs of the archive fund are the objects of spe-cial attention of researchers of the Russian Ortho-dox Church, “Russian America”, historians, bibliog-raphers, linguists, literary scholars. The main direc-tions of the effective scientific use of the documents from the personal archive of Michael Z. Vinokouroff. In addition to the unpublished diaries and notes of the bibliophile, the collection contains letters from St. Innokenty (Veniaminov), as well as documents reflecting the political and literary life of Yakutia in the first third of the 20th century.

Leo Tolstoy and the Literary Life in the Early 20th Century in the Mirror of the Press

2021 ◽  
pp. 315-330
Author(s):  
Vyacheslav N. Krylov ◽  
Keyword(s):  
20Th Century ◽  
Professional Life ◽  
Leo Tolstoy ◽  
Forced Labor ◽  
Early 20Th Century ◽  
Literary Life ◽  
The Press ◽  
Public Consciousness ◽  
The Cost ◽  
Central Characters

The study analyzes the images of journalists in the works of Russian writers of the late 19th and early 20th centuries, the realities of their professional life and the place they occupied in pre-revolutionary society also. Although members of the press most often act as secondary characters in the prose and drama of M. Gorky, A.I. Kuprin, E.N. Chirikov and other authors, their actions have a significant impact on the development of the plot and the fate of the central characters. The “power” of the press over public consciousness is often evaluated negatively, but the journalist’s figure can be described in tragic tones in terms of how it is perceived by these writers. The journalist is shown as a person who bears all the hardships of forced labor, depends on money and bears the cost of a bohemian lifestyle.

The Fireside Poets

2017 ◽  
Author(s):  
Paul Johnston
Keyword(s):  
Native American ◽  
20Th Century ◽  
Literary History ◽  
Oliver Wendell Holmes ◽  
College And University ◽  
Henry Wadsworth Longfellow ◽  
History Of ◽  
American Society ◽  
K 12 ◽  
The 19Th Century

The terms “Fireside Poets” or “Schoolroom Poets” are used to designate a group of five poets—William Cullen Bryant, Henry Wadsworth Longfellow, John Greenleaf Whittier, Oliver Wendell Holmes, and James Russell Lowell—who were popular in America in the latter half of the 19th century. Their poetry was read both around household firesides, often aloud by a mother or father to the gathered family, and in schoolrooms, where they inculcated wisdom and morals and patriotic feeling in America’s young. While they continued to be taught in K-12 classrooms well into the 20th century, they lost their standing first with critics and then with college and university professors with the coming of modernism in the early decades of the 20th century. Despite scattered attempts to restore both their critical reputations and their place in the curriculum, they continue to have only a marginal place in the minds of those most familiar with poetry. The Postmodern/New Historicist challenges to modernism find little of interest in them—Belknap’s A New Literary History of America (2009), for instance barely mentions them—while the neo-Victorian turn toward socially conscious literature, which might be expected to retrieve them, has so far paid them little mind, though some attention has recently been given to their environmental and Native American themes. But this marginalization may more reflect the marginalization of poetry as a whole in American society at large than a true estimate of their worth to common readers. While young students no longer read Longfellow’s Evangeline or Bryant’s “The Chambered Nautilus,” these poets may yet form the vanguard of a restoration of the enjoyment of poetry in America.

The Influence of Far Eastern Culture on the Creative Work of S.M. Eisenstein

2018 ◽  
Vol 10 (3) ◽  
pp. 45-54
Author(s):  
Joon Il Song
Keyword(s):  
20Th Century ◽  
Far East ◽  
Historical Context ◽  
Traditional Culture ◽  
Early 20Th Century ◽  
Creative Work ◽  
Eastern Culture ◽  
Chinese Traditional Culture ◽  
The Far East ◽  
Far Eastern

The article investigates the influence of Japanese and Chinese traditional culture on Sergey Eisensteins theory of artistic thinking, his activity as a film director. The author explores the origin of Eisensteins interest for the Far East in the historical context of the late 19th - early 20th century. Special attention is paid to his reflection on the nature of Japanese and Chinese drama, painting and poetry as well as its results manifested in his montage theory.

scholarly journals Illuminating Botteghe Oscure’s British network

Modern Italy ◽  
2016 ◽  
Vol 21 (2) ◽  
pp. 171-184 ◽  
Author(s):  
Sara Sullam
Keyword(s):  
United Kingdom ◽  
Literary History ◽  
Literary Production ◽  
Periodical Studies ◽  
The United Kingdom ◽  
Literary Journal ◽  
Literary Systems ◽  
A Site

Working at the intersection between literary history and periodical studies, this article investigates the role played by the literary journal Botteghe Oscure (Rome, 1948–1960) in processes of Anglo-Italian literary transfer. The article charts the journal’s British network, analysing quantitatively the presence of both established and new writers. Further, it focuses on Botteghe Oscure’s publishing and distribution policy in the United Kingdom, drawing on its founder Marguerite Caetani’s correspondence in order to interrogate the location of the journal within the Italian and the English literary systems, and thus illuminate the journal’s role as a site of literary production as it was shaped in both Italy and Britain.

Peter Huchel: A Literary Life in 20th-Century Germany

2001 ◽  
Vol 96 (2) ◽  
pp. 579
Author(s):  
Hanne Castein ◽  
Stephen Parker
Keyword(s):  
20Th Century ◽  
Literary Life
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