Psychosocial Stressors and the Short Life Spans of Legendary Jazz Musicians

2000 ◽  
Vol 90 (2) ◽  
pp. 435-436 ◽  
Author(s):  
Frank Patalano

Mean age at death of 168 legendary jazz musicians and 100 renowned classical musicians were compared to examine whether psychosocial stressors such as severe substance abuse, haphazard working conditions, lack of acceptance of jazz as an art form in the United States, marital and family discord, and a vagabond life style may have contributed to shortened life spans for the jazz musicians. Analysis indicated that the jazz musicians died at an earlier age (57.2 yr.) than the classical musicians (73.3 yr.).

1997 ◽  
Vol 84 (1) ◽  
pp. 93-94 ◽  
Author(s):  
Frank Patalano

Brief biographical information on four great jazz tenor saxophone players of the past is presented to illustrate the similar psychosocial stressors these men seemed to experience, namely, severe substance abuse, haphazard working conditions, lack of acceptance of their art form in the United States, marital and family discord, and a vagabond life style. Ages at death of 80 great jazz musicians may indicate that the stressful life style of jazz musicians may be reflected in a shortened life span, but a control group is needed.


Author(s):  
Frank E. Vandervort ◽  
Vincent J. Palusci

Substance abuse is a major medical and social problem. Estimates suggest that each year some 15 percent of the 4 million babies born in the United States are exposed to drugs or alcohol. Research demonstrates that exposure to these substances is harmful to the children in both the short term and across their developmental trajectory. This chapter summarizes the harms that might result from such prenatal exposure and considers the ways that both federal and state law respond to this. The chapter argues for universal drug testing of newborns in an effort to ascertain whether they have been prenatally exposed to such substances so that treatment and other services can be provided.


Author(s):  
Nicholas P Piedmonte ◽  
Vanessa C Vinci ◽  
Thomas J Daniels ◽  
Bryon P Backenson ◽  
Richard C Falco

Abstract The Asian longhorned tick, Haemaphysalis longicornis Neumann, is a species native to eastern Asia that has recently been discovered in the United States. In its native range, H. longicornis transmits pathogens that cause disease in humans and livestock. It is currently unknown whether H. longicornis will act as a vector in the United States. Understanding its seasonal activity patterns will be important in identifying which times of the year represent greatest potential risk to humans and livestock should this species become a threat to animal or public health. A study site was established in Yonkers, NY near the residence associated with the first reported human bite from H. longicornis in the United States. Ticks were collected once each week from July 2018 to November 2019. Haemaphysalis longicornis larvae were most active from August to November, nymphs from April to July, and adult females from June to September. This pattern of activity suggests that H. longicornis is capable of completing a generation within a single year and matches the patterns observed in its other ranges in the northern hemisphere. The data presented here contribute to a growing database for H. longicornis phenology in the northeastern United States. Potential implications of the short life cycle for the tick’s vectorial capacity are discussed.


Revista Trace ◽  
2018 ◽  
pp. 62
Author(s):  
Patrick Pérez

En México, el “sueño americano” no deja de ser reciente, las expectativas del personal de cuidado de la salud en materia de movilidad dependen de la iniciativa individual. Los factores que determinan tanto la migración, como la admisión de los candidatos, son numerosos y difíciles de objetivar, debido a que se encuentran sedimentados por la historia y las complejas relaciones con Estados Unidos, que simbolizan la promesa de un “horizonte de movilidad abierto”, con referencia al cual se desprecian profundamente las condiciones de trabajo en el país de origen. Sin embargo, las condiciones reales de trabajo en Estados Unidos no son tan idílicas como los estudiantes gustan creerlo.Abstract: In Mexico, the “American dream” is still a topical issue. The expectations of the healthcare workers in terms of mobility depends on the individual initiative. The factors which determine migration, as well as the admission of candidates are numerous and uneasy to specify, given that they are frozen by history and complex relations with the United States, which symbolizes the promise of an “open mobility horizon”, in reference to the disregard of working conditions in their home country. However, the real working conditions in the United-States are not as idyllic as the students want to believe.Résumé : Au Mexique, le « rêve américain » n’en finit pas d’être d’actualité. Les perspectives du personnel de santé en matière de mobilité dépendent de l’initiative individuelle. Les facteurs déterminants de la migration, ainsi que de l’admission des candidats sont nombreux et difficiles à spécifier, puisqu’ils sont figés par l’histoire et les relations complexes avec les États-Unis, lesquels symbolisent la promesse d’un « horizon de mobilité ouvert », et font référence au mépris des conditions de travail dans le pays d’origine. Cependant, les conditions réelles de travail aux États-Unis ne sont pas aussi idylliques que les étudiants veulent le croire.


2020 ◽  
pp. 45-70
Author(s):  
Anne Searcy

Chapter 2 analyzes American Ballet Theatre’s (ABT’s) often-overlooked 1960 tour of the Soviet Union. The tour took place under highly fraught circumstances. Ballet was considered a uniquely Russian art form in both the United States and the Soviet Union. At many points in the spring and summer of 1960, both the Soviet and American governments threatened to withdraw support from the tour. In dealing with these concerns, ABT director Lucia Chase developed a strategy for presenting her company and the United States as the leader of an international, elite art form. Through repertoire and casting choices, she balanced the troupe’s profile, showing it as both an international company and an American organization. Moreover, the company’s American works bore striking similarities to Soviet drambalety and were therefore praised by Russian critics for displaying common aesthetic and political values. Much to the surprise of everyone involved, the strategy was successful.


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