Journey in a Life Story and Pilgrimage: Exploring the Connection Between Humans and Place in a First-Person Narrative

2021 ◽  
Vol 15 (2) ◽  
pp. 179-197
Author(s):  
Tiiu Jaago ◽  
Tiina Sepp

Abstract This paper will explore the relationship between humans and place mediated in first-person narratives. By focusing on episodes that reveal the change in the ordinary role of the person, we examine how they describe the place and how they perceive the environment in their changed role. Drawing on interviews with a man who has walked a pilgrimage/hiking trail as well as a written life story from the collections of the Estonian Cultural History Archives, we analyse the description of modern journeys and the journeys that took place in the vortex of events during World War II. We suggest that the descriptions of place-making under consideration are related not only to subjective experiences and storytelling skills, but also to more general contexts, such as historical-political, economic, or religious frames. Comparing various kinds of place-making description we attempt to find the universal and context-sensitive aspects of journey descriptions. Finally, based on studies of oral history and cultural borders on the one hand, and pilgrimage studies on the other, a methodological question is asked: how should one apply these research methods and results to place-making research? Combining these research methods has turned out to be fruitful in creating a dialogue between experiences that have been formed in different circumstances, and through this to understand better the factors determining one’s sense of place.

2021 ◽  
Vol 39 (2/2021) ◽  
pp. 415-434
Author(s):  
Slobodan Selinić

Serbia’s political status after the death of Josip Broz was determined by two kinds of efforts by the state. Firstly, the Serbian leaders aimed to change its unequal status in federal Yugoslavia. Secondly, they aimed to stop fragmentation within Serbia, which grew steadily after the 1974 Constitution. Political relations between Serbian leaders on the one hand, and some political circles and leaders of Bosnia-Herzegovina, Croatia, and the autonomous provinces on the other, were strained. They worsened even more after several clashes in 1983. Despite the opposition of politicians in Bosnia, Croatia, and Vojvodina to Dragoslav Marković (who was described as a strong advocate of Serbian political unity), he was elected as chairman of the Central Committee of the League of Communists of Yugoslavia (CK SKJ) in 1983. Serbo-Croatian relationships were further damaged after the publication of the book Enigma Kopinič in Belgrade. The Croatian leaders were against this publication because it revealed – as far as the Party was concerned – undesirable information about the interwar years and the period during World War II. The major confrontation came over the interpretation of events that occurred at the funeral of Aleksandar Ranković (mainly over who was responsible for the mass gathering and the respectful attitude toward the deceased). Federal party units, as well as those from the Yugoslav republics and from Belgrade, jointly condemned those events as a political rally against the government. However, they disagreed over who was responsible for the incident and what had caused the public outcry. The CK SKJ chairmanship members from the autonomous provinces, Croatia, and Bosnia accused Serbia and the Serbian Communist Party for the display of nationalism. They also held the Belgrade City Party Committee responsible for letting the rally happen. Contrary to this, the Belgrade City Committee led by Ivan Stambolić, whom the Serbian leadership supported, felt that the uproar was caused by the overall political, economic, and social crisis, for which the Federal government was to blame.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Eugen Pfister ◽  
Felix Zimmermann

Abstract For almost three decades, the depiction of the Holocaust was considered taboo in digital games. While World War II became a popular historicizing setting for digital games, the crimes of the Nazi regime and the Holocaust in particular remained conspicuously absent. In this article we show that discussions about the fundamental suitability of specific media or media forms for dealing responsibly with the memory of the Nazi regime’s crimes have already taken place several times and that similar arguments can now be applied to the digital game. With this in mind, we pursue the question of whether only so-called serious games are suitable for this purpose, or whether, on the contrary, mainstream blockbuster games – here specifically the first-person shooter Wolfenstein: The New Order – can find ways to maintain the memory of the Holocaust without trivializing it. We approach this question by analyzing chapter 8 of Wolfenstein: The New Order, in which protagonist William “B.J.” Blazkowicz allows himself to be deported to a Nazi concentration camp. We discuss this camp scene dialectically, on the one hand, as an encouragement to rethink the first-person shooter and, on the other hand, as a reproduction of a superficial iconography of the Holocaust.


2016 ◽  
Vol 12 (20) ◽  
pp. 288
Author(s):  
Vinkler Belane ◽  
Csilla Kalmar-Rimoczi ◽  
Beatrix Lenkovics

Pig farming enjoys a significant tradition in Hungary and the pig industry plays a key role within the domestic animal husbandry sector. Raising pork has always played an important role in the domestic meat supply, but it has a crucial role in supplying the export markets. It can be concluded that our natural resources provide in themselves significant comparative advantages for us with a high proportion of arable land in agricultural use. Our social and economic endowments and potentials are also favourable for agricultural production and stock-raising. Our paper aims to employ financial data to describe the development of raising pig livestock in Hungary best characterized by its constant changes. Part I summarises two periods describing the changes affecting the animal husbandry sector and their subsequent impact on the economy. On the one hand, it covers the period following World War II, from 1945 to 1965, describing the situation of the country and the farmers; on the other hand, it lists the economic achievements and their impact on the pig industry preceding the political-economic transition in the course of the years lasting from 1966 to 1989.


2019 ◽  
pp. 390-395
Author(s):  
S. V. Perevalova

The review considers the opinions of L. Vinogradova, who wrote a book about Soviet women pilots during World War II, based on the recently discovered documentary evidence and witness reports, as well as taking into account the relevant experience of her predecessors. At the centre of the book is a life story of the war hero L. Litvyak, who shared a similar lot with her sisters in arms. Following the descriptions in war correspondent V. Grossman’s Stalingrad Notebooks [Stalingradskie tetradi], the author details aerial battles in the skies above Stalingrad. In her reconstruction of the ferocious engagements, Vinogradova also covers the boisterous propaganda of pre-war years and questionable episodes in Russian war history. The book seeks to disprove the American historian B. Yenne, who, in his biography called The White Rose of Stalingrad, showed L. Litvyak as yesterday’s schoolgirl, killed when not yet 22. 


Author(s):  
Munawar Haque

Abstract  The purpose of this article is to explore the views of Sayyid Abul AÑlÉ MawdËdÊ[1] on ijtihÉd.[2] It intends to trace the origins of MawdËdÊ’s ideas within the social, cultural and political context of his time, especially the increasing influence of modernity in the Muslim world.  The study will show that MawdËdÊ’s understanding of ijtihÉd and its scope demonstrates originality.  For MawdËdÊ, ijtihÉd is the concept, the process, as well as the mechanism by which the SharÊÑah,[3] as elaborated in the Qur’Én and the Sunnah[4] is to be interpreted, developed and kept alive in line with the intellectual, political, economic, legal, technological and moral development of society.  The notion of ijtihÉd adopted by MawdËdÊ transcends the confines of Fiqh[5] (jurisprudence) and tends therefore to unleash the dormant faculties of the Muslim mind to excel in all segments of life.   [1] Sayyid Abul AÑlÉ MawdËdÊ was born on September 25, 1903 in Awrangabad, a town in the present Maharashtra state of India in a deeply religious family.  His ancestry on the paternal side is traced back to the Holy Prophet (peace be upon him).  The family had a long-standing tradition of spiritual leadership, for a number of MawdËdÊ’s ancestors were outstanding leaders of ØËfÊ Orders.  One of the luminaries among them, the one from whom he derives his family name, was KhawÉjah QuÏb al-DÊn MawdËd (d. 527 AH), a renowned leader of the ChishtÊ ØËfÊ Order. MawdËdÊ died on September 22, 1979. See Khurshid Ahmad and Zafar Ishaq Ansari, “MawlÉnÉ Sayyid Abul AÑlÉ MawdËdÊ: An Introduction to His Vision of Islam and Islamic Revival,”, in Khurshd Ahmad and Zafar Ishaq Ansari (eds.) Islamic Perspectives: Studies in Honour of MawlÉnÉ Sayyid Abul A’lÉ MawdËdÊ,  (Leicester: The Islamic Foundation,1979), 360. [2]  In Islamic legal thought, ijtihÉd is understood as the effort of the jurist to derive the law on an issue by expending all the available means of interpretation at his disposal and by taking into account all the legal proofs related to the issue.  However, its scope is not confined only to legal aspect of Muslim society.  MawdËdÊ’s concept of ijtihÉd is defined as the legislative process that makes the legal system of Islam dynamic and makes its development and evolution in the changing circumstances possible.  This results from a particular type of academic research and intellectual effort, which in the terminology of Islam is called ijtihÉd.  The purpose and object of ijtihÉd is not to replace the Divine law by man made law.  Its real object is to properly understand the Supreme law and to impart dynamism to the legal system of Islam by keeping it in conformity with the fundamental guidance of the SharÊÑah and abreast of the ever-changing conditions of the world.  See Sayyid Abul AÑlÉ MawdËdÊ, The Islamic Law and Constitution, translated and edited by Khurshid Ahmad, (Lahore: Islamic Publications Ltd, 1983), 76.[3] SharÊÑah refers to the sum total of Islamic laws and guidance, which were revealed to the Prophet MuÍammad (peace be upon him), and which are recorded in the Qur’Én as well as deducible from the Prophet’s divinely guided lifestyle (called the Sunnah). See Muhammad ShalabÊ, al-Madkhal fÊ at-TaÑ’rÊf  b alil-Fiqh al-IslÉmÊ, (Beirut: n.p., 1968),.28.[4]Sunnah is the way of life of the Prophet (peace be upon him), consisting of his sayings, actions and silent approvals. It is also used to mean a recommended deed as opposed to FarÌ or WÉjib, a compulsory one.[5]  Originally Fiqh referred to deliberations related to one’s reasoned opinion, ra’y.  Later the expression Fiqh evolved to mean jurisprudence covering every aspect of Islam.  It is also applied to denote understanding, comprehension, and profound knowledge. For an excellent exposition on the meaning of Fiqh, see Imran Ahsan Khan Nyazee, Theories of Islamic law: The methodology of ijtihÉd, (Delhi: Adam Publishers & Distributors, 1996), 20-22.


2015 ◽  
Vol 3 (7) ◽  
Author(s):  
Patrick Bond

<p class="p1"><span class="s2"><strong>Abstract </strong></span>| The challenge of interdisciplinary intellectual and strategic work in the extractive industries is particularly acute at the interface of research and social activism. Numerous social movements which are dedicated to sustainability fail to ‘connect the dots’ between their campaigns and broader political-economic and political-ecological visions<span class="s3"><strong>. </strong></span>This is becoming a critical challenge in Africa, where the extreme damage done by mining and fossil fuels has generated impressive resistance<span class="s3"><strong>.</strong></span>However, the one obvious place to link these critiques from African activists was the Alternative Mining Indaba in Cape Town in February 2015, and a survey of narratives at that event leads to pessimism about interdisciplinary politics. The potential for much greater impact and deeper critiques of unsustainable extractivism lies in greater attention to combining social reproduction and production (as do eco-feminists), and to tackling social, economic, political and ecological factors with a more explicit structuralist critique and practical toolkit<span class="s3"><strong>. </strong></span>Areas such as energy, economics and climate are ripe for linkages<span class="s3"><strong>. </strong></span>One reason for optimism is a climate justice declaration made by leading civil society activists in Maputo in April 2015.<strong></strong></p>


Author(s):  
Andrea Harris

This chapter takes a biographical approach to Lincoln Kirstein’s creation of a modernist theory of ballet to situate its development in the 1930s cultural wing of the Popular Front and explore its evolution through and after World War II. Fueled by the cultural front’s belief in the role of the arts in social revolution, Kirstein seized the opportunity to decouple ballet from existing biases about its elitism and triviality, and formulate new ideas about its social relevance in the Depression period. After exploring the development of Kirstein’s social modernism in the cultural front, chapter 2 then turns to the challenges posed to the 1930s belief that art could be productively combined with politics through two major turning points in Kirstein’s life. These are his experiences in World War II, and the erosion of his own artistic role in the ballet company after the formation of the New York City Ballet and the ascendance of George Balanchine’s dance-for-dance-sake aesthetic in the late 1940s. The chapter illustrates Kirstein’s attempts to negotiate the social modernist aesthetic he crafted under the wing of the cultural front within the volatile political, economic, and artistic circumstances of World War II, anticommunism, and the Cold War.


Author(s):  
Larry F. Norman

This chapter examines the rising mid-twentieth-century attention to the Baroque as a challenge to “French Classicism.” The concept of the literary Baroque faced strong opposition in France, where it undermined a critical tradition that isolated the “Age of Louis XIV” from European-wide currents. After World War II, the transnational Baroque provided a model for a more cosmopolitan view of the seventeenth century. Its integration into French literary and cultural history, however, reverses established paradigms of cultural evolution and periodization according to which Renaissance Classicism is followed by Counter-Reformation Baroque. This development also raises questions concerning the intellectual and ideological underpinning of the Baroque, including its relation to monarchy and Cartesian modernity. Authors examined include foundational figures of comparative literature (Erich Auerbach, E. R. Curtius, Leo Spitzer, René Wellek), art critics and historians (Eugenio d’Ors, Arnold Hauser, Victor-L. Tapié), and pioneers of the French Baroque (Jean Rousset, Marcel Raymond).


2021 ◽  
pp. 016344372110227
Author(s):  
Yingzi Wang ◽  
Thoralf Klein

This paper examines the changes and continuities in TV representations of Chinese Communist Party’s revolutionary history and interprets them within the broader context of China’s political, economic and cultural transformations since the 1990s. Drawing on a comparative analysis of three state-sponsored TV dramas produced between the late 1990s and mid-2010s, it traces how the state-sanctioned revolutionary narratives have changed over time in response to the Party’s propaganda imperatives on the one hand, and to the market-oriented production environment on the other. The paper argues that while recent TV productions in the new century have made increasing concessions to audience taste by adopting visually stimulating depictions and introducing fictional characters as points of identification for the audience, the revolutionary narratives were still aligned with the Party’s propaganda agenda at different times. This shows the ongoing competition between ideological and commercial interests in Chinese TV production during the era of market reforms.


2021 ◽  
pp. 095792652199214
Author(s):  
Kim Schoofs ◽  
Dorien Van De Mieroop

In this article, we scrutinise epistemic competitions in interviews about World War II. In particular, we analyse how the interlocutors draw on their epistemic authority concerning WWII to construct their interactional telling rights. On the one hand, the analyses illustrate how the interviewers rely on their historical expert status – as evidenced through their specialist knowledge and ventriloquisation of vicarious WWII narratives – in order to topicalise certain master narratives and thereby attempt to project particular identities upon the interviewees. On the other hand, the interviewees derive their epistemic authority from their first-hand experience as Jewish Holocaust survivors, on which they draw in order to counter these story projections, whilst constructing a more distinct self-positioning to protect their nuanced personal identity work. Overall, these epistemic competitions not only shaped the interviewees’ identity work, but they also made the link between storytelling and the social context more tangible as they brought – typically rather elusive – master narratives to the surface.


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