The reception of antiquity in nineteenth-century British literature – an attempt at theoretical synthesis

2018 ◽  
Vol 6 (2) ◽  
pp. 144-160
Author(s):  
Agata Buda
Keyword(s):  
Nineteenth Century ◽  
Classical Tradition ◽  
Victorian Literature ◽  
British Literature ◽  
Reception Studies ◽  
Research Material ◽  
Theoretical Synthesis ◽  
Critical Approaches

Abstract The aim of the paper is to make an attempt of theoretical synthesis connected with the idea of reception studies. It presents major aspects which are crucial for understanding the reception studies, especially for the reception of antiquity in Victorian literature (for instance chosen critical approaches to literature, contemporary tools for conducting the research like intertextuality). The paper also presents definitions of classics, classical tradition and reception and tries to explain why Victorian times and literature are a perfect research material to examine the reception of antiquity.

Victorian Pain

2017 ◽  
Author(s):  
Rachel Ablow
Keyword(s):  
Nineteenth Century ◽  
Victorian Literature ◽  
Social Life ◽  
Charles Darwin ◽  
Harriet Martineau ◽  
The Status ◽  
History Of ◽  
The Individual ◽  
Natural Philosophers ◽  
First Time

The nineteenth century introduced developments in science and medicine that made the eradication of pain conceivable for the first time. This new understanding of pain brought with it a complex set of moral and philosophical dilemmas. If pain serves no obvious purpose, how do we reconcile its existence with a well-ordered universe? Examining how writers of the day engaged with such questions, this book offers a compelling new literary and philosophical history of modern pain. The book provides close readings of novelists Charlotte Brontë and Thomas Hardy and political and natural philosophers John Stuart Mill, Harriet Martineau, and Charles Darwin, as well as a variety of medical, scientific, and popular writers of the Victorian age. The book explores how discussions of pain served as investigations into the status of persons and the nature and parameters of social life. No longer conceivable as divine trial or punishment, pain in the nineteenth century came to seem instead like a historical accident suggesting little or nothing about the individual who suffers. A landmark study of Victorian literature and the history of pain, the book shows how these writers came to see pain as a social as well as a personal problem. Rather than simply self-evident to the sufferer and unknowable to anyone else, pain was also understood to be produced between persons—and even, perhaps, by the fictions they read.

“SAVING BRITISH NATIVES”: FAMILY EMIGRATION AND THE LOGIC OF SETTLER COLONIALISM IN CHARLES DICKENS AND CAROLINE CHISHOLM

2015 ◽  
Vol 43 (2) ◽  
pp. 261-280
Author(s):  
Terra Walston Joseph
Keyword(s):  
Nineteenth Century ◽  
Charles Dickens ◽  
British Literature ◽  
Settler Colonialism ◽  
The United States ◽  
Second Empire ◽  
Mother Country ◽  
The Social ◽  
White Settlers ◽  
Emotional Identification

As Cambridge historian J. R. Seeley writes inThe Expansion of England (1883), the fear of colonial secession, inspired by that of the United States, haunted Britons’ perception of their “second Empire” throughout the nineteenth century, effectively working against a sense of shared national destiny with the white settlers of Canada, New Zealand, and Australia (14–15). One important way Victorian writers combatted the “optimistic fatalism” Seeley observed in his fellow Britons was through an imperial economy of affect, which circulated sentiment and stressed emotional identification between settlers and metropolitan Britons (15). If mid-nineteenth-century British literature can be said to negotiate the tensions of Britain's empire through representations of racial, cultural, and linguistic difference, then narratives of sameness – of British families across the oceans – offer models for cohering the British settler empire. In such a model, techniques designed to reinforce the sentimental bonds of settlers to their families might also reinforce the social, political, and affective connections of the settlers to the metaphorical “mother country.”

Anthropology and the classics: war, violence, and the statelesspolis

2000 ◽  
Vol 50 (1) ◽  
pp. 257-289 ◽  
Author(s):  
Moshe Berent
Keyword(s):  
Nineteenth Century ◽  
Classical Tradition ◽  
Birth Control ◽  
Ancient Greece ◽  
The Other ◽  
Value System ◽  
Persian Wars ◽  
Intellectual Revolution ◽  
Greek Civilization ◽  
Constitutional Changes

I. INTRODUCTIONIt has become a commonplace in contemporary historiography to note the frequency of war in ancient Greece. Yvon Garlan says that, during the century and a half from the Persian wars (490 and 480–479 B.C.) to the battle of Chaeronea (338 B.C.), Athens was at war, on average, more than two years out of every three, and never enjoyed a period of peace for as long as ten consecutive years. ‘Given these conditions’, says Garlan, ‘one would expect them (i.e. the Greeks) to consider war as a problem …. But this was far from being the case.’ The Greek acceptance of war as inevitable was contrasted by Momigliano and others with the attention given to constitutional changes and to the prevention ofstasis: ‘the Greeks came to accept war like birth and death about which nothing could be done …. On the other hand constitutions were men-made and could be modified by men.’Moralist overtones were not absent from this re-evaluation of Greek civilization. Havelock observed that the Greeks exalted, legitimized, and placed organized warfare at the heart of the European value system, and Momigliano suggested that:The idea of controlling wars, like the idea of the emancipation of women and the idea of birth control, is a part of the intellectual revolution of the nineteenth century and meant a break with the classical tradition of historiography of wars.

Discipline and Revolution: Classics in Victorian Culture

2011 ◽  
Author(s):  
Simon Goldhill
Keyword(s):  
Nineteenth Century ◽  
Reception Studies ◽  
Victorian Culture ◽  
Victorian Britain ◽  
Major Revision ◽  
The Relationship ◽  
Nineteenth Century Studies

This book explores the dynamics of Classics in the nineteenth-century, focusing on art, opera, and fiction and how artworks come to stand for a self-aware statement about modernity—through the classical past. It raises new questions and new understandings in three major areas of scholarship: nineteenth-century studies, Classics, and the so-called Reception Studies. It examines the discipline of Classics and its place in Victorian culture, as well as some very strong challenges to the Classics as a story, which constitute a need for a major revision of the account. In particular, it considers the relationship between Classics and sexuality. It also discusses the most important revolution of the nineteenth century, and how this affects our understanding of a discipline as a discipline: the loss of the dominant place of Christianity in Victorian Britain.

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