scholarly journals TREASURE AND SPIRITUAL EXILE IN OLD ENGLISH JULIANA: HEROIC DICTION AND ALLEGORY OF READING IN CYNEWULF’S ART OF ADAPTATION

2013 ◽  
Vol 48 (2-3) ◽  
pp. 55-70
Author(s):  
Jacek Olesiejko
Keyword(s):  
Old English ◽  
Anglo Saxon ◽  
Alliterative Verse ◽  
Secular World ◽  
Heroic Style ◽  
The Stability ◽  
Material Values ◽  
Poetic Creation ◽  
Kinship Bonds ◽  
The Church

ABSTRACT The present article studies Cynewulf’s creative manipulation of heroic style in his hagiographic poem Juliana written around the 9th century A.D. The four poems now attributed to Cynewulf, on the strength of his runic autographs appended to each, Christ II, Elene, The Fates of the Apostles, and Juliana are written in the Anglo-Saxon tradition of heroic alliterative verse that Anglo- Saxons had inherited from their continental Germanic ancestors. In Juliana, the theme of treasure and exile reinforces the allegorical structure of Cynewulf’s poetic creation. In such poems like Beowulf and Seafarer treasure signifies the stability of bonds between people and tribes. The exchange of treasure and ritualistic treasure-giving confirms bonds between kings and their subjects. In Juliana, however, treasure is identified with heathen culture and idolatry. The traditional imagery of treasure, so central to Old English poetic lore, is inverted in the poem, as wealth and gold embody vice and corruption. The rejection of treasure and renunciation of kinship bonds indicate piety and chastity. Also, while in other Old English secular poems exile is cast in terms of deprivation of human company and material values, in Juliana the possession of and preoccupation with treasure indicates spiritual exile and damnation. This article argues that the inverted representations of treasure and exile in the poem lend additional strength to its allegorical elements and sharpen the contrast between secular world and Juliana, who is an allegorical representation of the Church.

scholarly journals The departure of the hero in a ship: The intertextuality of Beowulf, Cynewulf and Andreas

2019 ◽  
Vol 24 (1) ◽  
pp. 105
Author(s):  
Francis Leneghan
Keyword(s):  
Old English ◽  
English Poetry ◽  
Anglo Saxon ◽  
Old English Poetry ◽  
The Church

This article identifies a new Old English poetic motif, ‘The Departure of the Hero in a Ship’, and discusses the implications of its presence in Beowulf, the signed poems of Cynewulf and Andreas, a group of texts already linked by shared lexis, imagery and themes. It argues that the Beowulf-poet used this motif to frame his work, foregrounding the question of royal succession. Cynewulf and the Andreas-poet then adapted this Beowulfian motif in a knowing and allusive manner for a new purpose: to glorify the church and to condemn its enemies. Investigation of this motif provides further evidence for the intertextuality of these works.Keywords: Old English poetry; Beowulf, Cynewulf; Andreas; Anglo-Saxon literature

scholarly journals The Language of Baptism in Early Anglo-Saxon England: The Case for Old English

2017 ◽  
Vol 53 ◽  
pp. 39-50
Author(s):  
Miriam Adan Jones
Keyword(s):  
Old English ◽  
Eighth Century ◽  
General Knowledge ◽  
Anglo Saxon ◽  
Standard Language ◽  
Old Saxon ◽  
Faith Commitment ◽  
Correct Pronunciation ◽  
The Church

This article explores the possibility that the vernacular (Old English) may have been used in the baptismal rite in Anglo-Saxon England before the middle of the eighth century. Statements made by Bede (d. 735) and Boniface (d. 754), provisions in the Canons of the Council ofClofesho(747) and the probable existence of a lost Old English exemplar for the ‘Old Saxon’ or ‘Utrecht’ baptismal promise (Palatinus latinus 755, fols 6v–7r), all suggest that it was. The use of the vernacular was most attractive in a context of ongoing Christianization, where the faith commitment of the baptizand was foregrounded and his or her understanding of the rite correspondingly highly valued. Later, the shift of focus towards the correct pronunciation of the Trinitarian formula and the increase of general knowledge about the baptismal rite reduced the impetus for translation, and Latin became the standard language of baptism. The translation and non-translation of the baptismal rite reflect broader concerns about the place of the Church of the English and its ethnic and cultural particularity within the universal Church, and particularly its relationship with Rome.

The influence of Christian doctrine and exegesis on Old English poetry: an estimate of the current state of scholarship

1973 ◽  
Vol 2 ◽  
pp. 271-284 ◽  
Author(s):  
Philip B. Rollinson
Keyword(s):  
Old English ◽  
Cultural Influences ◽  
English Poetry ◽  
Anglo Saxon ◽  
Christian Doctrine ◽  
Old English Poetry ◽  
The Bible ◽  
Current State ◽  
Latin Culture ◽  
The Church

Although it is a commonplace of history that Anglo-Saxon England was receptive to Christianity and to Christian-Latin culture and that English churchmen such as Aldhelm, Bede and Alcuin made an important contribution to that culture, it is only in recent years that scholars have explored and emphasized the importance of Christian tradition to the understanding of Old English poetry, especially those poems without explicit Christian content. Increased investigation of Old English prose, which is largely Christian, and the well-known work onBeowulfby Frederick Klaeber, Marie Padgett Hamilton, Dorothy Whitelock and others, seems to have redirected ‘the search for Anglo-Saxon paganism‘ into a search – sometimes opposed – for reflections of Christianity in Anglo-Saxon poetry. While in some quarters this critical and scholarly attention has been confined to the influence of Christian doctrine, ritual and interpretation of the bible, in others it has taken into account the broader cultural influences of the church, especially its transmission of the literature and learning of pagan antiquity.

Introduction

2018 ◽  
Author(s):  
Chris Jones
Keyword(s):  
Nineteenth Century ◽  
Old English ◽  
English Studies ◽  
Anglo Saxon ◽  
Political Events ◽  
Two Phases ◽  
Scholarly Contribution ◽  
Anglophone World ◽  
The Relationship

This introductory chapter contextualizes the philological study of language during the nineteenth century as a branch of the evolutionary sciences. It sketches in outline the two phases of poetic Anglo-Saxonism for which the rest of the book will subsequently argue in more detail. Moreover, the relationship between Anglo-Saxonism and nineteenth-century medievalism more generally is articulated, and historical analogies are drawn between nineteenth-century Anglo-Saxonism and more recent political events in the Anglophone world. Finally, the scholarly contribution of Fossil Poetry itself is contextualized within English Studies; it is argued that ‘reception’ is one of the primary objects of Anglo-Saxon or Old English studies, and not merely a secondary object of that field’s study.

Anglo-Saxon Glosses and Grammars

2020 ◽  
pp. 942-956
Author(s):  
Patrizia Lendinara
Keyword(s):  
Old English ◽  
Anglo Saxon

This chapter surveys Old English glosses of Latin works in Anglo-Saxon manuscripts and discusses the format of glosses, the types of texts that were glossed, hermeneutic texts, merographs, dry-point glosses, glossae collectae, class glossaries, and alphabetical glossaries. The author also treats the production and study of grammar in Anglo-Saxon England, touching on the works of Bede, Tatwine, Boniface, Alcuin, Priscian, and Aelfric.

scholarly journals The northern world of the Anglo-Saxon mappa mundi

2018 ◽  
Vol 47 ◽  
pp. 275-305
Author(s):  
Helen Appleton
Keyword(s):  
Old English ◽  
Urban Space ◽  
Eleventh Century ◽  
Tenth Century ◽  
Urban Spaces ◽  
British Library ◽  
Anglo Saxon ◽  
The Mediterranean

AbstractThe Anglo-Saxon mappa mundi, sometimes known as the Cotton map or Cottoniana, is found on folio 56v of London, British Library, Cotton Tiberius B. v, which dates from the first half of the eleventh century. This unique survivor from the period presents a detailed image of the inhabited world, centred on the Mediterranean. The map’s distinctive cartography, with its emphasis on islands, seas and urban spaces, reflects an Insular, West Saxon geographic imagination. As Evelyn Edson has observed, the mappa mundi appears to be copy of an earlier, larger map. This article argues that the mappa mundi’s focus on urban space, translatio imperii and Scandinavia is reminiscent of the Old English Orosius, and that it originates from a similar milieu. The mappa mundi’s northern perspective, together with its obvious dependence on and emulation of Carolingian cartography, suggest that its lost exemplar originated in the assertive England of the earlier tenth century.

The Metrical Epilogue to the Alfredian Pastoral Care: a postscript from Junius

1995 ◽  
Vol 24 ◽  
pp. 43-50 ◽  
Author(s):  
Peter J. Lucas
Keyword(s):  
Seventeenth Century ◽  
Pastoral Care ◽  
Old English ◽  
English Studies ◽  
Anglo Saxon ◽  
Founding Father ◽  
Germanic Studies

When Old English studies were in their infancy in the seventeenth century, scholars such as Franciscus junius (1591–1677) had very little to study in print. With no grammar and no dictionary (until Somner's in 1659) they had to teach themselves the language from original sources. Junius, whose interest in Germanic studies became active in the early 1650s, was so proficient, not only at Old English, but also at the cognate languages that he became virtually the founding-father of Germanic philology. Over the years Junius made transcripts in his own distinctive imitation-Anglo-Saxon minuscule script of many Old English texts, transcripts that have subsequently proved invaluable, especially where the original manuscripts have been damaged or lost.

St Symeon the New Theologian (969-1022): Byzantine spiritual renewal in search of a precedent

1997 ◽  
Vol 33 ◽  
pp. 75-90
Author(s):  
John Anthony McGuckin
Keyword(s):  
Christian Tradition ◽  
Spiritual Renewal ◽  
Divine Love ◽  
The West ◽  
Conference Theme ◽  
Autobiographical Accounts ◽  
The Stability ◽  
The Church

St Symeon the New Theologian is, without question, one of the most original and intriguing writers of medieval Byzantium. Indeed, although still largely unknown in the West, he is surely one of the greatest of all Christian mystical writers; not only for the remarkable autobiographical accounts he gives of several visions of the divine light, but also for the passionate quality of his exquisite Hymns of Divine Love, the remarkable intensity of his pneumatological doctrine, and the corresponding fire he brings to his preaching of reform in the internal and external life of the Church. He was a highly controversial figure in his own day. His disciples venerated him as a saint who had returned to the roots of the Christian tradition and personified its repristinization. His opponents, who secured his deposition and exile, regarded him as a dangerously unbalanced incompetent who, by overstressing the value of personal religious fervour, had endangered the stability of that tradition. The Vita which we possess was composed in 1054, in an attempt to rehabilitate Symeon’s memory and prepare for the return of his relics to the capital from which he had been expelled when alive. This paper will investigate how he himself understood and appropriated aspects of the earlier tradition (particularly monastic spirituality), hoping to elucidate why he felt himself inspired to reformist zeal, and why many of his contemporaries (not simply his ‘worldly opponents’ as his hagiographer would have us believe) regarded him as unbalanced. It will end by attempting some reflection on what the controversy reveals on the larger front about how the Church ‘selectively looks back on itself, so to paraphrase our president’s description of the conference theme, and whether the model of tradition and its reception exemplified in this Byzantine writer can offer anything to the dialogue between history and theology which the doctrine of Tradition (Paradosis) inevitably initiates.

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