scholarly journals Proses Pembentukan Kata dalam Kumpulan Cerpen Cinta Paling Rumit Karya Boy Candra

HUMANIS ◽  
2019 ◽  
Vol 23 (2) ◽  
pp. 135
Author(s):  
Intan Peonnyta Oktaviani Putri ◽  
I Wayan Simpen ◽  
Ni Putu N. Widarsini

This research “The Process of Forming Words in Short Story Collection Cinta Paling Rumit Karya By Candra” The purpose of this research was to know the formation of words which is affixation, reduplication, and composition in the short story collection Cinta Paling Rumit by Boy Candra. The theory used in this research is morphological theory. The methods and techniques used in the process of the collecting the data are the method of reffering to tapping techniques, proficient non-invulment listening techniques, and note-taking techniques. Then in analyzing data, the methods and techniques used are the agih methods with the direct elements technique, the advanced techniques used are sloping techniques, the substitution techniques, and repetition techniques. Besides using the agih method in process of analyzing data, this research also uses quantitative methods. Meanwile, the method of presenting the results data analysis uses informal methods and formal methods. In this research found affixation, the reduplication, and composition. The affixation found were 681 words (31%), reduplication found were 150 words (7%), and the composition found were 93 word (4%).

HUMANIS ◽  
2021 ◽  
Vol 25 (3) ◽  
pp. 360
Author(s):  
Siti Noviali ◽  
I Ketut Ngurah Sulibra ◽  
Tjok Istri Agung Mulyawati R

This research entitled "Analysis of Hegemony in the Ngipiang Jokowi Short Story Collection Book by I Made Sugianto ". This analysis aims to determine the structure and obtain a clear explanation about hegemony  in the four short stories. This study uses two theories including structural theory and hegemony theory. The methods and techniques used are divided into three types, namely; the data collection stage, the data analysis stage, and the data analysis presentation stage. The method used in data collection is the simak method accompanied by translation techniques and note-taking techniques. Then, methods and techniques use qualitative methods and analytic descriptive techniques. Then, proceed with informal methods in the stage of presenting the results of data analysis, the techniques used are inductive and deductive. The results obtained in this study include the narrative structure and form of hegemony in the four short stories. The narrative structure is divided into incidents, plot, characters and characterizations, settings, themes, and moral value. The analysis of hegemony in the four short stories is divided into two types, namely domination of power based on morals and domination of power which is suppressive. The author describes hegemony through characters and characterizations, incidents, and settings. The hegemony reflected in the four short stories is presented in two kinds, namely hegemony in verbal form and hegemony in physical form.


2020 ◽  
Vol 19 (2) ◽  
pp. 220-233
Author(s):  
Sucia Winita ◽  
Syahrul Ramadhan

This study aims to find reference grammatical cohesion forms used to construct narrative discourse. This research method is a descriptive method with qualitative research. Based on the results of data analysis it was found that the reference grammatical forms of cohesion found in the March 2015 edition of Kompas Sunday's short story collection included personal, demonstrative, and comparative references. The persona reference found is person reference I consists of aku, saya, ku-, -ku, kita, and kami. The persona II reference consists of kamu, kau, -mu, and kalian. As well as reference persona III consists of ia, dia, -nya, beliau, and mereka. The demonstrative form of grammatical cohesion is found in kini, sekarang, saat ini, kala itu, dulu, siang itu, sore itu, hari itu, hari ini, di sana, di sini, ke sana, ke mana, sana, ini, and itu. As well, a comparative form of grammatical cohesion found is seperti.


HUMANIS ◽  
2021 ◽  
Vol 25 (3) ◽  
pp. 352
Author(s):  
Ni Kadek Ayu Sulastri ◽  
Putu Sutama

This research entitled “Social Criticism in Aud Kelor Short Story Collection by Carma Citrawati Analysis of Literary Sociology”. There are three short stories that were studied, namely the short stories entitled Wayan Kelor, Siaappp Presiden, and Keneh Pasih. The three short stories were analyzed by structural theory from Nurgiyantoro and sosiology of literature from Wellek and Warren. This research aims to describe the narative structure, the author’s background, and social criticism contained in the three short stories. Methods and techniques used in this study was divided into three stages. The stages of methods and data collection techniques used two methods, namely the simak and record technique. The stages of methods and data analysis techniques using qualitative methods supported by analytic descriptive techniques. Methods and techniques for presenting the results of data analysis using informal methods are supported by inductive techniques and deductive techniques. The result from this research is structure narative from the three short stories, namely: incidents, plot, characters and characterizations, settings, themes, and moral value of the stories. The second research result is an explanation of the author's biography. The third research result is social criticism contained in the three short stories, namely: injustice in law, education, politic, and socio-cultural. The author conveys the social criticism through characters and themes. This social criticism is conveyed specifically to readers and in general to society and the government. The author aims to make readers aware to open their mindset to their surroundings.


2021 ◽  
Vol 16 (2) ◽  
pp. 200-210
Author(s):  
Małgorzata Sokołowicz

The present paper describes some orientalist stereotypes concerning women and manifesting themselves in Le Harem entr’ouvert (1919), a short story collection by Aline Réveillaud de Lens (1881–1925), a French painter and writer, whose works are devoted mainly to North Africa. The paper focuses on three, most common, stereotypical representations of the Oriental woman according to which she is, firstly, a beautiful odalisque serving the man; secondly, extremely sensual and thus unfaithful and, finally, jealous and, sometimes, very cruel. The author attempts to explain the origins of those representations and to answer the question why A.-R. de Lens used them in her writings


2020 ◽  
Vol 6 (2) ◽  
pp. 321-331
Author(s):  
Tatiana Ternopol

This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead her readers who thought they already knew the formula of her stories. Although not a postmodern writer, A. Christie enjoyed playing games of allusion with her readers. She wanted them not only to solve a case but also to discover and interpret the intertextual references.


2020 ◽  
Vol 10 (6) ◽  
pp. 36
Author(s):  
Barnali Talukder

The concepts of language and cultural identity of a speaker are entwined as they complement each other. However, translation poses a challenge to the identity language predominantly constructs. Therefore, translatable elements of language get the stage of universality while the untranslatable-s essentially bring forth the culture they are descended from. In this study, a short story collection from Bangladesh, Matijaner Meyera, where there is a celebration of diverse branches of Bengali language, has been brought to light to show how untranslatability of a number of culture-oriented vocabularies vibrantly tells about Bengali culture. The primary resource includes a lot many culture-oriented vocabularies as well as few phrases that English, as a language, cannot accommodate in it. Inability of other languages to penetrate such culture-rooted belongings of Bengali language showcases the power a language retains to protect itself from any invading force. This study has argued in favor of the untranslatable base of Bengali that English, due to cultural distance, cannot embrace linguistically. Therefore, such cultural difference eventually develops a distinct linguistic identity of Bengali through untranslatability that this study has attempted to divulge.


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