scholarly journals The Entry Into Jerusalem Archaeological Complex of Tsarevokokshaysk (17th - 19th Centuries)

Author(s):  
Daria S. Vysotskaya ◽  
◽  
Pavel S. Danilov ◽  
Alexander V. Sokolov ◽  
◽  
...  

The article presents the historical and archaeological characteristics of the territory adjacent to the Entry into Jerusalem Church of the Tsarevokokshaysk. The substantiation is presented that in this part of the historical center of Yoshkar-Ola there is a complex of interrelated archaeological objects that existed here in the time interval from the first decades of the life of the Tsarev town on Kokshaga River to the beginning of the 20th century. The Entry into Jerusalem archaeological complex consists of a historical necropolis of the 17th – mid-18th century, foundation of the Entry into Jerusalem Church built in 1759, remnants of the Rozhdestvenskaya Sloboda of the second half of the 18th – 19th centuries and structures belonging to the Bogoroditse–Sergievsky Monastery of the late 19th century. The authors use archival sources, which, when compared with the data on archaeological research, give an idea of the historical topography of this part of Tsarevokokshaysk in the 17th – 19th centuries.

Author(s):  
Gino Favero

A utility function is a tool used to assign numerical values to a set of goods or services in order to allow for a numerical representation of the preferences of a rational individual. Though its first use dates back to the 18th century, the term “utility” does not appear until the late 19th century in Welfare Economics, and it is fully axiomatised only in the mid-20th century with the birth of Decision Theory, where the utility function is the central concept. Indeed, in several studies focused, e.g., on analysing the roles of the rationality axioms and their weakening, or in completing partial preferences, a utility function is always considered to be the proper tool to fully depict the attitude of an investor toward risk.


2021 ◽  
Vol 4 (2) ◽  
pp. 67-84
Author(s):  
Therese Ghembaza ◽  
David Windell

Since the draining of Lake Copais in Boeotia in the late 19th century archaeological research has revealed Bronze Age hydraulic engineering works of such a scale as to be unique in Europe. Starting in the Middle Helladic period with dams, dikes and polders, the massive extension of the scheme in the Late Helladic period, with large canals and massive dikes, achieved the complete drainage of the lake; a feat not achieved again, despite Hellenistic attempts, until the 20th century. In this paper we attempt to draw together research in order to tell the history of Lake Copais through the ages.


Synthese ◽  
2021 ◽  
Author(s):  
Ansgar Seide

AbstractIn this paper, I take a closer look at Hans Reichenbach’s relation to metaphysics and work out some interesting parallels between his account and that of the proponents of inductive metaphysics, a tradition that emerged in the mid- and late 19th century and the early 20th century in Germany. It is in particular Hans Reichenbach’s conception of the relation between the natural sciences and metaphysics, as displayed in his treatment of the question of the existence of the external world, that shows some very interesting similarities with inductive metaphysics. By a comparison with the position of the inductive metaphysician Erich Becher and his handling of the problem of realism, I work out the parallels between Reichenbach’s program and inductive metaphysics. I come to the conclusion that while there are certainly some respects in which Reichenbach’s logical empiricism is closer to the positions of the representatives of the Vienna Circle, it turns out that with regard to his views on metaphysics there is a greater affinity with the program of inductive metaphysics.


2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.


2014 ◽  
Author(s):  
Ian Smith ◽  
Andrea Frangi

<p>Since the dawn of civilization, timber has been a primary material for achieving great structural engineering feats. Yet during the late 19th century and most of the 20th century it lost currency as a preferred material for construction of large and tall multi-storey building superstructures. This Structural Engineering Document (SED) addresses a reawakening of interest in timber and timber-based products as primary con-struction materials for relatively tall, multi-storey buildings. Emphasis throughout is on holistically addressing various aspects of performance of complete systems, reflecting that major gaps in knowhow relate to design concepts rather than technical information about timber as a material. Special con-sideration is given to structural form, fire vulnerability, and durability aspects for attaining desired building performance over lifespans that can be centuries long.</p>


2019 ◽  
Vol 23 ◽  
pp. 51-71
Author(s):  
Urszula Kraśniewska

The Sanctuary of Amun of the Temple of Hatshepsut in Deir el-Bahari was, starting from the early 18th century, gradually discovered, and has been analyzed by many researchers and scientists. In the late 19th century E. Naville was the first to concentrate to an significant extent on the Sanctuary rooms, which resulted in the elaboration of a vast architectural description prepared by Somers Clarke, his cooperator. In the early 20th century, Herbert Winlock conducted studies and analyses of the Sanctuary rooms. In 1961, a concession for conducting works was assigned to the Polish Station of Mediterranean Archaeology of the University of Warsaw, directed by Prof. Kazimierz Michałowski. Since that time, Polish Missions have conducted numerous architectural and conservation as well as epigraphic works, gradually ordering and reconstructing the Sanctuary.


Author(s):  
Marija Vujović ◽  
Anka Mihajlov Prokopović

Prior to becoming the most dominant cultural product of the modern age, the film began its history as a journalistic concept. The first films made by the brothers Auguste and Louis Lumière in the late 19th century were documentaries. The first film made at the beginning of the 20th century in Serbia was also a type of a newsreel, a documentary. Some of the first cinema owners and cinematographers were journalists. This paper explains the development of documentary film in Serbia, which, in addition to being a film genre, also became a television genre in the second half of the 20th century. The goal of this paper is to show the development path starting from the first feature film and newsreel, to television news - one of the most frequent TV programs of the moment – by using the example of Serbia.


2018 ◽  
pp. 359-373
Author(s):  
Dominika Gołaszewska-Rusinowska

This case study focuses on the life and work of Joaquín Costa. He was a Spanish intellectual who in late 19th century and early 20th century started the intellectual and political movement called Regenerationism. This movement emerged in response against the political system of Spanish Restoration.  


Diacronia ◽  
2018 ◽  
Author(s):  
Gheorghe Chivu

The history of the verbal forms sum and sunt, introduced into the literary writing by the Transylvanian Latinist School, reveals a winding process in the elaboration of certain cultured norms proper to the modern literary Romanian. Not at all linear, this process was concurrently influenced by two, often divergent, tendencies that were active from the end of the 18th century up to the beginning of the 20th century: the use of some cultured forms, borrowed from Latin or created according to Latin patterns; and the revitalization of certain linguistic forms with regional diffusion. Initially proposed as literary pronunciations, the two verbal forms were soon adopted and used as etymological graphic forms that corresponded to sîm and suntu from certain conservative patois. During the second half of the 19th century (sum), and during the first decades of the 20th century (sunt), the two graphic forms became orthoepic norms as well, due to the phonological tradition of the Romanian writing.


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