scholarly journals Editorial Essay: Iraqi Refugees, Beyond the Urban Refugee Paradigm

Refuge ◽  
1969 ◽  
Vol 28 (1) ◽  
pp. 3-14 ◽  
Author(s):  
Géraldine Chatelard ◽  
Tim Morris
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Natural Resources ◽  
Power Control ◽  
Ottoman Empire ◽  
Regime Change ◽  
Prime Factor ◽  
Armed Conflicts ◽  
Political Repression ◽  
Editorial Essay

Displacement and exile have been recurrent and durable phenomena affecting Iraqi society for the last 90 years. The process of forming an Iraqi state from the ruins of the Ottoman empire, which Aristide Zolberg has analyzed as a prime factor generating refugee flows,has been ongoing since 1920. Unfinished endeavours to build a state and nation have been characterized by almost incessant antagonistic claims over the nature of the state and national identity, the exercise of and access to political power, control of natural resources and border sovereignty. Political repression, violent regime change, redefinition of national identity, demographic engineering, and domestic or international armed conflicts have resulted in eviction, deportation, denaturalization, political emigration, and flight from violence. A large part of displacement in Iraq has been internal. But vast numbers of refugees and exiles have also formed a regional and global diaspora extending from Iran, Jordan, Israel, Syria, all the way to such distant emigration countries as New Zealand.

Conclusion

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Identity Formation ◽  
Essential Role ◽  
Coming Of Age ◽  
Financial Returns ◽  
Self Recognition ◽  
International Audience ◽  
National Identity Formation

The conclusion reaffirms the essential role played by cinema generally, and the coming-of-age genre in particular, in the process of national identity formation, because of its effectiveness in facilitating self-recognition and self-experience through a process of triangulation made possible, for the most part, by a dialogue with some of the nation’s most iconic works of literature. This section concludes by point out the danger posed, however, by an observable trend toward generic standardization in New Zealand films motivated by a desire to appeal to an international audience out of consideration for the financial returns expected by funding bodies under current regimes.

Multicultural and Transnational Novels

2018 ◽  
Author(s):  
James Meffan
Keyword(s):  
National Identity ◽  
New Zealand ◽  
The Other ◽  
Colonial History ◽  
History Of ◽  
Return Home ◽  
Access Rights ◽  
The One

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).

Mawson’s views on use of natural resources in the Antarctic and sub-Antarctic

Polar Record ◽  
2021 ◽  
Vol 57 ◽  
Author(s):  
Peter D. Shaughnessy ◽  
Mark Pharaoh
Keyword(s):  
New Zealand ◽  
Natural Resources ◽  
Historical Context ◽  
Wildlife Sanctuary ◽  
Elephant Seals ◽  
Macquarie Island ◽  
Antarctic Expedition ◽  
Southern Elephant Seals ◽  
Meteorological Observations ◽  
The Antarctic

Abstract Sir Douglas Mawson is a well-known Antarctic explorer and scientist. Early in his career, he recognised opportunities for commerce in Antarctic and sub-Antarctic regions. While at Cape Denison, Antarctica, in 1913 on the Australasian Antarctic Expedition (AAE), the Adelie Blizzard magazine was produced. Mawson contributed articles about Antarctic natural resources and their possible use. Later, he advocated Australia be involved in pelagic whaling. He collected seal skins and oil for their commercial value to be assessed by the Hudson’s Bay Company. During the AAE, Mawson visited Macquarie Island where an oiling gang was killing southern elephant seals and royal penguins. Mawson was concerned that they were over-exploited and lobbied successfully to stop the killing. His plans for Macquarie Island included a wildlife sanctuary, with a party to supervise access, send meteorological observations to Australia and New Zealand, and be self-funded by harvesting elephant seals and penguins. Macquarie Island was declared a sanctuary in 1933. Although Mawson has been recognised as an early proponent of conservation, his views on conservation of living natural resources were inconsistent. They should be placed in their historical context: in the early twentieth century, utilisation of living natural resources was viewed more favourably than currently.

scholarly journals The European Union and natural resources that fund armed conflicts: Explaining the EU’s policy choice for supply chain due-diligence requirements

2018 ◽  
Vol 54 (3) ◽  
pp. 407-425 ◽  
Author(s):  
Martijn C Vlaskamp
Keyword(s):  
Supply Chain ◽  
Natural Resources ◽  
Policy Design ◽  
Armed Conflicts ◽  
Due Diligence ◽  
The European Union ◽  
Conflict Zones ◽  
Resource Governance ◽  
Conflict Minerals ◽  
The Eu

Natural resources can be an important source of funding for warring parties in armed conflicts. Curbing the trade in these so-called conflict resources is, therefore, part of the European Union’s conflict management policies. The article explores the EU’s policies in this field and asks, specifically, why the EU is using supply chain due-diligence measures to achieve this goal. The author argues that they are the response to enforcement problems of most existing multilateral and unilateral sanction regimes because of state weakness in the targeted regions. This approach results from a broader idea from the EU that transparency can improve resource governance and, therefore, safeguard both its political and economic interests in conflict zones, such as the eastern Democratic Republic of the Congo. However, when the issue becomes specific—as in the EU Conflict Minerals Regulation—translating this idea into concrete policies becomes more contentious as the EU institutions set different priorities for the final policy design.

Colonization, Decolonization, and Power: Ruptures and Critical Junctures Out of Dominance

2016 ◽  
Author(s):  
James H. Liu ◽  
Felicia Pratto
Keyword(s):  
Social Justice ◽  
National Identity ◽  
New Zealand ◽  
Social Structure ◽  
Critical Junctures ◽  
The Social ◽  
The World ◽  
European Colonization ◽  
Historical Trajectory ◽  
The Impact

Colonization and decolonization are theorized at the intersection of Critical Junctures Theory and Power Basis Theory. This framework allows human agency to be conceptualized at micro-, meso-, and macro-levels, where individuals act on behalf of collectives. Their actions decide whether critical junctures in history (moments of potential for substantive change) result in continuity (no change), anchoring (continuity amid change with new elements), or rupture. We apply this framework to European colonization of the world, which is the temporal scene for contemporary social justice. Several critical junctures in New Zealand history are analyzed as part of its historical trajectory and narrated through changes in its symbology (system of meaning) and technology of state, as well as the identity space it encompasses (indigenous Māori and British colonizers). The impact of this historical trajectory on the social structure of New Zealand, including its national identity and government, is considered and connected to the overarching theoretical framework.

Digging into “Resource War” Beliefs

2012 ◽  
Vol 5 (2) ◽  
pp. 26-40 ◽  
Author(s):  
Philippe Le Billon
Keyword(s):  
Natural Resources ◽  
Social Relations ◽  
Power Relations ◽  
Resource Control ◽  
Armed Conflicts ◽  
War Narratives ◽  
Water Wars ◽  
The Future ◽  
Widespread Belief ◽  
Multiple Causes

Water wars, oil conflicts and blood diamonds. Three terms reflecting a widespread belief that people fight over resources. Is this belief backed by evidence? What power relations does such a belief reflect and shape? If natural resources have a conspicuous presence in accounts of armed conflicts, the term ‘resource wars’ represents a gross oversimplification. Strategically deployed to prepare for ‘the wars of the future’ or to shame belligerents by exposing their ‘greedy’ motives, ‘resource war’ narratives often overlook the multiple causes of conflict and alternative options to militarized resource control. A main threat from ‘resource wars’ narratives is that they become self-fulfilling prophecies. As such, ‘resource wars’ studies should first be self-reflexive, and then strive to encompass the broad causes, specific historical contexts, and wide variety of effects that resource sectors have on the environment and social relations.

scholarly journals The Invention of New Zealand: Art and National Identity, 1930-1970 [Book Review]

2010 ◽  
Author(s):  
John Newton
Keyword(s):  
National Identity ◽  
New Zealand

Review(s) of: The Invention of New Zealand: Art and National Identity, 1930-1970, by Francis Pound, Auckland University Press, Auckland, 2009, xxi, 425 pp., [80] pp. of plates. ISBN 9781869404147

scholarly journals Reinforcing Cultural Hegemony: Pakeha Perceptions of Brand New Zealand

2008 ◽  
Author(s):  
Eveline Dürr
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Cultural Hegemony ◽  
Branding Strategies ◽  
Key Aspects

The entanglement and mutual constitution of New Zealand's branding strategies, national identity and local understandings of 'New Zealandness' are discussed. The key aspects and features of the Pakeha perceptions of brand New Zealand are highlighted.

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