P.A. Ovchinnikov — Collector of Manuscript Books

Author(s):  
Andrey S. Usachev

The article tells about the collection of manuscript books of collector and Old Believer P. Ovchinnikov (1843—1912), now stored in the Manuscript Research Department of the Russian State Library. The special attention is paid to early history of the collection: to features of work of the collector with manuscripts, and also to their use by other researchers. The research is based on the data of various sources — notes on books, memoirs of contemporaries about P. Ovchinnikov, the unpublished documents.

2021 ◽  
pp. 181-191
Author(s):  
Alexei F. Losev ◽  
Elena A. Takho-Godi

The publication covers an obscure episode from the scientific biography of the great Russian philosopher Alexei Losev related to his work in the 1920s at the State Academy of Artistic Sciences (GAKhN). For the first time, Losev’s thirteen articles from Research Department of manuscripts of the Russian State Library [f. 81 (State Academy of art studies), inv. 26, item 1] are put into scientific circulation: “Antiquity”, “Apollinism”, “Harmony”, “Dionysism”, “Callistics”, “Calocagathia”, “Catharsis”, “Cosmic feeling”, “Cosmos”, “Logos”, “Mania”, “Mathematics and art”, “Melos”. This articles were written in the second half of the 1920s and were intended for a publishing project of the State Academy of Artistic Sciences – the first volume of the multi-volume “Encyclopedia of Artistic Sciences”, conceived in 1922 as a “Dictionary of Artistic Terminology”. The project was never realized. The topics of the articles reflect the range of the scientific problems that interested Losev in the 1920s as well as his special attention to the study of terminology, which found its full implementation in the 1970 – 1980s during the work on “The History of Classical Aesthetics”.


Author(s):  
Mikhail D. Amirkhanyan

Review of the book «V. Odoevsky in the History of Book Culture in Russia». The author of the Monograph is E. Vishnevskaya, Deputy Head of the Department - Head of Sector of the Research Department of Manuscripts of the Russian State Library.


2021 ◽  
pp. 173-180
Author(s):  
Elena A. Takho-Godi ◽  

The publication covers an obscure episode from the scientific biography of the great Russian philosopher Alexei Losev related to his work in the 1920s at the State Academy of Artistic Sciences (GAKhN). For the first time, Losev’s thirteen articles from Research Department of manuscripts of the Russian State Library [f. 81 (State Academy of art studies), inv. 26, item 1] are put into scientific circulation: “Antiquity”, “Apollinism”, “Harmony”, “Dionysism”, “Callistics”, “Calocagathia”, “Catharsis”, “Cosmic feeling”, “Cosmos”, “Logos”, “Mania”, “Mathematics and art”, “Melos”. This articles were written in the second half of the 1920s and were intended for a publishing project of the State Academy of Artistic Sciences – the first volume of the multi-volume “Encyclopedia of Artistic Sciences”, conceived in 1922 as a “Dictionary of Artistic Terminology”. The project was never realized. The topics of the articles reflect the range of the scientific problems that interested Losev in the 1920s as well as his special attention to the study of terminology, which found its full implementation in the 1970 – 1980s during the work on “The History of Classical Aesthetics”.


Author(s):  
Pavel V. Pitchugin

The article is devoted to the history and development of the Ecclesiastical Seminary of Our Saviour and Bethany and its Library at the end of XVIII - beginning of XIX Century. In the work there are used the materials of the Scientific-Research Department of Manuscripts of the Russian State Library and other sources. They allow to make conclusions on the role of Seminary's library in the history of national education of the XVIII century. Article is of interest for historians, specialists in library science and history of education.


Author(s):  
A. S. Usatchev

The article considers the question of the composition of customers of manuscript books of the XVI century, housed at the Scientific Research Department of Manuscripts of the Russian State Library. There is characterized the geography of its writing. There are highlighted the main customer groups and discussed their role in the history of book culture. The study is based on the material of the entries on the books and other sources.


Author(s):  
Margarita Y. Dvorkina

The article is devoted to the memory of Lyudmila Mikhailovna Koval (October 17, 1933 – February 15, 2020), historian, Head of the History sector of the Russian State Library (RSL) and the Museum of Library history. The author presents brief biographical information about L.M. Koval, the author of more than 350 scientific and popular scientific works in Russian and in 9 foreign languages. She published 29 books in Publishing houses “Nauka”, “Kniga”, “Letniy Sad”, ”Pashkov Dom”, most of the works are dedicated to the Library. Special place in the work of L.M. Koval is given to the Great Patriotic War theme. The article considers the works devoted to the activities of Library staff during the War period. L.M. Koval paid much attention to the study of activities of the Library’s Directors. She prepared books and articles about the Directors of the Moscow Public and Rumyantsev Museums and Library from the end of the 19th century and almost to the end of the 20th century: N.V. Isakov, D.S. Levshin, V.A. Dashkov, M.A. Venevitinov, I.V. Tsvetaev, V.D. Golitsyn, A.K. Vinogradov, V.I. Nevsky, N.M. Sikorsky. The author notes contribution of L.M. Koval to the study of the Library’s history. Specialists in the history of librarianship widely use bibliography of L.M. Koval in their research. The list of sources contains the main works of L.M. Koval, and the Appendix includes reviews of publications by L.M. Koval and the works about her.


Author(s):  
Svetlana Y. Khvostova

On the Opening of the Department of the Russian State Library in Jewish Museum and Tolerance Center in Moscow, as well as about the history of the Library of Schneerson family, which had become the center of the collection.


Author(s):  
Semen M. Iakerson

Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.


Author(s):  
Alexander Y. Samarin

The article presents the analysis of the new book of the famous bibliophile, researcher and populariser of rare books and bibliophilism, the Chairman of the National Union of Bibliophiles M.V. Seslavinsky about the history of creation, specific aspects of publishing and art design of the famous bibliophilic edition “Cantata” by A.A. Sidorov (Moscow, 1921). Comic verses of the future famous bibliologist and art critic, corresponding member of the Academy of Sciences of the USSR became the text for the first edition of the Russian society of the friends of books (1920—1929), the largest Association of booklovers of the 1920s. Two small runs totalled only 20 copies. The study is based primarily on the copies of “Cantata” preserved in the state collections (the Russian State Library, the State Tretyakov Gallery) and private collections, including the M.V. Seslavinsky’s one. The discovery of new documents on the history of the publication allowed restoring the list of owners of the autographed copies. Using the copy-by-copy method, the researcher succeeded in describing the numerous design options of the rarity of bibliophile publishing. The use of art-historical methods allowed to finally establish that the prototype for the image on the engraving “Bibliophile in 1920” (artist N.B. Baklanov, engraver I.N. Pavlov) was A.N. Benoit, the famous painter. The author introduces into circulation the handwritten poetic epistles of A.A. Sidorov to the owners of the autographed copies and other unique materials about preparation for printing, distribution and provenance of “Cantata”. In general, it can be concluded that M.V. Seslavinsky’s approaches to the analysis of “Cantata” can become basic in the study of bibliophile book as a special cultural phenomenon and trend in book publishing.


2021 ◽  
pp. 295-320
Author(s):  
Marina S. Krutova ◽  

The Department of Manuscripts of the Russian State Library contains materials of different genres about the claims of the Onomatodoxists to Pitsunda skete of the New Athos Monastery, named after Simon the Canaanean — letters, reports, petitions. The reason for the Onomatodoxists disputes is believed to be the book “On the Caucasus Mountains” by Schemamonk Ilarion (worldly Ivan Domrachyov), who was assigned to the New Athos monastery after he had left Old Athos. The originals of the published documents are kept in the Department of Manuscripts of the Russian State Library in the fund of Bishop Nikon (worldly Nikolay Rozhdestvenskiy); the former was a member of the Most Holy Synod, actively opposed the religious movement which arose on Old Athos in the early 20th century. The value of the published documents lies in the fact that they tell about a little-known page in the history of the New Athos Monastery.


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