scholarly journals Les germanismes dans le manuscrit Gall. Fol. 220 conservé dans la collection berlinoise à la Bibliothèque Jagellonne de Cracovie

2021 ◽  
Vol 15 (1) ◽  
pp. 325-335
Author(s):  
Sara Moroz ◽  
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
French Language ◽  
Reference Book ◽  
The Middle Ages

Germanisms in the manuscript Gall. Fol. 220 preserved in the Berlin collection at the Jagiellonian Library of Cracow. The manuscript Gall. Fol. 220 is a collection of recipes, preserved in the Berlin collection at the Jagiellonian Library in Krakow. It is an anonymous book, which comes from the sixteenth century, written in French. It contains many dishes and products popular already in the Middle Ages, but also the recipes for dishes typical of the Renaissance. After analyzing the culinary terminology present in this collection, we can see that there are some Germanic terms. In this article, we intend to present the cooking terms that are of Germanic origin and explain why the words appear in this type of collection, which has the character of a reference book in the French language. Keywords: manuscripts, XVI century, Berlin collection, culinary terminology, French cuisine

Protestant Rivalry — Metaphysics and Rhetoric in Germany c. 1590–1620

1990 ◽  
Vol 41 (1) ◽  
pp. 24-43 ◽  
Author(s):  
Kristian Jensen
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Modern Times ◽  
Early Modern Times ◽  
The Middle Ages

One of the most remarkable changes to take place at German Protestant universities during the last decade of the sixteenth century and the first twenty years of the seventeenth century was the return of metaphysics after more than halfa century of absence. University metaphysics has acquired a reputation for sterile aridity which was strengthened rather than diminished by its survival in early modern times, when such disciplines are supposed deservedly to have vanished with the end of the Middle Ages. Nevertheless, this survival has attracted some attention this century. For a long urne it was assumed that German Protestants needed a metaphysical defence against the intellectual vigour of the Jesuits. Lewalter has shown, however, that this was not the case.

Receiving the Ars Poetica

2019 ◽  
pp. 244-272
Author(s):  
Jennifer Ferriss-Hill
Keyword(s):  
Sixteenth Century ◽  
Human Nature ◽  
Middle Ages ◽  
Reception History ◽  
Artistic Process ◽  
Literary Achievement ◽  
Ars Poetica ◽  
Made In ◽  
The Middle Ages ◽  
Making Art

This epilogue traces the themes and concerns of the previous chapters throughout the Ars Poetica's considerable reception history. If the Ars Poetica's poetic qualities have not always been clear to scholars of literature, they seem to have been more evident to the practicing writers who, inspired by Horace's poem, wrote artes poeticae of their own. Indeed, practicing poets have long discerned what many literary scholars have not: that the poem's value lies not so much in its stated contents as in its fine-spun internal unity; in its interest in human nature and the onward march of time; in the importance of criticism—both giving and receiving it—to the artistic process; and in the essential sameness of writing, of making art, and of living, loving, being, and even dying. The argument made in this study for reading the Ars Poetica as a literary achievement in its own right may therefore be viewed as a return to the complex, nuanced ways in which it was already read in the Middle Ages, through the sixteenth century, and into the twenty-first. The authors of the later works examined in this chapter read the Ars Poetica as exemplifying and instantiating the sort of artistry that it opaquely commands, and they reflected this in turn through their own verses.

Major, John (1467–1550)

2018 ◽  
Author(s):  
Joel Biard
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
William Of Ockham ◽  
The Middle Ages

John Major was one of the last great logicians of the Middle Ages. Scottish in origin but Parisian by training, he continued the doctrines and the mode of thinking of fourteenth-century masters like John Buridan and William of Ockham. Using a resolutely nominalist approach, he developed a logic centred on the analysis of terms and their properties, and he applied this method of analysis to discourse in physics and theology. Although he came to oppose excessive dependence on logical subtlety in theology and maintained the authority of Holy Scripture, Major’s work was stubbornly independent of the growing influence of humanism in Europe. Later, he would be regarded as representative of the heavily criticized ‘scholastic spirit’, being referred to disparagingly by Rabelais as well as by later historians such as Villoslada (1938), but at the beginning of the sixteenth century, his teaching influenced an entire generation of students in the fields of logic, physics and theology.

English Books of Martyrs and Saints of the Late Sixteenth and Early Seventeenth Centuries

1994 ◽  
Vol 22 (1) ◽  
pp. 7-25 ◽  
Author(s):  
J. T. Rhodes
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
The Status ◽  
Special Case ◽  
The Middle Ages

Martyrs were the first saints and some were among the most popular saints of the Middle Ages. Because it was the manner of theirdeaththat won them their place in heaven, martyrs were a special case; unlike other saints, evidence of heroic virtue in life and miracles were not required. Like the early martyrs, many sixteenth-century English martyrs were immediately recognized as saints by their co-religionists, without reference to judicial processes. But the status of martyr was not popularly accorded automatically to Catholics who died on account of their faith. Despite Southwell's ‘Epitaph’: ‘A Queen I liu'd, now dead I am a Saint/Once MARIE calde; my name now Martir is’, Mary, Queen of Scots, was not generally acclaimed as a martyr, even by Catholics.

The vocacyon of Johan Bale and Early English Autobiography

1971 ◽  
Vol 24 (3) ◽  
pp. 327-340 ◽  
Author(s):  
Leslie P. Fairfield
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
The Self ◽  
Human Personality ◽  
The Past ◽  
New Ideas ◽  
Early English ◽  
Sub Specie Aeternitatis ◽  
The Middle Ages

Sixteenth-Century Englishmen were not frequently given to self-scrutiny—at least not in writing. This was a disinclination which they shared with their medieval forbears, since autobiography was not a very common form of literary activity in the Middle Ages. Monastic self-analysis, sub specie aeternitatis and guided by the standard categories of virtues and vices—yes. Coherent study of the self, for its own sake and in all its quirks and idiosyncracies—scarcely ever. In the early sixteenth century, the murmur of new ideas from Italy did begin to touch England: a sense of distance and of difference between the present and the past, and an awakened appreciation for the discrete, the singular in human personality.

Music, Architecture, Proportion and the Renaissance Way of Thinking

2020 ◽  
pp. 1-16
Author(s):  
Vasco Zara
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Unified Theory ◽  
The World ◽  
Universal Truth ◽  
Way Of Thinking ◽  
The Middle Ages

During the Renaissance, the language of proportion became a unified theory capable of encompassing the understanding of the world within a coherent theological, philosophical and artistic framework. Music, with its harmonic paradigm, plays a key role in this construction. From the fifteenth century through to the end of the sixteenth century, architects and architectural theorists made reference, both in new treatises and commentaries to Vitruvius, to musical matters, transforming architecture into the summa of knowledge. The affinity to music was grounded on both a common mathematical and rhetoric gnosiology. Formerly conceived of as ideal, numbers became eloquent, reinforcing the quantitative paradigm of proportion with its qualitative one. The language of proportion as a compositional tool reveals the shift between the Middle Ages and the Renaissance: while the Medieval tèchne based on modular thinking provides beauty and universal truth using the technique of repetition, the Humanist paradigm of variety produces pleasure and individual truth – a condition typical of the premodern.

Recording and Reading Alchemy and Art-Technology in Medieval and Premodern German Recipe Collections

Nuncius ◽  
2016 ◽  
Vol 31 (1) ◽  
pp. 32-49 ◽  
Author(s):  
Sylvie Neven
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
Chemical Technology ◽  
Significant Information ◽  
The Middle Ages

In the Middle Ages and the premodern period knowledge of alchemical practices and materials was transmitted via collections of recipes often grouped concomitantly with art-technological instructions. In both alchemy and chemical technology particular importance is placed on artisanal and craft practices. Both are concerned with the description of colours. Both require procedures involving precise and specifically defined actions, prescriptions and ingredients. Assuming that alchemical and artistic texts have the same textual format, this raises the question: were they produced, diffused and read by the same people? This paper investigates the authorship and the context of production behind a sample of German alchemical manuscripts dating from the fourteenth to the sixteenth century. It scrutinizes their process of production, compilation and dissemination. This paper also sheds light on the various types of marginalia, and correlates them with their diverse functions. It thus delivers significant information about the readers and users of these manuscripts.

II.—The Sources and Mediæval Versions of the Peace-Fable

PMLA ◽  
1907 ◽  
Vol 22 (1) ◽  
pp. 33-55
Author(s):  
H. Carrington Lancaster
Keyword(s):  
Individual Differences ◽  
Sixteenth Century ◽  
Middle Ages ◽  
Eleventh Century ◽  
History Of ◽  
The Middle Ages

Although the Middle Ages usually drew upon Classic tradition in the formation of their fable literature, they at times created new themes whose popularity equalled that of many older rivals. Of no small importance among such stories are those that deal with the false peace declared by a fox in order to deceive a seemingly simple-minded bird. The numerous versions of this fable that have come down to us since the middle of the eleventh century evidence strong interrelation, in spite of individual differences of character, scene, or action. The various forms become so well established by the beginning of the sixteenth century that a history of the fable is sufficiently complete if it comes down to the end of the Middle Ages. It is the object of this article to show what versions of the Peace-Fable existed before the sixteenth century, whence they arose, and what are their relations to one another. The following is a list of the mediaeval versions:—

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