scholarly journals Africa, the Indian Ocean World, and the ‘Early Modern’: Historiographical Conventions and Problems

2017 ◽  
Vol 1 (1) ◽  
pp. 24
Author(s):  
Gwyn Campbell

European-inspired scholarship underscores conventional academic consensus that African commercial entrepeneurship disappeared with the European voyages of discovery, and subsequent implantation of the Potuguese, Dutch, English, and French commercial empires. Thus the people of eastern Africa are portrayed largely as technologically backward and isolated from the main currents of global history from about 1500 until the onset of modern European colonialism from the close of the nineteenth century. This article argues that the conventional view needs to be challenged, and that Eastern African history in the period 1500-1800 needs to be revised in the context of an Indian Ocean world economy.

Tempo ◽  
2017 ◽  
Vol 23 (3) ◽  
pp. 465-481
Author(s):  
Malyn Newitt

Abstract: Portuguese creoles were instrumental in bringing sub-Saharan Africa into the intercontinental systems of the Atlantic and Indian Ocean. In the Atlantic Islands a distinctive creole culture emerged, made up of Christian emigrants from Portugal, Jewish exiles and African slaves. These creole polities offered a base for coastal traders and became politically influential in Africa - in Angola creating their own mainland state. Connecting the African interior with the world economy was largely on African terms and the lack of technology transfer meant that the economic gap between Africa and the rest of the world inexorably widened. African slaves in Latin America adapted to a society already creolised, often through adroit forms of cultural appropriation and synthesis. In eastern Africa Portuguese worked within existing creolised Islamic networks but the passage of their Indiamen through the Atlantic created close links between the Indian Ocean and Atlantic commercial systems.


2016 ◽  
Vol 11 (2) ◽  
pp. 61-81
Author(s):  
Shane J. Barter

Abstract Studies of coffee production and consumption are dominated by emphases on Latin American production and American consumption. This paper challenges the Atlantic perspective, demanding an equal emphasis on the Indian Ocean world of Eastern Africa, the Middle East, South Asia, and Southeast Asia. A geographical approach to historical as well as contemporary patterns of coffee production and consumption provides an opportunity to rethink the nature of coffee as a global commodity. The Indian Ocean world has a much deeper history of coffee, and in recent decades, has witnessed a resurgence in production. The nature of this production is distinct, providing an opportunity to rethink dependency theories. Coffee in the Indian Ocean world is more likely to be produced by smallholders, countries are less likely to be economically dependent on coffee, farmers are more likely to harvest polycultures, and countries represent both consumers and producers. A balanced emphasis of Atlantic and Indian Ocean worlds allows us to better understand coffee production and consumption, together telling a more balanced, global story of this important commodity.


Author(s):  
Edward A. Alpers

Almost forty years ago, the author published an article on Gujarat and East Africa from the sixteenth to the nineteenth centuries. Although several other scholars had written serious historical works either about or including Indian traders in eastern Africa in the modern period, at the time it was a pioneering piece for historians of East Africa. While the author has written and continues to write about the African diaspora in the Indian Ocean world and, more recently, the islands of this vast oceanic space now referred to as Indian Ocean Africa, he has not again written anything specifically about Gujarat and the Indian Ocean, nor about Gujarati traders in East Africa. This chapter attempts to review the last forty years of scholarship written in English on Gujarat and the Indian Ocean with a focus on transregional trade and traders. What is hoped from this overview is a sense of how current debates have developed over these decades and where further research is called for.


Author(s):  
Richard B. Allen

The African diaspora in the Indian Ocean is inextricably intertwined with slavery and slave trading in an oceanic world that encompasses southern and eastern Africa, the Red Sea, the Persian (or Arabian) Gulf, South Asia, the Indonesian archipelago, and parts of East Asia. A combination of factors, including the cost of free labor, high morbidity and mortality rates from diseases such as malaria and smallpox, and the perceived attributes of different African peoples spurred the exportation by Arab, Muslim, and Swahili merchants of an estimated 2.9–3.65 million men, women, and children from diverse populations in southern and eastern Africa, Madagascar, and the Horn of Africa to Arabia, the Persian Gulf, South Asia, and Southeast Asia between 800 and c.1900. European involvement in this transoceanic slave trade began during the early 16th century and continued well into the 19th century. This diaspora’s legacy includes the presence of communities of African descent in modern Iran, India, Sri Lanka, and Indonesia.


Author(s):  
Stephanie Wynne-Jones

A Material Culture focuses on objects in Swahili society through the elaboration of an approach that sees both people and things as caught up in webs of mutual interaction. It therefore provides both a new theoretical intervention in some of the key themes in material culture studies, including the agency of objects and the ways they were linked to social identities, through the development of the notion of a biography of practice. These theoretical discussions are explored through the archaeology of the Swahili, on the Indian Ocean coast of eastern Africa. This coast was home to a series of "stonetowns" (containing coral architecture) from the ninth century AD onwards, of which Kilwa Kisiwani is the most famous, considered here in regional context. These stonetowns were deeply involved in maritime trade, carried out among a diverse, Islamic population. This book suggests that the Swahili are a highly-significant case study for exploration of the relationship between objects and people in the past, as the society was constituted and defined through a particular material setting. Further, it is suggested that this relationship was subtly different than in other areas, and particularly from western models that dominate prevailing analysis. The case is made for an alternative form of materiality, perhaps common to the wider Indian Ocean world, with an emphasis on redistribution and circulation rather than on the accumulation of wealth. The reader will therefore gain familiarity with a little-known and fascinating culture, as well as appreciating the ways that non-western examples can add to our theoretical models.


Author(s):  
Edward A. Alpers

The Indian Ocean has occupied an important place in the history of Africa for millennia, linking the continental land mass to the peoples, products, and ideas of the wider Indian Ocean world (IOW). Central to this relationship are environmental factors, including the biannual operation of monsoon winds, which determined the maritime movement of people, things, and ideas. The earliest of these connections involve the movement of food crops, domestic animals, and commensals both from and into Africa and its offshore islands. From the beginnings of the Current Era, Africa was an important Indian Ocean source of valuable commodities, such as ivory and gold; in more recent times, hardwood products like mangrove poles, and agricultural products like cloves, coconuts, and copra gained economic prominence. Enslaved African labor also had a long history in the IOW, the sources and destinations for the export trade varying over time. In addition, for centuries many different Indian Ocean immigrant communities played important roles as settlers, merchants, sailors, and soldiers. In the realm of culture and ideas, African music, dance, and spiritual concepts accompanied those Africans who were forcibly removed from the continent to the different Indian Ocean lands where they were enslaved. A further indicator of Indian Ocean connectivity is Islam, the introduction of which marks an important watershed in African history. The human settlement of Madagascar marks another significant Indian Ocean connection for Africa. At different times and in different ways, colonial rule—Portuguese, Dutch, Omani, French, and British—tied eastern African territories to India, Arabia, and Southeast Asia. Since regaining independence, African nation-states have established a variety of new linkages to other Indian Ocean states.


Author(s):  
Laurie M Wood

An examination of France’s Atlantic and Indian Ocean empires through the stories of the little known people who built it. This book is a groundbreaking evaluation of the interwoven trajectories of the people, such as itinerant ship-workers and colonial magistrates, who built France’s first empire between 1680 and 1780 in the Atlantic and Indian Oceans. These imperial subjects sought new political and legal influence via law courts, with strategies that reflected local and regional priorities, particularly regarding slavery, war, and trade. Laurie M. Wood focuses largely on appellate courts in Martinique and Île de France (now Mauritius) and shows how the courts appealed to French citizens owing to their strategic place at the center of the largest and most dynamic oceanic zones of trade during the early modern era. Through court records and legal documents, she reveals how the courts became liaisons between France and its new colonial possessions, and how subjects used the courtrooms as gateways to other courtrooms in the Atlantic, the Indian Ocean, and in France.


Author(s):  
Stephanie Wynne-Jones

Africa’s eastern littoral borders the Indian Ocean, providing the setting for the settlements, people, and language known collectively as Swahili, which have been a key part of that ocean’s trading networks for at least two millennia. Graeco-Roman sailors visited the now-forgotten metropolis of Rhapta, and their voyages were recorded in the narratives that later became the first-century Periplus of the Erythraean Sea (Casson 1989). Traces of that early contact survive in the form of beads and coins, yet are limited in number and diffuse in nature (Chami and Msemwa 1997a; Horton 1990). From the seventh century onwards, a series of more permanent settlements began to monopolize this trade; by the eleventh century some of these had grown into towns that were able to control and provide a focus for the mercantile opportunities of the Indian Ocean. The trading economy of Swahili towns was based on the wealth of the African continent—gold and ivory were particularly valuable exports—and underlain by a mixed economy and diverse population of fishers and farmers, traders and craft-workers (Horton and Middleton 2000; Kusimba 2008). By the ‘golden age’ of the thirteenth and fourteenth centuries, the Swahili were an African society of considerable cosmopolitanism and fame, with towns like Kilwa Kisiwani known throughout the medieval world (Sutton 1993, 1997). Swahili archaeology is focused, conceptually and methodologically, on the series of stone towns that grew up along Africa’s eastern coast from the end of the first millennium AD. These towns developed as key nodes in both local and international networks of interaction, and became the conduits through which the African continent traded and communicated with the wider Indian Ocean world. The material settings of the towns, and particularly the distinctive tradition of coral architecture they contain, embody their cosmopolitanism, with this locally derived building tradition creating unique urban spaces that nevertheless reference the Islamic architecture of the Arabian Peninsula and Persian Gulf (Garlake 1966). Archaeology on this coast is still relatively new, dating back only to the 1950s and 1960s, and to the pioneering work of researchers convinced they had discovered evidence for Arab trading stations on the coast of eastern Africa (Kirkman 1964).


2020 ◽  
Vol 70 (1) ◽  
pp. 1-21 ◽  
Author(s):  
Jos Gommans

Abstract Questions arising from the so-called Brooklyn kalamkari, a seven-panel, hand-painted cotton textile, have confronted art historians for decades: what do we see, who produced it for whom, what does it mean? With royal court scenes from all over the Indian Ocean world, the Brooklyn kalamkari represents a uniquely cosmopolitan worldview from early-seventeenth-century South India. In this essay I discuss the makings of this particular worldview in the context of early modern processes of globalization and state-formation. By engaging with the work of Indologists Johan Huizinga, Jan Heesterman, and David Shulman on Indian kingship and theater, I then attempt to decode the local and the global, as well as the seen and unseen, meaning of this textile.


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