scholarly journals A discourse between and about two artists: Alberto Giacometti and Francis Bacon

Art Inqiuiry ◽  
2021 ◽  
Vol 23 ◽  
Keyword(s):  
Francis Bacon

Triptychs, Eternity and the Spirituality of the Body

2009 ◽  
Vol 3 (2) ◽  
pp. 259-273 ◽  
Author(s):  
D. C. Ambrose
Keyword(s):  
The Body ◽  
Francis Bacon ◽  
Philosophical Study ◽  
Spiritual Sensation

This paper develops a detailed reading of Deleuze's philosophical study of Bacon's triptychs in Francis Bacon: The Logic of Sensation. It examines his claims regarding their apparent non-narrative status, and explores the capacity of the triptychs to embody and express a spiritual sensation of the eternity of time.

Language Matters: ‘Counsel’ in Early Modern and Modern Medicine

2018 ◽  
Author(s):  
Ian Sabroe ◽  
Phil Withington
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Scientific Revolution ◽  
Modern Medicine ◽  
Francis Bacon ◽  
Social Worlds ◽  
Founding Fathers ◽  
Human Understanding ◽  
Successful Scientist

Francis Bacon is famous today as one of the founding fathers of the so-called ‘scientific revolution’ of the seventeenth century. Although not an especially successful scientist himself, he was nevertheless the most eloquent and influential spokesperson for an approach to knowledge that promised to transform human understanding of both humanity and its relationship with the natural and social worlds. The central features of this approach, as they emerged in Bacon’s own writings and the work of his protégés and associates after 1605, are equally well known. They include the importance of experiment, observation, and a sceptical attitude towards inherited wisdom (from the ‘ancients’ in general and Aristotle in particular).

‘A disoriented vision of … fact’: Brian Friel, Francis Bacon, and Faith Healer

2020 ◽  
Vol 50 (2) ◽  
pp. 319-336
Author(s):  
Zosia Kuczyńska
Keyword(s):  
Creative Process ◽  
Francis Bacon ◽  
Major Influence ◽  
Artistic Practice ◽  
Archival Research ◽  
Faith Healer ◽  
Brian Friel ◽  
History Of ◽  
Composition Process

The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel's plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply structural. In this article, I draw on original archival research into the composition process of Friel's genre-defining play Faith Healer (1979) to bring to light a model of influence that operates at the level of artistic practice. Specifically, I examine the extent to which Friel's officially unacknowledged encounter with a book of interviews with painter Francis Bacon influenced the play in terms of character, language, and form. I suggest that Bacon's creative process – incorporating his ideas on the role of the artist, the workings of chance, and the extent to which art does violence to fact – may have had a major influence on both the play's development and on Friel's development as an artist.

Thomas Reid on the Improvement of Knowledge

2019 ◽  
Vol 17 (2) ◽  
pp. 125-139
Author(s):  
Christopher A. Shrock
Keyword(s):  
Natural Philosophy ◽  
Social Progress ◽  
Francis Bacon ◽  
Thomas Kuhn ◽  
Traditional Religion ◽  
Scottish Enlightenment ◽  
Thomas Reid ◽  
Isaac Newton ◽  
Religion And Ethics ◽  
Compare And Contrast

Thomas Reid often seems distant from other Scottish Enlightenment figures. While Hume, Hutcheson, Kames, and Smith wrestled with the nature of social progress, Reid was busy with natural philosophy and epistemology, stubbornly loyal to traditional religion and ethics, and out of touch with the heart of his own intellectual world. Or was he? I contend that Reid not only engaged the Scottish Enlightenment's concern for improvement, but, as a leading interpreter of Isaac Newton and Francis Bacon, he also developed a scheme to explain the progress of human knowledge. Pulling thoughts from across Reid's corpus, I identify four key features that Reid uses to distinguish mature sciences from prescientific arts and inquiries. Then, I compare and contrast this scheme with that of Thomas Kuhn in order to highlight the plausibility and originality of Reid's work.

Francis Bacon and the Origins of Christian Virtuosity

2017 ◽  
Author(s):  
Victor Nuovo
Keyword(s):  
Empirical Study ◽  
Royal Society ◽  
Natural Philosophy ◽  
Francis Bacon ◽  
Human Society ◽  
Divine Revelation ◽  
Intellectual Life ◽  
Natural Philosopher ◽  
Robert Boyle ◽  
The Mind

Although the vocation of Christian virtuoso was invented and named by Robert Boyle, Francis Bacon provided the archtype. A Christian virtuoso is an experimental natural philosopher who professes Christianity, who endeavors to unite empiricism and supernatural belief in an intellectual life. In his program for the renewal of the learning Bacon prescribed that the empirical study of nature be the basis of all the sciences, including not only the study of physical things, but of human society, and literature. He insisted that natural causes only be used to explain natural events and proposed not to mix theology with natural philosophy. This became a rule of the Royal Society of London, of which Boyle was a principal founder. Bacon’s rule also had a theological use, to preserve the purity and the divine authority of revelation. In the mind of the Christian virtuoso, nature and divine revelation were separate but complementary sources of truth.

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