scholarly journals Rise, Ruin & Regeneration: An Examination of the Regeneration of Post-War Suburban State Housing in New Zealand

2021 ◽  
Author(s):  
◽  
James Arps

<p>Over 70 years since it was completed, the house at 12 Fife Lane, Miramar, New Zealand’s first state house, looks unchanged. However, the intervening years have seen the failure of some state housing models, the deteriorating condition of others, as well as shifting and increasing housing demands. This thesis examines the urban and architectural design, and the subsequent redevelopment, both private and state-initiated, of post-war suburban state housing in New Zealand. The objective of this thesis is to understand through analysis of existing literature, case study fieldwork, and redevelopment examples, the evolving urban and architectural design of these areas and dwellings, which have arguably shaped the residential face of the nation. The outcomes of this thesis are a series of design strategies for the regeneration of post-war suburban state housing in New Zealand. The purpose of these regenerative design strategies is to address a range of significant issues that the Housing New Zealand Corporation faces, while acknowledging the remaining value of the original investment in post-war suburban state housing. The regenerative design strategies are developed from the earlier research, and are broken into three distinct, but inter-related topics. These are suburban environments, state properties, and state houses, and are examined through a specific design case study. The design case study articulates the potential of regeneration to address a number of issues which became apparent through the research. This thesis concludes that while state housing may never again signify in every sense the ‘very heart of the New Zealand dream’ (Ferguson, 1994, p.117), through regeneration it can, once again, be a certain benchmark for housing generally, and can continue to provide for the nation for at least another 70 years.</p>

2021 ◽  
Author(s):  
◽  
James Arps

<p>Over 70 years since it was completed, the house at 12 Fife Lane, Miramar, New Zealand’s first state house, looks unchanged. However, the intervening years have seen the failure of some state housing models, the deteriorating condition of others, as well as shifting and increasing housing demands. This thesis examines the urban and architectural design, and the subsequent redevelopment, both private and state-initiated, of post-war suburban state housing in New Zealand. The objective of this thesis is to understand through analysis of existing literature, case study fieldwork, and redevelopment examples, the evolving urban and architectural design of these areas and dwellings, which have arguably shaped the residential face of the nation. The outcomes of this thesis are a series of design strategies for the regeneration of post-war suburban state housing in New Zealand. The purpose of these regenerative design strategies is to address a range of significant issues that the Housing New Zealand Corporation faces, while acknowledging the remaining value of the original investment in post-war suburban state housing. The regenerative design strategies are developed from the earlier research, and are broken into three distinct, but inter-related topics. These are suburban environments, state properties, and state houses, and are examined through a specific design case study. The design case study articulates the potential of regeneration to address a number of issues which became apparent through the research. This thesis concludes that while state housing may never again signify in every sense the ‘very heart of the New Zealand dream’ (Ferguson, 1994, p.117), through regeneration it can, once again, be a certain benchmark for housing generally, and can continue to provide for the nation for at least another 70 years.</p>


2021 ◽  
Author(s):  
◽  
Mark Lovelock

<p>New Zealand’s industrial heritage is largely forgotten and at risk of being lost. Without intervention, these buildings will continue to decay until demolition becomes the only feasible option. This design research investigates how laminated timber can be used to adaptively re-use industrial heritage buildings. Adaptive re-use allows a new programme to occur within an existing heritage site, while simultaneously acknowledging its significance. This research produces a set of design guidelines and strategies that can be used to inform future projects.  Laminated timber is typically used in the construction of new buildings and is becoming an increasingly popular choice of material due to recent technological developments and its sustainable profile. This design research explores the use of laminated timber within the adaptive re-use of industrial heritage buildings as an alternative to typical strengthening materials, such as steel and concrete.  The ruins of the Tokomaru Bay Freezing Works is used as a design case study to explore the research question. Located 90km north of Gisborne, Tokomaru Bay is a typical example of the boom and bust experienced in the primary industries of provincial New Zealand during the 20th century. Constructed from Unreinforced Masonry (U.R.M), the freezing works opened in 1910 and initially brought prosperity and development to the region. After the factory’s closure in 1952, the freezing works was abandoned and quickly fell into disrepair and the Tokomaru Bay community sharply declined. This design case study aims to explore the contribution of laminated timber within the adaptive re-use of U.R.M in the context of a mānuka honey factory and garden nursery, within the ruins of the Tokomaru Bay Freezing Works.  Using strategies identified throughout the design research, this case study shows the beneficial relationship that can be achieved between the use of new (laminated timber) and existing heritage fabric (U.R.M) that is compatible with economic revitalisation of small town New Zealand. While acknowledging the limitations of laminated timber, this research identifies five design criteria; architectural character, structure, heritage significance, envelope and program, to assess the success of the design strategies identified.</p>


2021 ◽  
Author(s):  
◽  
Mark Lovelock

<p>New Zealand’s industrial heritage is largely forgotten and at risk of being lost. Without intervention, these buildings will continue to decay until demolition becomes the only feasible option. This design research investigates how laminated timber can be used to adaptively re-use industrial heritage buildings. Adaptive re-use allows a new programme to occur within an existing heritage site, while simultaneously acknowledging its significance. This research produces a set of design guidelines and strategies that can be used to inform future projects.  Laminated timber is typically used in the construction of new buildings and is becoming an increasingly popular choice of material due to recent technological developments and its sustainable profile. This design research explores the use of laminated timber within the adaptive re-use of industrial heritage buildings as an alternative to typical strengthening materials, such as steel and concrete.  The ruins of the Tokomaru Bay Freezing Works is used as a design case study to explore the research question. Located 90km north of Gisborne, Tokomaru Bay is a typical example of the boom and bust experienced in the primary industries of provincial New Zealand during the 20th century. Constructed from Unreinforced Masonry (U.R.M), the freezing works opened in 1910 and initially brought prosperity and development to the region. After the factory’s closure in 1952, the freezing works was abandoned and quickly fell into disrepair and the Tokomaru Bay community sharply declined. This design case study aims to explore the contribution of laminated timber within the adaptive re-use of U.R.M in the context of a mānuka honey factory and garden nursery, within the ruins of the Tokomaru Bay Freezing Works.  Using strategies identified throughout the design research, this case study shows the beneficial relationship that can be achieved between the use of new (laminated timber) and existing heritage fabric (U.R.M) that is compatible with economic revitalisation of small town New Zealand. While acknowledging the limitations of laminated timber, this research identifies five design criteria; architectural character, structure, heritage significance, envelope and program, to assess the success of the design strategies identified.</p>


2021 ◽  
Author(s):  
◽  
Joseph Bailey

<p>Economic and technological shifts over the last half of the 20th century have seen widespread changes in the way the New Zealand rail network operates, and are continuing to lead to the eminent decline of sections within the network as priorities shift to ensure its long-term survival as a whole. The decline in rail operations to the present point has already seen railway stations, goods yards and associated industrial areas in many rural areas and some smaller centers falling into disuse, and it is inevitable that many more will follow. The aim of this research is to identify and analyze these rail facilities, both redundant and operational, within provincial New Zealand cities with the intention of establishing possible strategies for re-integrating these sites back within the surrounding urban fabric of their respective cities, while retaining links to the cultural and industrial heritage of the sites in terms of the role they played in the birth and development of provincial New Zealand. A review of relevant literature has been conducted in unison with a graphic analysis of both current and redundant rail sites in ten provincial New Zealand cities. The former railway goods yard in Oamaru was selected for the design case study as it encompasses the common issues identified throughout the graphic analysis, while also presenting a number of unique issues. In response to the initial aim of this research, the design case study for Oamaru concludes that, once redundant, these former rail facilities can be successfully re-integrated with their surrounding urban fabric, without comprimising the unique inherent cultural and industrial heritage of the site.</p>


2021 ◽  
Author(s):  
◽  
Chloé Coles

<p>The Humane Co-house design-led research project presents a new typology for shared medium-density housing sited in a city-fringe Wellington suburb. The research argues communal living can be utilised to achieve smaller dwellings, a high medium-density grain, a humane living environment and a new form of social interaction that home buyers will find desirable. Buying a home is difficult throughout New Zealand and Wellington is no exception. Inner-city apartment blocks lack individuality, space for growing families and a sense of community and autonomy. While research shows houses in outer suburbs are perceived to provide these, they come at a high price and there are low amounts of available stock. There is potential for city-fringe suburbs adjacent to the inner city to accommodate more dwellings, creating available housing stock that is appealing to buyers who would otherwise be looking at expensive suburban houses. The research begins with the current attitudes and preferences within the New Zealand housing context, and suggests that the appeal of the traditional detached suburban house is intertwined with a desired balance of private space to common space. The research designs and develops a new typology that attempts to achieve this balance, but with smaller dwellings at a high medium-density. Through design-led research an architectural definition and manifestation of a humane dwelling is formed. This focuses on a balance of private space and common space. Qualities of common and private spaces within a dwelling are explored through literature and design tests. Evaluation of design case studies produced from research, tests and iterations draws conclusions about how communal living can be utilised by different demographics to achieve a new type of social interaction, and a basic level of affordability that will resonate in the current context. The final design case study was critically reflected upon in terms of a theoretical client that over time might transition through three demographic groups – a working young person or couple, a family and a retired person or couple. In this way the design case study produced was considered as a flexible and long-term dwelling, resulting in a humane and appealing home for occupants at different stages of life.</p>


Author(s):  
D Wood

Carin Wilson is one of New Zealand’s significant designers and makers of studio furniture. This analysis of his career is enmeshed with New Zealand contemporary craft history, and the national Pākehā (non-Māori) organization that advocated for craft issues and education from 1965 to 1992. During this period and subsequently, Wilson negotiated his bi-cultural heritage to engage in one-of-a-kind furniture-making as well as benefit non-Māori and Māori communities and the nation. Unlike New Zealand’s coat-of-arms, which portrays its founding cultures as equal yet separate, Wilson’s career shows that New Zealand’s cultures merge into each other, manifesting in hybrid individuals and communities.


2021 ◽  
Author(s):  
◽  
Chloé Coles

<p>The Humane Co-house design-led research project presents a new typology for shared medium-density housing sited in a city-fringe Wellington suburb. The research argues communal living can be utilised to achieve smaller dwellings, a high medium-density grain, a humane living environment and a new form of social interaction that home buyers will find desirable. Buying a home is difficult throughout New Zealand and Wellington is no exception. Inner-city apartment blocks lack individuality, space for growing families and a sense of community and autonomy. While research shows houses in outer suburbs are perceived to provide these, they come at a high price and there are low amounts of available stock. There is potential for city-fringe suburbs adjacent to the inner city to accommodate more dwellings, creating available housing stock that is appealing to buyers who would otherwise be looking at expensive suburban houses. The research begins with the current attitudes and preferences within the New Zealand housing context, and suggests that the appeal of the traditional detached suburban house is intertwined with a desired balance of private space to common space. The research designs and develops a new typology that attempts to achieve this balance, but with smaller dwellings at a high medium-density. Through design-led research an architectural definition and manifestation of a humane dwelling is formed. This focuses on a balance of private space and common space. Qualities of common and private spaces within a dwelling are explored through literature and design tests. Evaluation of design case studies produced from research, tests and iterations draws conclusions about how communal living can be utilised by different demographics to achieve a new type of social interaction, and a basic level of affordability that will resonate in the current context. The final design case study was critically reflected upon in terms of a theoretical client that over time might transition through three demographic groups – a working young person or couple, a family and a retired person or couple. In this way the design case study produced was considered as a flexible and long-term dwelling, resulting in a humane and appealing home for occupants at different stages of life.</p>


2021 ◽  
Author(s):  
◽  
Mitchell McKenzie

<p>During the final months of 2011 the New Zealand government revisited a 50 year old proposal to move the inter-island ferry terminal, currently located in Picton, to a site bordering on both Lake Grassmere and the Clifford Bay coastline. This thesis is based around the design of the new terminal facilities.The primary goal of this research is to develop a model for a new inter-island ferry terminal that responds to its surroundings and explores Norberg-Schulz theory of genius loci. This thesis is born from the work of a number of theorists whose arguments surrounding the concept of place have strong relation to passenger terminal architecture.   Through the combination of Lynch’s theory of concretised space and Norberg-Schulz’s theory of genius loci the design case study proposes a new passenger terminal that has been designed to express the dynamic nature of travel and critique the notion of the terminal as a “waiting room” while still maintaining required terminal function. Internal terminal functions such as shops or staff areas are localised to nodal structures that sit within broader space. This allows for the expression of the locality while still providing a level of internal flexibility for the user. Therefore the terminal becomes a space of endless possibility and enjoyment rather than a soulless and leftover space as many terminals are perceived to be. The site for this design is of utmost importance to the project. This means that the outcomes discussed are directly relevant to this site alone, no other location could yield identical results.   This project is not undertaken as a feasibility study but as an architectural study exploring a concept through design. Therefore the outcome is not a technocratic one but an exploratory one.</p>


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