scholarly journals Ragged Fortunes and Swashbuckling Thrillers; Or, Recreating the Victorian in Young Adult Fiction 1985-2011

2021 ◽  
Author(s):  
◽  
Maria Lujan Herrera
Keyword(s):  
Nineteenth Century ◽  
Young Adult ◽  
Historical Fiction ◽  
Victorian Literature ◽  
World View ◽  
Victorian Novel ◽  
Young Adult Fiction ◽  
Victorian Era ◽  
The Subject ◽  
Social Upheaval

<p>The Victorian era has become a fashionable setting for contemporary young adult fiction. Studies of the contemporary pseudo-Victorian novel have focussed almost entirely upon fiction for adults. Scarcely any attention has been paid to their young adult equivalents — the subject of this thesis. Despite being marketed as “historical” fiction, these works do not adopt actual Victorian history as its basis but are influenced by the literature of the time instead. The chief inspirations are authors such as Dickens and Conan Doyle rather than Victorian children’s classics. After demonstrating the appropriation of Victorian literature in the young adult novels of Pullman, Bajoria, Updale, and Lee, I discuss the function of this Victorian dimension. The nineteenth-century “essential” categories under study here — London, prostitutes, opium dens, orphans, detectives — once embodied Victorian anxieties regarding class, social upheaval, gender politics, colonial guilt, and nationalism. But when contemporary writers evoke Victorian ghosts, they are putting forth their own world view. Consequently, these texts are doubly haunted. Heavy with Victorian ideologies, they simultaneously propagate new fears (for instance, terrorism) and appeal to contemporary sensitivities (particularly feminism). Where Victorian values do not align with the authors’ own, they are challenged and “updated”. Whenever they are made to agree, the reader is confronted with assumptions and prejudices that echo disturbingly through the centuries.</p>

scholarly journals Ragged Fortunes and Swashbuckling Thrillers; Or, Recreating the Victorian in Young Adult Fiction 1985-2011

2021 ◽  
Author(s):  
◽  
Maria Lujan Herrera
Keyword(s):  
Nineteenth Century ◽  
Young Adult ◽  
Historical Fiction ◽  
Victorian Literature ◽  
World View ◽  
Victorian Novel ◽  
Young Adult Fiction ◽  
Victorian Era ◽  
The Subject ◽  
Social Upheaval

<p>The Victorian era has become a fashionable setting for contemporary young adult fiction. Studies of the contemporary pseudo-Victorian novel have focussed almost entirely upon fiction for adults. Scarcely any attention has been paid to their young adult equivalents — the subject of this thesis. Despite being marketed as “historical” fiction, these works do not adopt actual Victorian history as its basis but are influenced by the literature of the time instead. The chief inspirations are authors such as Dickens and Conan Doyle rather than Victorian children’s classics. After demonstrating the appropriation of Victorian literature in the young adult novels of Pullman, Bajoria, Updale, and Lee, I discuss the function of this Victorian dimension. The nineteenth-century “essential” categories under study here — London, prostitutes, opium dens, orphans, detectives — once embodied Victorian anxieties regarding class, social upheaval, gender politics, colonial guilt, and nationalism. But when contemporary writers evoke Victorian ghosts, they are putting forth their own world view. Consequently, these texts are doubly haunted. Heavy with Victorian ideologies, they simultaneously propagate new fears (for instance, terrorism) and appeal to contemporary sensitivities (particularly feminism). Where Victorian values do not align with the authors’ own, they are challenged and “updated”. Whenever they are made to agree, the reader is confronted with assumptions and prejudices that echo disturbingly through the centuries.</p>

Contemporary Girlhood and Anne Boleyn in Young Adult Fiction

2020 ◽  
Vol 13 (1) ◽  
pp. 17-32 ◽  
Author(s):  
Stephanie Russo
Keyword(s):  
High School ◽  
Nineteenth Century ◽  
Young Adult ◽  
Historical Fiction ◽  
Young Adult Fiction ◽  
Teenage Girls ◽  
Feminist Agency

Anne Boleyn has been narrativized in Young Adult (YA) historical fiction since the nineteenth century. Since the popular Showtime series The Tudors (2007–2010) aired, teenage girls have shown increased interest in the story of Anne Boleyn, Henry VIII’s second and most infamous queen. This construction of Boleyn suggests that she was both celebrated and punished for her proto-feminist agency and forthright sexuality. A new subgenre of Boleyn historical fiction has also recently emerged—YA novels in which her story is rewritten as a contemporary high school drama. In this article, I consider several YA novels about Anne Boleyn in order to explore the relevance to contemporary teenage girls of a woman who lived and died 500 years ago.

Perpindahan dan Perubahan : Transportasi dalam Struktur Naratif Riwayat Perjalanan ke Amerika di Era Viktorian

Metahumaniora ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 1
Author(s):  
Ari J. Adipurwawijdana
Keyword(s):  
Nineteenth Century ◽  
Subject Matter ◽  
Henry James ◽  
World View ◽  
Democratic Society ◽  
Transportation Infrastructure ◽  
Material Base ◽  
Travel Narrative ◽  
Infrastructure System ◽  
The Subject

ABSTRAKRiwayat yang disajikan penulis Britania era Viktorian tentang perjalannnya ke Amerikamengasumsikan adanya sebuah jaringan prasarana transportasi. Sistem transportasiterkait dengan riwayat perjalanan (travel narrative) dalam tiga hal, yaitu (1) sebagaibasis material bagi perjalanan, (2) sebagai substruktur riwayat, dan (3) sebagai pokokpembicaraan dalam riwayat itu sendiri. Buku Domestic Manners of the Americans (1832)merupakan model bagi cara infrastruktur transportasi menentukan aspek naratologis,yaitu urutan dan perspektif dalam struktur naratif riwayat perjalanan. Karya tersebut jugamenyajikan transportasi sebagai pokok pembicaraan dalam teksnya itu sendiri walaupun tidaksejauh sebagaimana yang tampak pada The Amateur Emigrant (1895) karya Robert LouisStevenson. Dalam hal ini, The American Scene (1907) karya Henry James juga relevankarena, walaupun tidak secara gamblang membicarakan transportasi sebagai topik dantidak pula menampakkan ciri-ciri riwayat perjalanan, karya tersebut merepresentasicara wawasan Britania-Amerika trans-Atlantik dianggap sebagai sesuatu yang lumrah.Wawasan ini juga memandang menganggap perjalanan trans-Atlantik sebagai semacamperjalanan menembus waktu, yang menunjukkan ketidaknyaman para penulis Britaniaabad kesembilanbelas terhadap transformasi sosial ke masyrakat demokratis yangdirepresentasi secara metaforis oleh pemahaman mereka tentang Amerika.Kata kunci: catatan perjalanan Viktorian, transportasi, wisataABSTRACTNarratives presented by Victorian British writers about their travels to America assume theavailability of a transprtation infrastructure system. Such a system is related to the travelnarrative in three things, namely, (1) as a material base for travel, (2) as a narrative substructurehistory, and (3) as the subject-matter of the narratives. Fanny Trollope’s Domestic Mannerof the Americans (1832) is a model for the way transportation infrastructure determinesnarratological aspects, namely order and perspective in the structure of the travel narrative.The piece also presents transportation as a subject-matter in its text although it does notgo so far as do Robert Louis Stevenson’s The Amateur Emigrant (1895). In discussingtransportation Henry James’ The American Scene is also relevant because, despite it’s notexplicitly speaking of transportation as a topic nor does it show the convential characteristicsof the travel narrative, the work represents a British-American trans-Atlantic world viewas a given. This world view also considers trans-Atlantic travels as a kind of voyage acrosstime, implying the discomfort of nineteenth-century British writers concerning the socialtransition into a democratic society represented by America as a metaphor.Keywords: Victorian travel narrative, transportation, tourism

Loving and Loathing: Portrayals of School Mathematics in Young Adult Fiction

2018 ◽  
Vol 49 (2) ◽  
pp. 178-209 ◽  
Author(s):  
Lisa Darragh
Keyword(s):  
Young Adult ◽  
Mathematics Teachers ◽  
Positioning Theory ◽  
School Mathematics ◽  
Young Adult Fiction ◽  
The Subject ◽  
And Mathematics

Images of mathematics and mathematicians are often negative and stereotyped. These portrayals may work to construct our impressions of mathematics and influence students' identity with and future participation in the subject. This study examined young adult fiction as a context in which school mathematics is portrayed and constructed. I used positioning theory and the notion of story lines to analyze a sample of 59 books. Portrayals of school mathematics within this sample involved multiple story lines, including school mathematics as being obligatory but not useful and mathematics classes as tense, terrible, difficult, and different but perhaps as places in which to find love. Portrayals of mathematics teachers were extremely stereotyped, and some girls were just as likely as boys to be positioned as able mathematics learners.

Adaptive/appropriative reuse in neo-Victorian fiction: having one’s cake and eating it too

Interventions ◽  
2017 ◽  
Author(s):  
Marie-Luise Kohlke
Keyword(s):  
Nineteenth Century ◽  
Historical Fiction ◽  
Adaptive Reuse ◽  
Victorian Novel ◽  
Victorian Culture ◽  
Victorian Novels ◽  
Victorian Fiction ◽  
Fiction Writers ◽  
Historic Conservation ◽  
Adaptive Practice

Marie-Luise Kohlke’s chapter on ‘Adaptive/Appropriate Reuse in Neo-Victorian Fiction: Having One’s Cake and Eating it Too’ argues that historical fiction writers’ persistent fascination with the long nineteenth century enacts a simultaneous drawing near to and distancing from the period, the lives of its inhabitants, and its cultural icons, aesthetic discourses, and canonical works. Always constituting at least in part as a fantasy construction of ‘the Victorian’ for present-day purposes, the process of re-imagining involves not just a quasi resurrection (of nineteenth-century historical persons, fictional characters, traumas, aesthetics, values, and ideologies) but also a relational transformation – a change in nature, a conversion into something other, namely what we want ‘the Victorian’ to signify rather than what it was. Hence adaptive practice in the neo-Victorian novel, applied both to Victorian literary precursors and the period more generally, may be better described as adaptive reuse (to borrow a term from urban planning’s approach to historic conservation) or, perhaps, appropriative reuse. Drawing on a range of neo-Victorian novels Kohlke explores the prevalent perspectival frames and generic forms employed in neo-Victorian appropriative reuse and their divergent effects on present-day conceptions of Victorian culture.

“DEEPLY INDEBTED TO THE TEA-PLANT”: REPRESENTATIONS OF ENGLISH NATIONAL IDENTITY IN VICTORIAN HISTORIES OF TEA

2008 ◽  
Vol 36 (2) ◽  
pp. 531-547 ◽  
Author(s):  
Julie E. Fromer
Keyword(s):  
Nineteenth Century ◽  
Tea Plant ◽  
Personal Account ◽  
British India ◽  
Victorian Era ◽  
Non Fiction ◽  
English National Identity ◽  
The Subject ◽  
The Individual ◽  
The Relationship

These words were penned by a professor of the Royal Medico-Botanical Society in the late 1830s to commemorate the “recent discovery in British India of the Tea Plant” (vii). Yet although written near the beginning of the Victorian era, their sentiment – that tea was both an element of national self-definition and a stimulator of the individual prosperity and wellbeing on which that polity was based – nonetheless epitomizes the broader sweep of the nineteenth century's engagement with that article of consumption. How tea came to occupy this role, and why, is the subject of this essay, which focuses on the book-length tea history – a slightly peculiar genre that blurs the boundaries between fiction and non-fiction, advertisement and travelogue, personal account and scientific treatise. These histories appeared throughout the nineteenth century and often were explicitly funded by various segments of the tea industry (thus resembling the nineteenth-century equivalent of an infomercial). Because of their direct relationship to commercial and trading concerns, their role in recording and shaping the taste for the beverage, and their dissemination across a fairly broad public, tea histories offer an important, intertextual index of the Victorians' relationship to the beverage, as well as the way in which the relationship between home and Empire was constituted and changed over the course of the century.

“An honest escape” of a modern character: escapism problem in young adult fiction in the 21st century

Neophilology ◽  
2020 ◽  
pp. 599-607
Author(s):  
Elena V. Boroda
Keyword(s):  
Young Adult ◽  
21St Century ◽  
Research Method ◽  
Literary Texts ◽  
Young Adult Fiction ◽  
Social Trends ◽  
The Past ◽  
Integrated Research ◽  
History Analysis ◽  
The Subject

We analyze the problem of escapism, briefly discuss its history and evolution, its attitude to the problem in different periods of history. Analysis of this problem is the main goal of this work. The subject of this research is the texts of authors writing for children and teenagers, created over the past decade. On the example of young adult fiction in recent years, the development of an escapist motive, a change in attitude towards it and possible causes of such a transformation are observed. The relevance of the study is that modern texts that have not yet been studied by modern literary studies are analyzed, and the problem of escapism is considered in accordance with the cultural and social trends of today. In the process, we use an integrated research method. The result of studying the problem of escapism can be called a review of modern young adult fiction, in which there is a motive for fleeing reality, as well as some observations and conclusions that may be useful in studying the cultural and social problems of today. We conclude that escapism in modern young adult fiction is a full-fledged motive and means of interacting with reality. The scope of the research results is the study of modern literary texts by philologists, literary critics, literature teachers, as well as students and schoolchildren who are interested in expanding and deepening literary knowledge.

THE LITERARY PORTRAIT AS CENTERFOLD: FETISHISM IN MARY ELIZABETH BRADDON'SLADY AUDLEY'S SECRET

2007 ◽  
Vol 35 (2) ◽  
pp. 471-488 ◽  
Author(s):  
Lynette Felber
Keyword(s):  
Victorian Literature ◽  
Film Theory ◽  
Victorian Novel ◽  
Verbal Description ◽  
Victorian Era ◽  
Verbal Representation ◽  
Picture Of Dorian Gray ◽  
Literary Portraits ◽  
Literary Portrait ◽  
Lady Audley's Secret

FROM “MY LAST DUCHESS”toThe Picture of Dorian Gray, portraits are ubiquitous in Victorian literature – lurking behind velvet curtains or stowed in locked attics, their canvases turned to the wall. The literary portrait, a variation on the copious nineteenth-century description typical of the Victorian novel, provides a verbal representation of physical appearance that most conspicuously functions to establish character. Literary portraits work vicariously, asking readers to conceptualize imaginatively what the characters actually see, requiring that they visualize a painting – see it in their mind's eye. Verbal and visual, private and portable, the literary portrait is a memento of an exciting reading experience. To better understand the appeal of literary portraits in the Victorian era, we might explore the effects of verbal description and the psychosexual impulses motivating the production of literary portraits. Victorian literary portraits commonly fetishize female subjects for a purportedly male gaze; even post-Freud, psychoanalysts view fetishism as a primarily masculine proclivity (Metz 89). Novels such as Mary Elizabeth Braddon'sLady Audley's Secret(1862), to name only one among many, present a fetishistic portrait that seems to be a classic illustration of Mulvey's observation that “[i]n a world ordered by sexual imbalance, pleasure in looking has been split between active/male and passive/female” (11). Film theory offers literary critics ways to theorize specularization – the behavior of “looking” – that precinematic viewers could not yet articulate.

Afterword

Good Form ◽  
2019 ◽  
pp. 191-196
Author(s):  
Jesse Rosenthal
Keyword(s):  
Nineteenth Century ◽  
Victorian Literature ◽  
Victorian Novel ◽  
Point Of View ◽  
The Other ◽  
Literary Realism ◽  
Specific Time ◽  
Moral Thought ◽  
The Past ◽  
Other Hand

This afterword explores how the arguments in this book relate to the question of literary periodization. This is, without question, a book on Victorian literature, written in the context of Victorian moral thought. From that point of view, it is very much rooted to a specific time and place. On the other hand, many of the arguments and theoretical ideas in this book rely on a certain concept of realism that would seem to extend beyond Britain and beyond the nineteenth century. The closing thoughts of this chapter consider just how much of the book's argument is portable to a larger discussion of literary realism. In so doing, the afterword hopes to elaborate the ways in which the Victorian novel, and the moral thought that attached to it, has continued to influence people's larger sense of how works from the past can seem to be, in some odd way, about them.

Perpindahan dan Perubahan : Transportasi dalam Struktur Naratif Riwayat Perjalanan ke Amerika di Era Viktorian

Metahumaniora ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 1
Author(s):  
Ari J. Adipurwawijdana
Keyword(s):  
Nineteenth Century ◽  
Subject Matter ◽  
Henry James ◽  
World View ◽  
Democratic Society ◽  
Transportation Infrastructure ◽  
Material Base ◽  
Travel Narrative ◽  
Infrastructure System ◽  
The Subject

ABSTRAKRiwayat yang disajikan penulis Britania era Viktorian tentang perjalannnya ke Amerikamengasumsikan adanya sebuah jaringan prasarana transportasi. Sistem transportasiterkait dengan riwayat perjalanan (travel narrative) dalam tiga hal, yaitu (1) sebagaibasis material bagi perjalanan, (2) sebagai substruktur riwayat, dan (3) sebagai pokokpembicaraan dalam riwayat itu sendiri. Buku Domestic Manners of the Americans (1832)merupakan model bagi cara infrastruktur transportasi menentukan aspek naratologis,yaitu urutan dan perspektif dalam struktur naratif riwayat perjalanan. Karya tersebut jugamenyajikan transportasi sebagai pokok pembicaraan dalam teksnya itu sendiri walaupun tidaksejauh sebagaimana yang tampak pada The Amateur Emigrant (1895) karya Robert LouisStevenson. Dalam hal ini, The American Scene (1907) karya Henry James juga relevankarena, walaupun tidak secara gamblang membicarakan transportasi sebagai topik dantidak pula menampakkan ciri-ciri riwayat perjalanan, karya tersebut merepresentasicara wawasan Britania-Amerika trans-Atlantik dianggap sebagai sesuatu yang lumrah.Wawasan ini juga memandang menganggap perjalanan trans-Atlantik sebagai semacamperjalanan menembus waktu, yang menunjukkan ketidaknyaman para penulis Britaniaabad kesembilanbelas terhadap transformasi sosial ke masyrakat demokratis yangdirepresentasi secara metaforis oleh pemahaman mereka tentang Amerika.Kata kunci: catatan perjalanan Viktorian, transportasi, wisataABSTRACTNarratives presented by Victorian British writers about their travels to America assume theavailability of a transprtation infrastructure system. Such a system is related to the travelnarrative in three things, namely, (1) as a material base for travel, (2) as a narrative substructurehistory, and (3) as the subject-matter of the narratives. Fanny Trollope’s Domestic Mannerof the Americans (1832) is a model for the way transportation infrastructure determinesnarratological aspects, namely order and perspective in the structure of the travel narrative.The piece also presents transportation as a subject-matter in its text although it does notgo so far as do Robert Louis Stevenson’s The Amateur Emigrant (1895). In discussingtransportation Henry James’ The American Scene is also relevant because, despite it’s notexplicitly speaking of transportation as a topic nor does it show the convential characteristicsof the travel narrative, the work represents a British-American trans-Atlantic world viewas a given. This world view also considers trans-Atlantic travels as a kind of voyage acrosstime, implying the discomfort of nineteenth-century British writers concerning the socialtransition into a democratic society represented by America as a metaphor.Keywords: Victorian travel narrative, transportation, tourism

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