scholarly journals Fracture: The reception of the 'other' author in Aotearoa

2021 ◽  
Author(s):  
◽  
Michalia Arathimos
Keyword(s):  
Lived Experience ◽  
Cultural Theory ◽  
Interdisciplinary Approach ◽  
The Other ◽  
Literary Analysis ◽  
The Novel ◽  
Political Event ◽  
Literary Identity ◽  
Self And Other ◽  
The Individual

<p>The fracturing of cultural identity is a common trope in postcolonial literatures. Traditional binaries of 'self' and 'other' are now complicated by cultural hybridities that reflect the intersectionality of migrant identities, indigeneity and the postcolonial national 'self'. Where the binaries 'self' and 'other' do not hold, creative forms like the novel can go some way towards exploring hybrid and 'other' experiences, both as a reinscribing and reimagining of the centre, and as a complex 'writing back'. This thesis investigates the complex positioning of the hybrid or double-cultured individual in Aotearoa in the last forty years. While postcolonial models have been used to expose the exoticisation of the 'other' in fictional texts, Part One of this thesis goes a step further by applying these models to real authors and interrogating their representations as static objects/products in the collective 'text' of media items written about them. Shifts in 'our' national literary identity can be traced in changes in responses to 'other' authors over time. Using an interdisciplinary approach, the first part of this thesis proves that there are differences in the media‟s portrayal of six Māori and 'other' ethnic authors: Witi Ihimaera, Keri Hulme, Kapka Kassabova, Tusiata Avia, Karlo Mila and Cliff Fell, beginning with the 1972 publication of Ihimaera‟s Pounamu Pounamu and ending in 2009 with Tusiata Avia‟s Bloodclot. Part One of this thesis mixes media studies, postcolonial literary analysis, and cultural theory, and references the work of Ghassan Hage, Graham Huggan, Margery Fee, Patrick Evans, Mark Williams, and Simone Drichel. Part Two of this thesis is comprised of a novel, Fracture. While Part One constitutes an investigation of the positioning of the 'other' author, Part Two is a creative exploration of two double-cultured and dispossessed indigenous characters' lived experience. The novel follows a Greek-New Zealand woman and a Māori man who go to a rural pā to protest fracking, or hydraulic fracturing. While the first part of the thesis explores the positioning of the „other‟ outside of the white self, the novel aims to portray the effects of such 'othering,' on the individual and demonstrate how the historical/political event can be a real experiential locale for the 'other'.</p>

scholarly journals Fracture: The reception of the 'other' author in Aotearoa

2021 ◽  
Author(s):  
Michalia Arathimos
Keyword(s):  
Lived Experience ◽  
Cultural Theory ◽  
Interdisciplinary Approach ◽  
The Other ◽  
Literary Analysis ◽  
The Novel ◽  
Political Event ◽  
Literary Identity ◽  
Self And Other ◽  
The Individual

The fracturing of cultural identity is a common trope in postcolonial literatures. Traditional binaries of 'self' and 'other' are now complicated by cultural hybridities that reflect the intersectionality of migrant identities, indigeneity and the postcolonial national 'self'. Where the binaries 'self' and 'other' do not hold, creative forms like the novel can go some way towards exploring hybrid and 'other' experiences, both as a reinscribing and reimagining of the centre, and as a complex 'writing back'. This thesis investigates the complex positioning of the hybrid or double-cultured individual in Aotearoa in the last forty years. While postcolonial models have been used to expose the exoticisation of the 'other' in fictional texts, Part One of this thesis goes a step further by applying these models to real authors and interrogating their representations as static objects/products in the collective 'text' of media items written about them. Shifts in 'our' national literary identity can be traced in changes in responses to 'other' authors over time. Using an interdisciplinary approach, the first part of this thesis proves that there are differences in the media‟s portrayal of six Māori and 'other' ethnic authors: Witi Ihimaera, Keri Hulme, Kapka Kassabova, Tusiata Avia, Karlo Mila and Cliff Fell, beginning with the 1972 publication of Ihimaera‟s Pounamu Pounamu and ending in 2009 with Tusiata Avia‟s Bloodclot. Part One of this thesis mixes media studies, postcolonial literary analysis, and cultural theory, and references the work of Ghassan Hage, Graham Huggan, Margery Fee, Patrick Evans, Mark Williams, and Simone Drichel. Part Two of this thesis is comprised of a novel, Fracture. While Part One constitutes an investigation of the positioning of the 'other' author, Part Two is a creative exploration of two double-cultured and dispossessed indigenous characters' lived experience. The novel follows a Greek-New Zealand woman and a Māori man who go to a rural pā to protest fracking, or hydraulic fracturing. While the first part of the thesis explores the positioning of the „other‟ outside of the white self, the novel aims to portray the effects of such 'othering,' on the individual and demonstrate how the historical/political event can be a real experiential locale for the 'other'.

scholarly journals Fracture: The reception of the 'other' author in Aotearoa

2021 ◽  
Author(s):  
Michalia Arathimos
Keyword(s):  
Lived Experience ◽  
Cultural Theory ◽  
Interdisciplinary Approach ◽  
The Other ◽  
Literary Analysis ◽  
The Novel ◽  
Political Event ◽  
Literary Identity ◽  
Self And Other ◽  
The Individual

The fracturing of cultural identity is a common trope in postcolonial literatures. Traditional binaries of 'self' and 'other' are now complicated by cultural hybridities that reflect the intersectionality of migrant identities, indigeneity and the postcolonial national 'self'. Where the binaries 'self' and 'other' do not hold, creative forms like the novel can go some way towards exploring hybrid and 'other' experiences, both as a reinscribing and reimagining of the centre, and as a complex 'writing back'. This thesis investigates the complex positioning of the hybrid or double-cultured individual in Aotearoa in the last forty years. While postcolonial models have been used to expose the exoticisation of the 'other' in fictional texts, Part One of this thesis goes a step further by applying these models to real authors and interrogating their representations as static objects/products in the collective 'text' of media items written about them. Shifts in 'our' national literary identity can be traced in changes in responses to 'other' authors over time. Using an interdisciplinary approach, the first part of this thesis proves that there are differences in the media‟s portrayal of six Māori and 'other' ethnic authors: Witi Ihimaera, Keri Hulme, Kapka Kassabova, Tusiata Avia, Karlo Mila and Cliff Fell, beginning with the 1972 publication of Ihimaera‟s Pounamu Pounamu and ending in 2009 with Tusiata Avia‟s Bloodclot. Part One of this thesis mixes media studies, postcolonial literary analysis, and cultural theory, and references the work of Ghassan Hage, Graham Huggan, Margery Fee, Patrick Evans, Mark Williams, and Simone Drichel. Part Two of this thesis is comprised of a novel, Fracture. While Part One constitutes an investigation of the positioning of the 'other' author, Part Two is a creative exploration of two double-cultured and dispossessed indigenous characters' lived experience. The novel follows a Greek-New Zealand woman and a Māori man who go to a rural pā to protest fracking, or hydraulic fracturing. While the first part of the thesis explores the positioning of the „other‟ outside of the white self, the novel aims to portray the effects of such 'othering,' on the individual and demonstrate how the historical/political event can be a real experiential locale for the 'other'.

scholarly journals Fracture: The reception of the 'other' author in Aotearoa

2021 ◽  
Author(s):  
◽  
Michalia Arathimos
Keyword(s):  
Lived Experience ◽  
Cultural Theory ◽  
Interdisciplinary Approach ◽  
The Other ◽  
Literary Analysis ◽  
The Novel ◽  
Political Event ◽  
Literary Identity ◽  
Self And Other ◽  
The Individual

<p>The fracturing of cultural identity is a common trope in postcolonial literatures. Traditional binaries of 'self' and 'other' are now complicated by cultural hybridities that reflect the intersectionality of migrant identities, indigeneity and the postcolonial national 'self'. Where the binaries 'self' and 'other' do not hold, creative forms like the novel can go some way towards exploring hybrid and 'other' experiences, both as a reinscribing and reimagining of the centre, and as a complex 'writing back'. This thesis investigates the complex positioning of the hybrid or double-cultured individual in Aotearoa in the last forty years. While postcolonial models have been used to expose the exoticisation of the 'other' in fictional texts, Part One of this thesis goes a step further by applying these models to real authors and interrogating their representations as static objects/products in the collective 'text' of media items written about them. Shifts in 'our' national literary identity can be traced in changes in responses to 'other' authors over time. Using an interdisciplinary approach, the first part of this thesis proves that there are differences in the media‟s portrayal of six Māori and 'other' ethnic authors: Witi Ihimaera, Keri Hulme, Kapka Kassabova, Tusiata Avia, Karlo Mila and Cliff Fell, beginning with the 1972 publication of Ihimaera‟s Pounamu Pounamu and ending in 2009 with Tusiata Avia‟s Bloodclot. Part One of this thesis mixes media studies, postcolonial literary analysis, and cultural theory, and references the work of Ghassan Hage, Graham Huggan, Margery Fee, Patrick Evans, Mark Williams, and Simone Drichel. Part Two of this thesis is comprised of a novel, Fracture. While Part One constitutes an investigation of the positioning of the 'other' author, Part Two is a creative exploration of two double-cultured and dispossessed indigenous characters' lived experience. The novel follows a Greek-New Zealand woman and a Māori man who go to a rural pā to protest fracking, or hydraulic fracturing. While the first part of the thesis explores the positioning of the „other‟ outside of the white self, the novel aims to portray the effects of such 'othering,' on the individual and demonstrate how the historical/political event can be a real experiential locale for the 'other'.</p>

Margaret Mahy: An Adlerian Reading

2008 ◽  
Vol 1 (2) ◽  
pp. 187-199
Author(s):  
KATHRYN WALLS
Keyword(s):  
Young Female ◽  
The Other ◽  
Individual Psychology ◽  
The Novel ◽  
Alfred Adler ◽  
Female Protagonists ◽  
Magical Power ◽  
Margaret Mahy ◽  
The Individual

According to the ‘Individual Psychology’ of Alfred Adler (1870–1937), Freud's contemporary and rival, everyone seeks superiority. But only those who can adapt their aspirations to meet the needs of others find fulfilment. Children who are rejected or pampered are so desperate for superiority that they fail to develop social feeling, and endanger themselves and society. This article argues that Mahy's realistic novels invite Adlerian interpretation. It examines the character of Hero, the elective mute who is the narrator-protagonist of The Other Side of Silence (1995) , in terms of her experience of rejection. The novel as a whole, it is suggested, stresses the destructiveness of the neurotically driven quest for superiority. Turning to Mahy's supernatural romances, the article considers novels that might seem to resist the Adlerian template. Focusing, in particular, on the young female protagonists of The Haunting (1982) and The Changeover (1984), it points to the ways in which their magical power is utilised for the sake of others. It concludes with the suggestion that the triumph of Mahy's protagonists lies not so much in their generally celebrated ‘empowerment’, as in their transcendence of the goal of superiority for its own sake.

Collections of Memory Institutions: New Trends for Research

2012 ◽  
Vol 2 ◽  
pp. 9-18
Author(s):  
Arvydas Pacevičius
Keyword(s):  
Cultural Theory ◽  
Interdisciplinary Approach ◽  
Frame Of Reference ◽  
The Other ◽  
Systematic Research ◽  
Library History ◽  
Modern Library ◽  
Research Paradigms ◽  
Theoretical Perspectives ◽  
New Research

The publication features information on research done during the Bibliotheca Lituana project. In particular the focus is on collections of memory institutions, new perspectives on library and other memory institution, i.e. archives, museums, research. Modern library history has adopted relevant theoretical perspectives from social and cultural theory. Currently these perspectives incorporate not only the activities and collections of the aforementioned institutions but also the more widely interpreted information infrastructure, that do not have libraries as their main frame of reference. Problems faced publishing archival sources are also examined. It was determined that insufficient attention is given to research and publication of old catalogues, inventories and book listings. On the other hand a unified system and methodology for publishing of the aforementioned sources does not exist. We come to a conclusion that through new research paradigms, an interdisciplinary approach and change of thought in the archival, librarian and museology communities, we can start systematic research of libraries and other memory institutions. Their results would complement the pages of the continued Bibliotheca Lituana publications.

scholarly journals Massive and Microscopic Sensemaking During COVID-19 Times

2020 ◽  
pp. 107780042096247 ◽  
Author(s):  
Annette N. Markham ◽  
Anne Harris ◽  
Mary Elizabeth Luka
Keyword(s):  
Critical Pedagogy ◽  
Lived Experience ◽  
Large Scale ◽  
Ethic Of Care ◽  
Feminist Perspective ◽  
The Other ◽  
Self And Other ◽  
Planetary Scale ◽  
Making Sense ◽  
Ongoing Experiment

How does this pandemic moment help us to think about the relationships between self and other, or between humans and the planet? How are people making sense of COVID-19 in their everyday lives, both as a local and intimate occurrence with microscopic properties, and a planetary-scale event with potentially massive outcomes? In this paper we describe our approach to a large-scale, still-ongoing experiment involving more than 150 people from 26 countries. Grounded in autoethnography practice and critical pedagogy, we offered 21 days of self guided prompts to for us and the other participants to explore their own lived experience. Our project illustrates the power of applying a feminist perspective and an ethic of care to engage in open ended collaboration during times of globally-felt trauma.

The Cinematic Chiasm

Janus Head ◽  
2015 ◽  
Vol 14 (2) ◽  
pp. 35-48
Author(s):  
Nisha Gupta ◽  
Keyword(s):  
Social Justice ◽  
Lived Experience ◽  
The Other ◽  
Audience Member ◽  
Self And Other

This paper is a recommendation for phenomenologists to use film as a perceptually-faithful language with which to disseminate research and in­sights about lived experience. I use Merleau-Ponty’s philosophy to illus­trate how film can evoke a state of profound, embodied empathy between self-and-other, which I refer to as “the cinematic chiasm”. I incorporate a case study of my experience as audience member becoming intertwined with the flesh of the film “The Diving Bell and the Butterfly.” I discuss four aesthetic techniques of this film through which I became enveloped in a state of visceral empathy towards the “other” on-screen. The cin­ematic chiasm offers exciting, creative possibilities for phenomenologists, particularly those who are interested in evoking widespread empathy for social justice purposes.

سلطة النسق اللغوي بين اللغة العالمة واللغة المؤسسية

2021 ◽  
pp. arabic cover-english cover
Author(s):  
أحمد حساني
Keyword(s):  
Knowledge Society ◽  
Interdisciplinary Approach ◽  
The Other ◽  
Linguistic Community ◽  
The Political ◽  
Institutional Research ◽  
Linguistic System ◽  
Traditional Institution ◽  
Institutional System ◽  
The Individual

يندرج هذا البحث ضمن مشروع تأسيسي، وتأصيلي هادف، يسعى إلى تعزيز المقاربة اللسانية البينية للنسق اللغوي بكل مكوناته، والبحث عن قوة الحضور التي يمتلكها، والسلطة التي يمارسها على الفرد منتجِ الخطاب، وعلى الجماعة التي تشكل المجتمع اللغوي؛ حيث إنَّ اللغة قوة فاعلة لها سلطة داخلية وخارجية، تتجلى سلطتها الداخلية في نظامها القواعدي المعقد الذي يوجد بصفة مضمرة في أذهان المتكلمين- المستمعين الذين ينتمون إلى مجتمع له خصوصيات ثقافية وحضارية متجانسة. وتتجلى سلطتها الخارجية في المؤسسة السياسية، والاجتماعية والعرفية التي تكرّس شرعية النسق اللغوي في المجتمع اللغوي. وفي ظل هذا التصور، انصرفت هذه المقاربة إلى التعامل مع النسق اللغوي، من حيث هو سلطة قهرية، والبحث في علاقته باللغة العالمة من جهة، واللغة المؤسسية من جهة أخرى. تسعى هذه الدراسة، حينئذٍ، إلى إيجاد إجابات علميةكافية، عن كثير من الأسئلة التي ما فتئت تشغل بال الباحثين، على اختلاف اهتماماتهم العلمية أثناء اتخاذهم اللغة موضوعًا للتفكير، والبحث المؤسس. نذكر في هذا المقام بعضَها لأهميته: 1- ما القوة الخفية الكامنة في (ما وراء) ممارسة اللغة لسلطتها القهرية لدى الأفراد والمجتمعات؟ 2- كيف شكلت الرواسب الأدائية للكلام هذه السلطة عبر التاريخ ؟ 3- إلى أي حد يمكن للغتين؛ العالمة، والمؤسسية التأثير في مسار النسق اللغوي في مجتمع المعرفة، والنظام المؤسسي في المجتمع؟ This research falls within a constituent, and Authentic project that seeks to enhance Interdisciplinary approach with all components parts of linguistic system to search for the presence power, that possesses the power, that it exercises on the individual who produces the discourse, and on the group; which make up the linguistic community as an effective force language, that has internal and external authority, which reflects its internal authority in its complex grammatical system, that exists implicitly in the minds of speakers - listeners belonging to a society with homogeneous cultural and civilizational privacies. The external authority is manifested in the political, social, and traditional institution; that devotes the legitimacy of the linguistic system in the linguistic community. Under this scenario; the approach went out to deal with the linguistic system in terms of it is a compulsive authority research, and its relationship to the scholarly language on the hand, and the institutional language on the other hand. This intervention seeks to find scientific answers for many questions, that still preoccupy the researchers from different scientific interests during taking the language as a topic of thought and institutional research. We mention certain questions for its importance: 1- What is the hidden power behind language practicing its oppressive authority in individuals and societies? 2- How did the performance remnants of speech shape this authority throughout history? 3- To what extent can the scholarly language and institutional languages influence the path of a linguistic system in the knowledge society, and the institutional system in the community?

scholarly journals Othering and Selfing: Reading Gender Hierarchies and Social Categories in Michel Houellebecq's Novel Soumission

2018 ◽  
Vol 30 (1) ◽  
pp. 1
Author(s):  
Wening Udasmoro
Keyword(s):  
New York ◽  
Identity Politics ◽  
World Trade Center ◽  
The Self ◽  
The Other ◽  
The Novel ◽  
Social Categories ◽  
French Society ◽  
Self And Other ◽  
Gender Hierarchies

In literature, questions of the self and the other are frequently presented. The identity politics that gained prominence after the attack on the World Trade Center in New York on 11 September 2001 has occupied considerable space in this debate throughout the globe, including in France. One example of a novel dealing with the self and other is Michel Houellebecq’s Soumission (2015). This article attempts to explore the processes of selfing and othering in this work. The politics of identity that seems to present Muslims and Islam as the other and French as the self is also extended to other identities and aspects involved in the novel. This article attempts to show, first, how the French author Houellebecq positions the self and other in Soumission; second, the type of self and other the novel focuses on; and third, how its selfing and othering processes reveal the gender hierarchy and social categorization of French society. It finds that the novel presents a hierarchy in its narrative through which characters are positioned based on their gender and sexual orientation, as well as their age and ethnic heritage.

Is The Second Sex Beauvoir’s Application of Sartrean Existentialism?

1998 ◽  
pp. 68-74
Author(s):  
Margaret A. Simons
Keyword(s):  
African American ◽  
Lived Experience ◽  
Interpersonal Relationships ◽  
Richard Wright ◽  
Choice Point ◽  
Philosophical Problem ◽  
The Other ◽  
Self And Other ◽  
Second Sex ◽  
Élan Vital

Simone de Beauvoir's 1949 feminist masterpiece, The Second Sex, has traditionally been read as an application of Sartrean existentialism to the problem of women. Critics have claimed a Sartrean origin for Beauvoir's central theses: that under patriarchy woman is the Other, and that 'one is not born a woman, but becomes one.' An analysis of Beauvoir's recently discovered 1927 diary, written while she was a philosophy student at the Sorbonne, two years before her first meeting with Sartre, challenges this interpretation. In this diary, Beauvoir affirms her commitment to doing philosophy, defines the philosophical problem of 'the opposition of self and other,' and explores the links between love and domination. In 1927, she thus lays the foundations of both Sartre's phenomenology of interpersonal relationships and of her own thesis, in The Second Sex, that woman is the Other. Her descriptions of the experience of freedom and choice point to the influence of Bergson, specifically his concepts of 'becoming' and élan vital. Tracing Beauvoir's shift from her apolitical position of 1927 to the feminist engagement of The Second Sex points to the influence of the African-American writer, Richard Wright, whose description of the lived experience of oppression of blacks in America, and whose challenge to Marxist reductionism, provide Beauvoir with a model, an analogy, for analyzing woman's oppression.

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