second sex
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2021 ◽  
Vol 5 (2) ◽  
pp. 143
Author(s):  
Allen Pranata Putra ◽  
Erwan Aristyanto

<p align="center"> </p><p><em>This article discusses the women's movement to sustain its existentialism in the COVID-19 pandemic by moving and taking high risks to become female online drivers. Based on research conducted by Simone De Beauvoir, who analyzed the film "The Second Sex" using existentialist feminism theory, women are often used as objects and men as subjects because of the man's masculinity and biological circumstances that are considered to support inter-subjective in men. The contribution of this research is the use of existentialist feminism as an anti-thesis of male masculinity by applying it to the empirical conditions of women. The study used feminist ethnographic methods that combine ethnographic interviews and participant observations. The focus of this study lies on the class struggle of women to maintain their existentialism despite having to take high job risks and the risk of contracting the COVID-19 virus due to high mobility. This research data analysis technique uses data reduction, data display, and data triangulation. The results showed that women worked as online drivers to become subjects for themselves and act as breadwinners and housewives in the conditions of the COVID-19 pandemic. Women's struggles in the COVID-19 pandemic undermine the social stigma of society that often makes them objects.</em></p><p>Artikel ini membahas tentang gerakan kaum perempuan untuk mempertahankan eksistensialnya di masa pandemi COVID-19 dengan bergerak dan mengambil resiko tinggi untuk menjadi driver online perempuan. Berdasarkan penelitian yang dilakukan oleh Simone De Beauvoir yang menganalisis film <em>“The Second Sex”</em>menggunakan teori feminisme eksistensialis, perempuan seringkali dijadikan sebagai objek dan laki-laki sebagai subjek karena maskunilitas dari seorang laki-laki dan keadaan biologis yang dianggap mendukung adanya inter-sebujektif pada laki-laki. Kontribusi penelitian ini adalah penggunakan feminisme eksistensialis sebagai <em>anti-thesis</em> maskulinitas laki-laki dengan menerapkan pada kondisi empiris perempuan. Penelitian ini menggunakan metode etnografi feminis yaitu menggabungkan <em>ethnographic interview </em>dan <em>participant observations. </em>Fokus penelitian ini terletak pada <em>class struggle</em><em> </em>kaum perempuan untuk mempertahankan eksistensialnya meskipun harus mengambil resiko pekerjaan yang tinggi dan resiko tertular virus COVID-19 akibat mobilitas yang tinggi. Teknik analisis data penelitian ini menggunakan reduksi data, <em>display </em>data, verifikasi data dan triangulasi data. Hasil menunjukkan bahwa kaum perempuan bekerja sebagai <em>driver online</em><em> </em>untuk menjadi subjek bagi dirinya sendiri sekaligus berperan sebagai pencari nafkah dan ibu rumah tangga dalam kondisi pandemi COVID-19. Perjuangan perempuan dalam pandemi COVID-19 meruntuhkan stigma sosial masyarakat yang seringkali menjadikan mereka sebagai objek.</p>


2021 ◽  
Vol 16 (4) ◽  
pp. 1123-1147
Author(s):  
Katarina Lončarević

The Second Sex has been considered one of the most important studies about the women’s question that preceded the so-called second feminist wave in the USA, and the paper deals with the inquiries about the urge to translate The Second Sex into English and for the American audience. Taking into account translation studies, the article approaches the process of translation as not neutral and as one that has far-reaching consequences for the reception of the translated work. In addition, the paper refers to feminist translation studies and the insight that translation invokes questions of power, exclusion, appropriation, and erasure. The rise of periodical studies, on the other hand, gives the opportunity to analyze digitalized journals from the period after the Second World War, and to question on a deeper level the norms and socially accepted ideals of femininity in plural, which, finally, could contribute to a more complex understanding of the position and role of women in postwar America. Having in mind specific the social, political and cultural context in which the first English translation of The Second Sex was published, the paper analyzes the reception of the book in popular journals during 1953, which was highly critical but simultaneously more positive than in France, despite all the problems with the translation that deform Beauvoir’s thought and its existentialist philosophy that underpins her deconstruction of various myths about women. The paper offers deep analysis of thirteen articles published in six American journals with different editorial policies and intended audiences. The analysis of these first published critiques of the book shows that some topics (the structure of the book, Beauvoir as ‘the French’ author, her alleged misunderstanding of the American context and positive stance towards the USSR, feminism, the ‘unscientific’ analysis that the book provides, existentialism, and Beauvoir's critique of the myth of motherhood), gained much more attention than for example the analysis of the quality of the book's translation, which deeply influences all of the above mentioned topics and problems and, in addition, there is no critical stance towards the role and position of women in the United States after the Second World War in any of the published critiques. The article argues that the reception of The Second Sex which was created in part by these critiques influenced both public opinion and feminists, who would quite soon remobilize the massive feminist movement in the 1960s.


2021 ◽  
Vol 27 (2) ◽  
pp. 101-108

The analogy Simone de Beauvoir draws between “les femmes” and “des Noirs d’Amérique” is a key part of the intersectional critique of The Second Sex. Intersectional critics persuasively argue that Beauvoir’s analogy reveals the white, middle-class identity of The Second Sex's ostensibly universal “woman”, emphasizing the fact that the text does not account for the experiences of black, Jewish, proletariat or indigenous women. In this essay, I point to multiple instances in The Second Sex in which Beauvoir endorses a coalition between workers black and white, male and female. When Beauvoir writes on economic injustice, she advocates for an inclusive workers party where racial and sexual differences become immaterial as workers come together in a collective struggle. I thus propose that Beauvoir’s Marxism is an overlooked, yet important, counterpoint to the intersectional critique of The Second Sex.


2021 ◽  
Vol 6 (5) ◽  
pp. 28
Author(s):  
Ruixi Yan

Second-wave feminism was a period of feminist activity that began in the early 1960s in the western world, which focused on criticizing the patriarchal institutions or cultural practices throughout the society. Originating several centuries earlier, Chinese opera culture has been ahead of its time in demonstrating the male-dominated society’s oppression against women. As one of the principal founders of second-wave feminism, Simone de Beauvoir’s classical feminist theory in her book, The Second Sex, mainly introduced the sex-gender distinction. In this article, the author aims to reveal how Bi Feiyu, the writer of The Moon Opera, successfully conveyed existential feminist ideas, especially Beauvoir’s famous assertion that "one is not born but becomes a woman", through his careful selection of the art type Qing Yi (Qingyi is the main woman role in Peking Opera and often plays dignified, serious, and decent characters, which are mostly wives or mothers undergoing severe ordeal) and the portrayal of two generations of Qing Yi performers. In the process of analysis, the author not only examined Bi Feiyu’s application of intertextuality theory, but also derived conclusions from other mainstream feminist thoughts such as the feminist theory of the dressed female body and the transactional sex theory.


2021 ◽  
Vol 8 (11) ◽  
pp. 138
Author(s):  
Allen C. Huang ◽  
Susan B. Olson ◽  
Cheryl L. Maslen

Turner syndrome is a rare disorder resulting from complete or partial loss of the second sex chromosome. Common manifestations include delayed growth, premature ovarian failure, congenital heart defects, endocrine disorders, lymphedema, and webbed neck. People with Turner syndrome have significantly increased mortality risk primarily due to cardiovascular abnormalities. The mechanisms that lead to these defects are not completely understood and are obscured by the significant variability of both karyotype and phenotype without consistent correlation between the two. This paper presents a review of the recent literature surrounding the symptoms, mechanisms, diagnosis, and treatment of Turner syndrome with a focus on cardiovascular manifestations. With technological advancements in genetics, the molecular processes of Turner syndrome have begun to be dissected. Certain genes on the X chromosome that typically escape inactivation have been implicated in both specific manifestations and broader risk categories. Recently identified genome-wide epigenetic changes may help explain the variability in presentation. It remains unclear as to how the combination of these factors results in the overall clinical picture, but advances in genomic, genetic, epigenetic, and -omics technology hold promise for providing insights that will improve the medical management of individuals with Turner syndrome.


2021 ◽  
pp. 84-95
Author(s):  
Dr. Surete

In this paper efforts have been made to show the mixed feeling that comes in the mind of an Indian woman when she realises her worth. The chauvinistic world is using woman as an object to fulfil the desires since ages. Indian women are brought up in such atmosphere that they find it difficult to face men and like a dumb cattle obey all the orders of man, be it their father in childhood, their husband after marriage or their son in old age. She is never asked or allowed to express her own will and when she tries to take the decisions in her own hands she is tortured and insulted with taunts. This paper highlights the feelings of women when she faces such situation. In this paper a deep study of three plays of Vijay Tendulkar has been done which are Kamala, Silence! The Court Is In Session and Kanyadaan .


Author(s):  
Wan Hasmah Wan Teh

Ideologi feminis menyumbang kepada fahaman bahawa lelaki dan perempuan dipengaruhi oleh pengalaman kehidupan yang berbeza ketika menghasilkan sesebuah karya kreatif. Feminis percaya bahawa pengarang lelaki tidak dapat menampilkan dimensi kejiwaan perempuan kerana mereka tidak pernah merasai pengalaman sebagai seorang perempuan. Ideologi seperti ini muncul sebagai tindak balas terhadap kebanyakan karya yang dihasilkan oleh pengarang lelaki yang sering mempersembahkan watak perempuan sebagai the second sex, terpinggir, bisu dan lemah dalam sistem sosial yang didominasi oleh lelaki. Walau bagaimanapun, tindakan pengarang lelaki ini tidak boleh dihukum kerana kegagalan mereka memahami dimensi perempuan yang berbeza dari diri mereka. Pencitraan perempuan daripada perspektif pengarang lelaki harus dilihat daripada konteks masyarakat dan budaya yang meletakkan stereotaip tertentu mengikut jenis kelamin. Bertitik tolak daripada fahaman tersebut, makalah ini mengupas konsep gender yang dibentuk oleh masyarakat sosial serta meneliti imej stereotaip lelaki yang dikenali sebagai gender maskulin dan imej stereotaip perempuan yang dikenali sebagai gender feminin. Hasil dapatan makalah ini mendapati pengarang novel Seri Dewi Malam telah mengubah fahaman pembaca tentang pengarang lelaki dalam mencitrakan imej perempuan dan menolak stereotaip sedia ada dengan menonjolkan imej positif yang dimiliki oleh watak Rohana sebagai gender feminin yang meruntuhkan stereotaip gender maskulin watak-watak lelaki di dalam novel.   The feminist ideology argues that the production of a creative work amongst male and female authors is defined by their specific life and gender experience. Feminists believe that male authors are unable to tap into the thoughts and emotional dimension of female authors because they have never experienced the life of a female. This argument emerged as a form of reaction towards the production of novels by male authors who often portray the female characters as ‘the second sex’, forsaken, tacit and weak in the male-dominated social system. Understandably, these prejudiced portrayals reflect their failure in understanding the female gender as a whole. Narrating the female from the male perspective thus has to be approached from the social and cultural context that gives rise to these stereotypes. This paper addresses the notion of gender from the perspective of society and explores the conceptual division between the male representation as ‘masculine' and female representation as ‘feminine’ in the novel Seri Dewi Malam. It argues that the author of the novel has managed to transform the female stereotypes by instilling more positive representations to the protagonist Rohana and her femininity in challenging the masculinity of male characters.


2021 ◽  
Vol 31 (2) ◽  
pp. 231-253
Author(s):  
Dagmar Pichová

Abstract The Czech translation of selected parts of The Second Sex was published in 1966. The Slovak translation, published in 1967, was nearly the complete text. Attitudes toward Beauvoir’s feminism can be observed in two Czech academic journals (Sociologický časopis [Czech sociological review] and Filosofický časopis [Philosophical review]) and in a debate in Literární noviny (Literary review). The author focuses on the context of both translations and describes the reactions to the Czech translation both in the academy and by the general public.


Author(s):  
Zareena Qasim ◽  
Adeela Iftikhar ◽  
Asifa Qasim

The study investigates the novel The Wandering Falcon (2011) by Jamil Ahmad in the milieu of feminist approach. It qualitatively explores the text for the representation of women: the treatment of women by men, and their position in the patriarchal society. The novel is analysed by employing De-Beauvoir’s (1949) feministic philosophical approach in The Second Sex. This research explores the way power is exercised over women in the novel and the suppression of women by men plays as an instrument of transmission of customs and traditions.  This research is to explore the novel from a feministic perspective to unveil the hidden realities in the novel regarding women to find out what sort of oppression is faced by women in the novel and to explore the general problems of women in the novel. It is found that in the context of the novel, women are treated unjustly by men. They are deprived of their rights and are taken as commodities in the patriarchal society. Women are stereotypically presented as having no identity, no freedom, and no voice of their own. Being treated as objects and things to be traded by men, women in the novel are found facing domestic violence, sexual objectification, and extra judicial killings.


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