scholarly journals Cultural Identity in Film Posters

2021 ◽  
Author(s):  
◽  
Jessica Freire

<p>This thesis investigates the current representation of the Latin American identity in mainstream media cinematic posters. While in recent years, the film industry has begun to acknowledge issues in cultural representation, current Latin American portrayals continue to lack depth and rely on ill-informed historical stereotypes.  Cinematic promotional posters were once considered an art form, but recent technological developments and the Hollywood culture has led them to become formulaic, unoriginal, and lifeless. In an attempt to enrich the conversation around diversity, and reinterpret the power of the film poster, the visual portrayal of the Latin American identity in film posters will be analysed and redressed to present complex, multidimensional characters and narratives that embrace and emphasise their current cultural identity. This research portfolio presents a visual analysis of 120 film posters, identifying and categorising key themes, tropes, and elements that form stereotypical representations. This analysis informs an iterative design process. It utilises Latin American visual design language to reinterpret the possibilities that film posters have in creating elaborate narratives that treat audiences with respect and complexity. The resulting designs were used as prompts for discussion and critique with relevant stakeholders, to further inform conversations about cultural representation through design and inform further iterations.  This process ultimately suggests a method of culturally embedded film promotion design. By re-imaging film posters through Latin American design traditions, I will offer an alternative perspective on Latin American characters that challenge dominant stereotypes.</p>

2021 ◽  
Author(s):  
◽  
Jessica Freire

<p>This thesis investigates the current representation of the Latin American identity in mainstream media cinematic posters. While in recent years, the film industry has begun to acknowledge issues in cultural representation, current Latin American portrayals continue to lack depth and rely on ill-informed historical stereotypes.  Cinematic promotional posters were once considered an art form, but recent technological developments and the Hollywood culture has led them to become formulaic, unoriginal, and lifeless. In an attempt to enrich the conversation around diversity, and reinterpret the power of the film poster, the visual portrayal of the Latin American identity in film posters will be analysed and redressed to present complex, multidimensional characters and narratives that embrace and emphasise their current cultural identity. This research portfolio presents a visual analysis of 120 film posters, identifying and categorising key themes, tropes, and elements that form stereotypical representations. This analysis informs an iterative design process. It utilises Latin American visual design language to reinterpret the possibilities that film posters have in creating elaborate narratives that treat audiences with respect and complexity. The resulting designs were used as prompts for discussion and critique with relevant stakeholders, to further inform conversations about cultural representation through design and inform further iterations.  This process ultimately suggests a method of culturally embedded film promotion design. By re-imaging film posters through Latin American design traditions, I will offer an alternative perspective on Latin American characters that challenge dominant stereotypes.</p>


Organon ◽  
2004 ◽  
Vol 18 (37) ◽  
Author(s):  
Tatiana Selva Pereira

This essay studies the Cuban novel El Recurso del Método by the Cuban novelist Alejo Carpentier,precursor of the “marvelous realism” in the Americas from a comparative perspective of literary theories andnotions such as intertextuality, the cultural decolonization process, deterritorialization, literary and culturalhybridism and the search for cultural identity within the historical, social and political framework ofCarpentier’s literary rendering. Some fundamental notions about the historical evolution of comparativeliterature are dealt with to better comprehend the importance of Carpentier’s literary work, his contribution to agenuine Latin American identity as well as the inclusion of this peripheral literature into the world literature.Providing some examples of this literary device present in the novel, the origin and definition of the so-called“marvelous reality” are focused. The intertextual nature of Carpentier’s text and its carnavalized discourse, itshybrid features and the transcultural issues are outlined in this essay as well.


Hispania ◽  
1994 ◽  
Vol 77 (2) ◽  
pp. 252
Author(s):  
Antón Donoso ◽  
Ofelia Schutte ◽  
Anton Donoso

2017 ◽  
Vol 24 (3) ◽  
pp. 41
Author(s):  
Harryson Júnio Lessa Gonçalves ◽  
Antônio Hilário Aguilera Urquiza

 O artigo tem como objetivo descrever, a partir de documentos curriculares, o processo de planificação dos currículos regionalizados do Estado Plurinacional da Bolívia. Para tanto, tem como objetivos específicos: a) identificar a organização e estrutura o sistema educacional boliviano a partir de algumas características sociais, histórica e econômicas; b) identificar pressupostos teóricos que consubstanciam a reforma curricular boliviana; c) descrever a organização curricular de Matemática no ensino secundário (Ensino Médio) viabilizada pelos currículos bolivianos. A investigação foi desenvolvida a partir de documentos curriculares que, pressupomos, são pouco conhecidos no Brasil e, por isso, como estratégia para afirmação da identidade latino-americana no Brasil. Assim, o estudo foi produzido a partir de pesquisa bibliográfica (artigos sobre ensino de Matemática na Bolívia) e documental (análise de documentos e currículos oficiais da Bolívia). Desse modo, nos consubstanciamos em um referencial teórico pós-colonial. O currículo analisado nos revelou um compromisso com a educação centrada em aspectos antropológicos que toma o conhecimento como histórica e socialmente posicionado a partir da diversidade cultural, valorizando, assim, saberes providos de povos indígenas originários; percebemos, ainda, um currículo distanciado de bases conceituais e epistemológicas preconizadas pela comunidade internacional de educadores matemáticos.Palavras-chave: Currículo de matemática. Bolívia. Educação boliviana.INTRA/INTERCULTURAL CURRICULA IN BOLIVIA: mathematics and the post-colonial perspective Abstract: The article aims to describe, from curricular documents, the process of planning the region's curriculum, of the Sate of Plurinational of Bolivia. To do so, it has specific objectives: a) to identify the organization and structure of the Bolivian educational system based on some social, historical and economic characteristics; b) to identify theoretical assumptions that underpin Bolivian curricular reform; c) describe the curricular organization of Mathematics in secondary education (Middle School) made possible by Bolivian curriculum. For that, the research was developed from curricular documents that, we assume, are little known in Brazil and, therefore, as a strategy for affirming the Latin American identity in Brazil. Thus, the study was produced from bibliographical research (articles on teaching Mathematics in Bolivia) and documentary (analysis of official documents and curricula from Bolivia). Therefore, we are based on a post-colonial theoretical framework. The curriculum analyzed showed us a commitment to education centered on anthropological aspects that takes knowledge as historical and socially positioned from cultural diversity, thus valuing the knowledge provided by native indigenous peoples; We also notice, a curriculum distanced from the conceptual and epistemological bases advocated by the international community of mathematical educators.Keywords: Mathematics curriculum. Bolivia. Bolivian education. CURRÍCULOS INTRA/INTERCULTURAL EN BOLIVIA: la matemática y la perspectiva post-colonial Resumen: El objetivo del artículo es describir, a partir los documentos curriculares, el proceso de planificación de los currículo regionalizados del Estado Plurinacional de Bolivia. Para ello, tenemos como objetivos específicos: a) identificar la organización y estructura del sistema educativo boliviano a partir de algunas características sociales, históricas y económicas; b) identificar los fundamentos teóricos que aportan la reforma curricular boliviana; ci) describir la organización curricular de Matemáticas en la educación secundaria viabilizada por los currículos bolivianos. La investigación fue desarrollada a partir de documentos curricular que, presumimos, son poco conocidos en Brasil y, por eso, se presenta como estrategia para la afirmación de la identidad latinoamericana en Brasil. Así, el estudio fue producido a partir de investigación bibliográfica (artículos sobre Enseñanza de Matemáticas en Bolivia) y documental (análisis de documentos y currículos oficiales de Bolivia). De ese modo, nos basamos en un marco teórico pos-colonial. El currículo analizado nos reveló un compromiso con la educación centrada en aspectos antropológicos que parte de un conocimiento histórico y socialmente posicionado a partir de la diversidad cultural, valorando los saberes provenientes de pueblos indígenas originarios; Percibimos también un currículo distanciado de bases conceptuales y epistemológicas preconizadas por la comunidad internacional de educadores matemáticos.Palabras clave: Currículo de matemática. Bolivia. Educación boliviana.               


2019 ◽  
pp. 114-135
Author(s):  
David Brydan

Social experts played an important but contested role in Francoist attempts to establish Spain as an influential power in Latin America during the 1940s and 1950s. By encouraging Spanish experts to form ties with their Latin American colleagues, the Franco regime aimed to promote an image of itself as modern, scientific, and technically advanced on the one hand, and as socially progressive on the other. Despite the significant resources dedicated to this task, the Francoist narrative was strongly resisted both by Latin American leftists and by exiled Republican social experts who promoted a more collaborative model of Ibero-American identity. Nevertheless, Latin America did offer a route through which Francoist experts were able to engage with wider forms of international health and welfare. In areas such as social security, it also provided an opportunity for the regime to promote its vision of Francoist modernity to the outside world.


2021 ◽  
Author(s):  
Berti Olinto

This research explores mainstream and diasporic media coverage and discourses surrounding the Venezuelan economic and political crisis from late March 2017 until early May 2018. A comparative content analysis was applied to a total of 256 news articles, editorials, and stories from the Toronto Star, one of Canada’s largest newspapers, and from La Portada Canadá, a Spanish-language Latin American newspaper in Toronto. The results demonstrated diasporic media’s appropriation of journalistic biases such as human impact, dramatization, and national interests and the reframing of dominant discourses from international news agencies about the Venezuelan crisis. Whereas there are significant similarities between both media’s content regarding the crisis, La Portada Canadá stressed the transnational component of the Venezuelan diaspora through discourses about political and civic engagement in Canada. The Toronto Star focused more on the economic and political components of the crisis, which are closely linked to the country’s national agenda. Keywords: diasporic media, mainstream media, media coverage, media discourses, international crises, humanitarian crisis, Venezuela, Toronto


2021 ◽  
Vol 18 (1) ◽  
pp. 3-8
Author(s):  
Dolores Tierney

This introduction to a Special Issue of Studies in Spanish and Latin American Cinema charts the shift in Alejandro González Iñárritu's directorial persona from transnational auteur to mainstream figure over the course of his six feature films and virtual reality installation: Amores perros (2000), 21 Grams (2003), Babel (2006), Biutiful (2010), Birdman or (The Unexpected Virtue of Ignorance) (2014), The Revenant (2015) and the installation Carne y arena (Virtually Present, Physically invisible) (2017). It argues that this shift into a (predominantly Anglo) mainstream is reflected in the different ways in which his last names (apellidos) are used, abbreviated or even excised altogether, and in the differing approaches to him as auteur employed by the authors of the different articles, but that Iñárritu’s persona and creative collaborators continue to be primarily determined by his Mexican and Latin American identity.


Collections ◽  
2011 ◽  
Vol 7 (4) ◽  
pp. 415-424

Explores how exhibitionary practices interpellate and otherwise produce racialized and/or post/colonial subjects, as well as the potential for curatorial challenges to conventional subjectification, including how photography became a technology to frame Algerians as colonized subjects (Slyomovics), the history of African American families in photography (Labode), imagining exhibitions on Africa and Canada that are not constrained by traditional exhibition models (Butler), and appropriating kunstkammern as an “autonymic” expression of postcolonial Latin American identity (Mesa-Bains).


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