EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"

2020 ◽  
pp. 138-150
Author(s):  
Mariya T. Maistrovskaya ◽  
◽  
Keyword(s):  
Visual Art ◽  
Spatial Organization ◽  
Fine Arts ◽  
Environmental Design ◽  
Exhibition Design ◽  
Fine Art ◽  
Museum Of Fine Arts ◽  
Artistic Images ◽  
Fashion Designers

The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptual and scenographic arrangement of copyright collections in the context of high fine art. The most important conceptual component of the exhibitions was to present the art of fashion designers, juxtaposing, giving rise to associations and building analogies and contexts with visual art, against which unique collections were exhibited and in the circle. With this single conceptual view of their work, and the single space of the museum in which the exhibitions were held, the artistic and architectural strategy of the exhibitions was diametrically opposite, revealing the palette and variety of artistically expressive means and modern exhibition design. Both exhibitions were created by modern foreign curators and designers and represent talented and creative exposition projects, the analysis of which can be useful for domestic environmental design as vivid examples of the exposition as a genre of plastic art, which is considered the modern museum and exhibition exposition at its highest and creative forms.

scholarly journals Artistic stylization as the main means of expression in different genres of fine arts

2021 ◽  
pp. 165-169
Author(s):  
Veronika Zaitseva
Keyword(s):  
Art History ◽  
Visual Art ◽  
Fine Arts ◽  
Fine Art ◽  
Scientific Methods ◽  
The World ◽  
Analysis And Synthesis ◽  
General Scientific ◽  
Artistic Images ◽  
Comprehensive Study

The purpose of the article is to analyze the essence of the method of stylization and determine its creative and expressive role in various genres of fine arts. Based on the experience of the world and domestic visual art to explore the practical use of methods and techniques of artistic stylization. The methodology consists of the application of general scientific methods (analysis and synthesis, induction and deduction) and methods of art history (comparative, typological, descriptive). The scientific novelty of the work consists in a comprehensive study and identification of the features of expressive means of artistic stylization of a pictorial composition in different genres of modern fine art. Conclusions. Exploring the expressive means of artistic stylization of composition in various genres of fine arts, it can be noted that leading foreign and domestic artists in their work have widely used a variety of techniques and methods of creative stylization of artistic images. The analysis of the experience of the world and domestic visual art of fine stylization should promote better visual perception and creation of subject-spatial stylized compositions and is, therefore, an extremely fruitful object of research.

scholarly journals Focus: architecture in photographic exhibitions 1858–1861 An exhibition proposal for the Museum of Fine Arts, Houston

2021 ◽  
Author(s):  
Natalie Banaszak
Keyword(s):  
Nineteenth Century ◽  
Design Process ◽  
Fine Arts ◽  
Exhibition Design ◽  
Museum Of Fine Arts

This thesis consists of a proposal for an exhibition titled Focus: Architecture in Photographic Exhibitions 1858–1861. Drawn from the collection of almost three hundred nineteenth-century architectural photographs at the Museum of Fine Arts, Houston, the exhibition explores the topic of architectural photographs exhibited between 1858 and 1861. This two-part thesis first approaches the exhibition from a practical side, outlining the steps in preparing the photographs for display. An essay follows, investigating the role of the Architectural Photographic Association in the context of the photographic market of this time. The thesis also includes appendices relating to various aspects of the exhibition design process, including an object checklist, matting and framing recommendations, condition reports, wall labels, wall elevations, and an informational brochure.

Il teatro è arte visiva. Le premesse critiche di Toti Scialoja per una moderna concezione della scena

2020 ◽  
Vol 1 ◽  
pp. 113-127
Author(s):  
Martina Rossi
Keyword(s):  
Visual Art ◽  
Fine Arts ◽  
Fine Art ◽  
The Arts ◽  
Mise En Scene ◽  
Italian Culture ◽  
The Sixties

Il teatro è arte visiva is an undated and unpublished text by Toti Scialoja. It has been found in the archive of the artist among other documents related to his activity of teacher at the Academy of Fine Art in Rome. The text could be seen as a proof of Scialoja’s lasting interest in the reflection on the role of the arts in the mise en scène. In particular, he started to propose his own opinion inside of Italian culture debate since the Forties. Some texts on this matter have been published between 1944 and 1946 on “Mercurio”, and in 1949 on “L’Immagine”. Considering those precedents, Il teatro è arte visiva could be considered a summa of the principles that Scialoja already expressed in those previous texts, but actualized according to new experiences, like Grotowski’s Poor Theatre. This mention suggests to propose a dating of the document subsequent the second half of the Sixties and to refer it to his experience as Professor of Scenography at the Academy of Fine Arts. It consents to highlight how he educated his students in light of the most important and innovative experimentation scenic of Avant-gardes, instilling in them the importance of considering theatre like a visual art, formally independent from the single contribution of paint, sculpture, and architecture.

An historical space in a new context: The Pushkin State Museum of Fine Arts Research Library as a part of the future House of Text

2017 ◽  
Vol 43 (1) ◽  
pp. 31-36
Author(s):  
Ekaterina Igoshina
Keyword(s):  
20Th Century ◽  
Fine Arts ◽  
Fine Art ◽  
Research Library ◽  
Early 20Th Century ◽  
Apartment House ◽  
The Public ◽  
State Museum ◽  
The Future ◽  
Museum Of Fine Arts

In 2021 the Pushkin State Museum of Fine Arts Research Library will move from its historical setting into a new building as part of a new House of Text. This House of Text is faced with the challenge of adapting a former early 20th-century apartment house (never before used as a museum or a library) to the needs of an institution that collects and conserves books on fine art and makes them accessible to the public in multiple ways.

scholarly journals Focus: architecture in photographic exhibitions 1858–1861 An exhibition proposal for the Museum of Fine Arts, Houston

2021 ◽  
Author(s):  
Natalie Banaszak
Keyword(s):  
Nineteenth Century ◽  
Design Process ◽  
Fine Arts ◽  
Exhibition Design ◽  
Museum Of Fine Arts

This thesis consists of a proposal for an exhibition titled Focus: Architecture in Photographic Exhibitions 1858–1861. Drawn from the collection of almost three hundred nineteenth-century architectural photographs at the Museum of Fine Arts, Houston, the exhibition explores the topic of architectural photographs exhibited between 1858 and 1861. This two-part thesis first approaches the exhibition from a practical side, outlining the steps in preparing the photographs for display. An essay follows, investigating the role of the Architectural Photographic Association in the context of the photographic market of this time. The thesis also includes appendices relating to various aspects of the exhibition design process, including an object checklist, matting and framing recommendations, condition reports, wall labels, wall elevations, and an informational brochure.

scholarly journals Emphasizing Observation in a Gallery Program for Blind and Low-Vision Visitors: Art Beyond Sight at the Museum of Fine Arts, Houston

2013 ◽  
Vol 33 (3) ◽  
Author(s):  
Bridget O'Brien Hoyt
Keyword(s):  
Key Words ◽  
Art Education ◽  
Visual Art ◽  
Visually Impaired ◽  
Low Vision ◽  
Fine Arts ◽  
Blind And Visually Impaired ◽  
Audio Description ◽  
History Of ◽  
Museum Of Fine Arts

<p>The article recreates a gallery conversation with blind and low-vision visitors focused on The <em>Judgment of Solomon</em>, (c. 1640) by Matthias Stomer. Rather than passively receiving the interpretations of the facilitator, participants work together to build an understanding of the painting as a whole from the details described. The article goes on to give a history of the program's development including a nuanced evaluation of the merits of handling objects as an aid to comprehension.</p><p>Key words: Museum access for the blind and visually impaired, Museum of Fine Arts, Houston, art education for the blind, verbal descriptions of visual art.&nbsp; Audio description of visual art, guided description.&nbsp;</p><p>&nbsp;</p>

scholarly journals ОБРАЗОТВОРЧЕ МИСТЕЦТВО ЯК ДЖЕРЕЛО СИСТЕМИ МОДИ

2019 ◽  
pp. 104-109
Author(s):  
І. О. Кузнецова
Keyword(s):  
Fine Arts ◽  
Fine Art ◽  
Professional Literature ◽  
Analytical Information ◽  
Artistic Images

Characterization and evaluation of the fashion system in the fine arts and its influence on the development of artistic images of different cultural eras. The methods of systematization and updating of literary-analytical information of fine arts are used in the work. The accumulation, systematization and realization of project information were conducted by studying specialized professional literature on the properties of fine art as a source of the fashion system.

Checking library collection enables to analyze its composition as exemplified by the Pushkin State Museum of Fine Arts Research Library

2020 ◽  
Author(s):  
Olga Parkhomenko ◽  
Keyword(s):  
Fine Arts ◽  
Research Library ◽  
Museum Collection ◽  
Library Collection ◽  
State Museum ◽  
Book Collections ◽  
Museum Of Fine Arts

The Library of the Pushkin State Museum of Fine Arts is rich in rare and unique publications, and those of memorial value. The collection checking envisages visual revision and analysis of every book, and during this process the specialists revealed a number of valuable publications for further research. Also all registered publication went through the stage of initial collection specification (e.g., Rumyantsev museum collection, collection of the New Western Arts Museum, memorial libraries, etc). Currently, this information has been being entered into the e-catalog. This will enable to verify special arrays within the Research Library’s collection and simplify investigations into historical and memorial book collections and individual valuable publications.

Examination of Condition of Historical Transparent Structures of the Pushkin State Museum of Fine Arts

2020 ◽  
pp. 63-69 ◽  
Author(s):  
Alexander V. Spiridonov ◽  
Nina P. Umnyakova ◽  
Boris L. Valkin
Keyword(s):  
Cultural Heritage ◽  
Fine Arts ◽  
Comprehensive Examination ◽  
State Museum ◽  
Museum Of Fine Arts

The article describes the results of the second part of examination related to transparent structures of the Pushkin State Museum of Fine Arts: the lantern lights. The structures are cultural heritage of federal importance and are subject to state preservation. Based on the results of comprehensive examination, the conclusions were made that these structures are in unsatisfactory condition and materials were prepared for development of recommendations concerning their restoration.

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