An historical space in a new context: The Pushkin State Museum of Fine Arts Research Library as a part of the future House of Text

2017 ◽  
Vol 43 (1) ◽  
pp. 31-36
Author(s):  
Ekaterina Igoshina
Keyword(s):  
20Th Century ◽  
Fine Arts ◽  
Fine Art ◽  
Research Library ◽  
Early 20Th Century ◽  
Apartment House ◽  
The Public ◽  
State Museum ◽  
The Future ◽  
Museum Of Fine Arts

In 2021 the Pushkin State Museum of Fine Arts Research Library will move from its historical setting into a new building as part of a new House of Text. This House of Text is faced with the challenge of adapting a former early 20th-century apartment house (never before used as a museum or a library) to the needs of an institution that collects and conserves books on fine art and makes them accessible to the public in multiple ways.

Checking library collection enables to analyze its composition as exemplified by the Pushkin State Museum of Fine Arts Research Library

2020 ◽  
Author(s):  
Olga Parkhomenko ◽  
Keyword(s):  
Fine Arts ◽  
Research Library ◽  
Museum Collection ◽  
Library Collection ◽  
State Museum ◽  
Book Collections ◽  
Museum Of Fine Arts

The Library of the Pushkin State Museum of Fine Arts is rich in rare and unique publications, and those of memorial value. The collection checking envisages visual revision and analysis of every book, and during this process the specialists revealed a number of valuable publications for further research. Also all registered publication went through the stage of initial collection specification (e.g., Rumyantsev museum collection, collection of the New Western Arts Museum, memorial libraries, etc). Currently, this information has been being entered into the e-catalog. This will enable to verify special arrays within the Research Library’s collection and simplify investigations into historical and memorial book collections and individual valuable publications.

Replication of Glazed Quartzite from Kerma, Capital of Ancient Kush (Sudan)

2007 ◽  
Vol 1047 ◽  
Author(s):  
Lisa Ellis ◽  
Richard Newman ◽  
Michael Barsanti
Keyword(s):  
Electron Microscopy ◽  
Scanning Electron Microscopy ◽  
20Th Century ◽  
Fine Arts ◽  
Harvard University ◽  
Early 20Th Century ◽  
X Ray ◽  
Ancient Technology ◽  
Museum Of Fine Arts ◽  
Scanning Electron

AbstractGlazes found on ancient Nubian quartzite sculpture were characterized in a previous study by scanning electron microscopy/energy-dispersive X-ray spectrometry (SEM/EDS). Now in the collection of the Museum of Fine Arts, Boston, these objects were excavated in the early 20th century by the joint Harvard University-Boston Museum of Fine Arts Expedition, in ancient Kerma, the capital of ancient Kush. The project presented here attempts to recreate the ancient technology used to glaze quartzite with compositions determined in the previous study. Raw and fritted experimental glazes were prepared, as well as an alkali paste mixed with a copper colorant. All of the samples were fired in modern kilns. After firing, samples of the glazes and their quartzite substrates were examined with SEM/EDS.

Struggle for recognition: theosophy in early 20th century Warsaw

2021 ◽  
Vol 14 (1) ◽  
pp. 3-14
Author(s):  
Karolina Hess ◽  
Andrzej Kasperek
Keyword(s):  
20Th Century ◽  
Public Discourse ◽  
Fine Arts ◽  
Early 20Th Century ◽  
The Public ◽  
The Status ◽  
Struggle For Recognition

The present study focuses on the activities of the first Polish Theosophical group, which for many reasons was never fully institutionally recognized. It was active from around 1905 and concentrated around Kazimierz Stabrowski (1869–1929), a Polish painter and the head of the Warsaw School of Fine Arts. The aim of this paper is to sociologically analyze this esoteric environment in Warsaw, which is treated here as an example of a cultic milieu from the perspective of visibility and recognition. Referring to the category of rejected knowledge (anomalies or the “cultural rubbish bin”) and using the case of Stabrowski and other members of the group, the authors highlight their efforts in the struggle for the recognition of their ideas in various environments and trace the process of their exclusion. Further, they examine the status of the Theosophical current in the public discourse of the time, which was undoubtedly related to the scope of Theosophy itself, which largely focused on the liminal aspects of humanity and cognition.

Examination of Condition of Historical Transparent Structures of the Pushkin State Museum of Fine Arts

2020 ◽  
pp. 63-69 ◽  
Author(s):  
Alexander V. Spiridonov ◽  
Nina P. Umnyakova ◽  
Boris L. Valkin
Keyword(s):  
Cultural Heritage ◽  
Fine Arts ◽  
Comprehensive Examination ◽  
State Museum ◽  
Museum Of Fine Arts

The article describes the results of the second part of examination related to transparent structures of the Pushkin State Museum of Fine Arts: the lantern lights. The structures are cultural heritage of federal importance and are subject to state preservation. Based on the results of comprehensive examination, the conclusions were made that these structures are in unsatisfactory condition and materials were prepared for development of recommendations concerning their restoration.

ABOUT CUSTOMS BUSINESS IN TURKESTAN IN THE SECOND HALF OF THE 19th -EARLY 20th CENTURY

2020 ◽  
Vol 12 (3) ◽  
pp. 38-47
Author(s):  
Chinpulat Kurbanov ◽  
Keyword(s):  
20Th Century ◽  
Scientific Article ◽  
Early 20Th Century ◽  
The Future ◽  
History Of ◽  
Stage Development

The author in this scientific article examines the stage-by-stage development and formation of customs in Turkestan in the second half of the 19th -early 20th centuries. The author studied the history of customs in Turkestan and its role in establishing a single customs line in the future with neighboring khanates. The author focuses on the role of Russia in the establishment of a single customs line and the development of customs in Turkestan

EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"

2020 ◽  
pp. 138-150
Author(s):  
Mariya T. Maistrovskaya ◽  
◽  
Keyword(s):  
Visual Art ◽  
Spatial Organization ◽  
Fine Arts ◽  
Environmental Design ◽  
Exhibition Design ◽  
Fine Art ◽  
Museum Of Fine Arts ◽  
Artistic Images ◽  
Fashion Designers

The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptual and scenographic arrangement of copyright collections in the context of high fine art. The most important conceptual component of the exhibitions was to present the art of fashion designers, juxtaposing, giving rise to associations and building analogies and contexts with visual art, against which unique collections were exhibited and in the circle. With this single conceptual view of their work, and the single space of the museum in which the exhibitions were held, the artistic and architectural strategy of the exhibitions was diametrically opposite, revealing the palette and variety of artistically expressive means and modern exhibition design. Both exhibitions were created by modern foreign curators and designers and represent talented and creative exposition projects, the analysis of which can be useful for domestic environmental design as vivid examples of the exposition as a genre of plastic art, which is considered the modern museum and exhibition exposition at its highest and creative forms.

Rekonstruktion des Ursprungs und Neudatierung zweier magischer Gemmen mit Hilfe einer Zauberzeichensequenz

2020 ◽  
Vol 147 (2) ◽  
pp. 153-163
Author(s):  
Kirsten Dzwiza
Keyword(s):  
Comparative Study ◽  
Fine Arts ◽  
17Th Century ◽  
The State ◽  
Roman Period ◽  
16Th Century ◽  
New Findings ◽  
State Museum ◽  
Museum Of Fine Arts ◽  
First Time

SummaryThere are only a few sequences of ancient magic signs known to us today that have been preserved on multiple artefacts. A previously unnoticed sequence of 17 signs on a gem in the Museum of Fine Arts in Vienna occurs with minor but significant variations on two other gems in the State Museum of Egyptian Art in Munich. The Viennese gem is dated to the 16th century and is documented as a drawing in a 17th century publication. The first Munich gem has been assigned to the Graeco-Roman period. The second gem, which, according to the inventory card of the museum, also belongs to the Graeco-Roman period, is published here for the first time. A comparative study of the three gems and the drawing has lead to a number of new findings, including the re-dating of the Munich gems.

Sign in / Sign up

Export Citation Format

Share Document