Das Projektionsplanetarium als hyperreales Environment

2017 ◽  
Vol 8 (1) ◽  
pp. 27-40
Author(s):  
Hans-Christian von Herrmann

"In den Jahren nach dem Ersten Weltkrieg wurde im Jenaer Zeiss-Werk im Auftrag des Deutschen Museums in München das Projektionsplanetarium als immersives Modell des Universums entwickelt. In ihm hallte eine lange Geschichte von Himmelsgloben, Armillarsphären, Astrolabien und mechanischen Planetarien nach, die seit der Antike als astronomische Demonstrationsobjekte gedient hatten. Erstmals aber fand sich diese Aufgabe nun mit einer Simulation des raum-zeitlichen In-der-Welt-Seins des Menschen verbunden. In the years following the First World War, commissioned by the German Museum in Munich, the projection planetarium was developed as an immersive model of the universe at the Zeiss plant in Jena. In it, a long history of celestial globes, armillary spheres, astrolabes, and mechanical planetaria resonated, which had served as astronomical demonstration objects since ancient times. For the first time, however, this task was associated with a simulation of man’s spaciotemporal being-in-the-world. "

Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


1960 ◽  
Vol 64 (599) ◽  
pp. 687-691
Author(s):  
J. A. Miller

Whenever a new and truly great idea is put forward for the first time it is usually received with scorn and derision by those whom it directly concerns. Such was the initial reception of the idea of refuelling aircraft in flight.Soon after the First World War air carnivals became very popular around the flying fields of the United States of America and it was in a search for new stunts that two intrepid fliers hit on the idea of transferring fuel by hose pipe from one aircraft to another. The two single-seater aeroplanes flew one above the other, the upper one carrying the extra fuel; in order to transfer it the pilot threw a length of hose overboard leaving it trailing behind him. The receiver aircraft then manoeuvred into position and the pilot caught the hose and put the nozzle into his reserve fuel tank. When a small quantity of fuel had been transferred, he pulled out the hose and threw it clear of his aircraft, leaving the donor aircraft to haul it in.


Author(s):  
Marina V. Moskaljuk ◽  
Lilia R. Stroy

The article is devoted to the art processes that took place in Siberia, Krasnoyarsk, during 1914–1920. The main methodology of scientific study on the creative component of the city during the First World War and Revolution is based on the principles of historicism, objectivity, a systematic approach and unique archival data that allowed reconstructing the history of the art life in the city during the First World War and learning about war prisoner artists who brought the traditions of European art into the Krasnoyarsk creative architectonics. For the first time ever, there was found information not used earlier in the analysis of art processes; the data found incorporated the names of professional masters and amateur artists from Germany, Austria, Hungary, Slovenia, who were in military captivity and worked as designers, organized art exhibitions, taught drawing and interacted with local art community. The authors conclude that the selected directions of the creative process formed the art life of the city during the First World War and Revolution, with the participation of foreign masters not only enriching the city culture, but also helping people survive in one of the most dramatic periods of world history


2020 ◽  
Vol 7 (1 (25)) ◽  
pp. 38-44
Author(s):  
Vadim O. Zverev

For the first time in Russian historiography, the history of some sabotage operations, which was carried out at the beginning of the First World War in one of the spy-dangerous sections of the western borderland of Russia - in the Warsaw Governor General - is revealed. The author concludes that German intelligence failed to paralyze the daily railway supplies of weapons, ammunition, uniforms, food, etc. to the Russian armies to the theater of operations. Unprofessional sabotage agents (Russian citizens living in the Privislinsky Territory) were unsuitable for solving complex, responsible and dangerous sabotage tasks.


2021 ◽  
Author(s):  
Stanislav Agureev ◽  
Andrey Boltaevskiy ◽  
Igor' Pryadko

In the monograph, the authors answer a number of questions related to the history of the First World War: from its diplomatic preparation to the planning and implementation of major military operations and foreign policy outcomes. Various aspects of world diplomacy on the eve of the war, public opinion of the belligerent countries, aspects of conducting and planning military operations, as well as the reflection of this war in the works of domestic and foreign historians are subjected to a detailed rethinking. It is intended for professional historians and for a wider readership, teachers and students.


2021 ◽  
Vol 4 (1) ◽  
pp. 11-31
Author(s):  
Tomáš Tlustý

This paper looks at the history of Orel, the Catholic physical education association, and its foreign relations up to 1929. The origins of the Orel movement in the Czech region of Austria-Hungary go back to the turn of the 20th century when the first local Orel associations were established. These associations were strongly connected with Czech political Catholicism. Shortly after being formed, their functionaries began to establish their first contacts with existing foreign organizations. Most of these organizations were from the area of contemporary Slovenia. Their number rose significantly after the First World War when the newly independent Czechoslovakian Orel became a member of the Catholic physical education union – UIOCEP. The members of this organization were all around the world. The number of foreign contacts it had established was also on the increase. The first international physical educational festival, which helped Czechoslovak Orel with its development, was organized in Brno in 1922. But the Czechoslovakian Orel had planned a second big festival of physical education for 1929, hoping to further extend its number of foreign friends. The second physical educational festival was also successful. It helped Czechoslovak Orel to increase its influence in UIOCEP where it became the second-largest organization.


Author(s):  
S. V. Novikov ◽  

The article is devoted to the study of the circumstances of coming to power in the anti-Bolshevik Omsk of Admiral A. V. Kolchak. He concentrated in his hands the executive, legislative, judicial and military power becoming the Supreme Ruler of Russia and the Supreme Commander-in-Chief. The author comes to the conclusion that the appearance of A.V. Kolchak in Omsk was a consequence of the contradictions between British and French politicians, and the admiral himself, relying on the British, was a victim of a redivision of the world following the First World War


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