scholarly journals ‘Strangled the Chicken’: The Spectacle of Gay Male Sex and the Incitement of its Discourse in Rope

INvoke ◽  
2018 ◽  
Vol 3 ◽  
Author(s):  
Victoria Romanik ◽  
Mark Guerrero

In this paper, I explore discourses of gay male sex and homosexuality in Alfred Hitchcock’s Rope (1948) as it situates within the highly-restrictive moral landscape of the Motion Picture Production code era. Although the restrictive economy surrounding these regulations had supposedly expurgated all discourses of sex and sexuality from the public sphere, I will draw on Foucault’s History of Sexuality (1984) to argue that this was not the case. Instead, I shed light on the paradox of censorship, by which the shrewd restriction of sexuality has transformed gay male sex into a topic of discussion. I then offer a critique of Hitchcock’s spectacularization of gay male sex, urging us to question how discourses of gay male sex are being constructed and who is constructing these discourses.

2014 ◽  
Vol 2 (1-2) ◽  
pp. 1-20
Author(s):  
Nur Yasemin Ural

The question of the death of a Muslim in France engenders a discussion on the forms and limits of secularisation in the public sphere. Contrary to other public institutions like schools, hospitals and prisons, the particularity of mortuary spaces lies in their nearly uncontested religious character, also recognised by the French state. Despite the fact that repatriation remains to be the dominant practice among French Muslims, the descending generations, who overtly declare their identities as Muslim and European at the same time, seek to obtain their place within the European public sphere. Yet accommodating deceased bodies of Muslims within the so-called secular cemeteries represents a real challenge in terms of space, recognition of religious identities and application of Islamic funerary rites. The regulations imposed by the French authorities seem to pose serious problems to Muslims, who desire to be buried in accordance with the requirements of their religion. In this respect the cemetery becomes a realm of spatio-temporal struggle, where subjectivities are formed via negotiations between the subjects—dead or alive—and state apparatuses. This article aims to reflect on the power struggles in the development of the mortuary space from a historical perspective. It will then attempt to shed light on the legal possibility of the construction of the only French Muslim cemetery inaugurated in Strasbourg in 2012.


Author(s):  
Kim T. Gallon

This introductory section introduces the book’s major arguments and provides an overview of the history of the Black Press in the early twentieth century. The introduction also explores the theoretical conceptualization of the public sphere in relationship to African American life and the scholarship on pleasure and class in African American history. In laying out these terms, the introductory section of the book makes the case that they are useful categories of analysis for a deeper understanding of African American sexuality, pleasure, and the Black Press. Finally, the introduction features a discussion of the significance of the interwar period and its relationship to the history of African American sexuality in the Black Press.


Ambix ◽  
2017 ◽  
Vol 64 (2) ◽  
pp. 199-200
Author(s):  
Bernadette Bensaude-Vincent

Modern Italy ◽  
2002 ◽  
Vol 7 (1) ◽  
pp. 59-84
Author(s):  
John Dickie ◽  
Lucy Riall ◽  
Giuseppe Galasso

The last seven or eight years have brought a flood of printer's ink dedicated to the issue of national identity in Italy. At the same time, the new political forces that have emerged since Tangentopoli have all, in various ways, contributed to the re-emergence of patriotism in the language of the public sphere. What would Rosario Romeo have said about this new cultural and political climate? How would he have sought to intervene? It seems likely that he would have turned his famously acerbic critical intelligence on many of the volumes published. A signi. cant number of them merely offer versions of the same old pathologizing version of Italian history, or even, ahistorically, of the Italian national character. All the Sicilian historian would have to do would be to dust off his criticisms of those Anglo-American and Marxist historians who portrayed Italy, in his view, as having had the ‘wrong’ history, of having certain aboriginal defects.


2009 ◽  
Vol 13 (2) ◽  
pp. 401-414
Author(s):  
Elaheh Koolaee

AbstractWomen in Iran have gained unprecedented experiences in the course of their fight for democracy and human rights. In the Pahlavi era, the modernisation model was based on Western patterns. With the Islamic Revolution, a new generation of Iranian women emerged in social arenas. Ayatollah Khomeini always emphasised women's prominent and important role in social life. His views shed light on potentials for women's rights, but the obstacle of old cultural and historical attitudes have made these ideas difficult to actualise. The weakness of civil organisations, including women's political and non-political organisations, has seriously affected the outcomes. Although a reformist government and the reinforcement of governmental institutions concerned with women's affairs can play a part in improving the situation of women, women's civil society organisations can assume responsibilities at social levels in order to complement the role of the representatives. The author discusses the process of women's entrance in the public sphere and efforts by the 6th parliament to protect their rights.


2006 ◽  
Vol 34 ◽  
pp. 67-92 ◽  
Author(s):  
Melissa Bilal

Nınçir mangig im sirasun, Oror yem asum, Baydzar lusinn e meğm hayum, Ko ororotsum.By analyzing the transmission of Armenian lullabies within the changing contexts of identity and cultural politics in Turkey, this paper addresses displacement and loss as two interrelated experiences shaping the sense of being an Armenian in Turkey. I criticize the liberal multiculturalist perspective that represents cultures in a way that cuts the link between the past and the present, by dissociating different cultures from the history of their presence in Anatolia and the destruction of that presence. I argue that in such a context where cultures are detached from lived experiences and memory, it becomes impossible to share the stories of violence and pain in the public sphere; hence, the loss itself becomes the experience of being Armenian. Finally, I try to explain how today young generations of Armenians in İstanbul, in their search for an Armenian identity, have developed a certain way of belonging to the space and culture, a way of belonging that is very much shaped by the experience of loss.


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