scholarly journals Comedies with corpses but without weeping or mourning

2019 ◽  
Vol 7 (13) ◽  
pp. 24-38
Author(s):  
Luis E. Parés
Keyword(s):  
Civil War ◽  
Critical Load ◽  
Spanish Civil War ◽  
Spanish Cinema ◽  
History Of ◽  
Post War ◽  
The Way

The article questions the problematic figuration of the corpse in the history of Spanish cinema and particularly in the genre of comedy. Starting with a verification of the centrality of death and its representations in Spanish culture, the author inquires into the ways in which corpses are present in our cinema and how the approach to this motif explains a particular attitude in terms of history and encodes a critical eye or an escapist attitude on the part of filmmakers and films. After tracing a genealogy of its representations, taking the bodies of the fallen in the Spanish Civil War as the first important corpses, the text creates a symptomatic history of the different forms of corpse representation in Spanish post-war cinema, focusing on the way in which the figure is shifted towards the field of comedy and its evolution, going from an evasive, depoliticized approach towards the territory of darkness and critical penetration. The author also points to the relevance of corpse representation in the cinema of the Transition, and its disappearance when democracy was consolidated. Finally, the representation of the corpse is established as a significant tool for confirming the critical load of Spanish cinema in relation to its history and its present

The Spanish Civil War: New Approaches and Historiographic Perspectives

2020 ◽  
Vol 29 (3) ◽  
pp. 264-267
Author(s):  
Eduardo González Calleja
Keyword(s):  
Civil War ◽  
Political Violence ◽  
Spanish Civil War ◽  
Military History ◽  
Military Operations ◽  
Cultural Perspective ◽  
History Of ◽  
War Experiences ◽  
Post War ◽  
Second World

The bibliography on the Spanish Civil War is almost unattainable, but the matter continues to elicit such interest that it remains open to new historiographic trends. For example, the ‘classic’ military history of the conflict, cultivated prominently in recent years by Gabriel Cardona, Jorge Martínez Reverte and Anthony Beevor, does not renounce the microhistory or cultural perspective. These constitute the theoretical framework of the New Military History and its corollary the New Combat History, which combine philological, anthropological, psychological and historiographical perspectives to various degrees. In the specific field of the war experiences pioneered by George L. Mosse, the concepts of brutalisation, barbarisation and demodernisation of military operations, coined by Omer Bartov to describe the particularities of the Eastern campaign during the Second World War, are being used by Spanish historians dedicated to the study of the violence and atrocities of the civil war and post-war. Focusing on the field of political history, government management or diplomacy has been studied almost exhaustively, but this is not the case for the principal phenomenon of political violence in the 1930s in Europe, namely paramilitarisation. It is surprising that the latest studies on the issue at the European level (Robert Gerwarth, John Horne, Chris Millington and Kevin Passmore) do not include any essays on the enormous incidence of paramilitary violence in Spain before, during and after the civil war.

The Antonov rebel detachments in the territory of the Balashov uyezd of the Saratov gubernia (1920–1921)

2020 ◽  
pp. 45-51
Author(s):  
Sergei V. Lyovin
Keyword(s):  
Civil War ◽  
Local Population ◽  
Local History ◽  
Local Authorities ◽  
Archival Material ◽  
History Of ◽  
The Way

The Civil War is one of the largest tragedies in the history of our country. One of its dramatic episodes is the rebel movement led by A.S. Antonov which took place in the Tambov gubenia in 1920–1921 and was brutally suppressed by the Bolsheviks. Its scope is evidenced by the fact that it went beyond the borders of the Tambov gubernia. Separate detachments of Antonovites from the autumn of 1920 to the summer of 1921 raided the territory of the Balashov uyezd of the neighboring Saratov gubernia. The paper attempts to consider the way the uyezd authorities fought the rebels and the way civilians treated them. On the basis of an analysis of the local archival material most of which has not yet been put into scientific circulation, periodicals and the local history literature the author comes to the following conclusion: every time the invasions of Antonov’s detachments into the territory of the Balashov uyezd were so rapid that the local authorities did not manage to organize a proper rebuff, and the peasants, for the most part, supported the rebels since they saw spokesmen and defenders of their interests in them. Only frequent requisitions of peasants’ property by Antonovites as well as the replacement of the surplus appropriation system (Prodrazvyorstka) by the tax in kind (Prodnalog) led to the fact that since the spring of 1921 the support of the rebels by the local population ceased.

The Second Spanish Republic in soviet and russian studies: specificity, problems, interpretations

2021 ◽  
Vol 32 (1) ◽  
pp. 324-368
Author(s):  
Ekaterina Grantseva ◽  
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Soviet Period ◽  
Second Republic ◽  
Interdisciplinary Approaches ◽  
Second Spanish Republic ◽  
History Of ◽  
The Republic ◽  
Cultural Dialogue ◽  
Ideological Attitudes

For many years, representatives of Soviet and then Russian historical science paid special attention to the period of the Second Spanish Republic and, especially, to the events of 1936-1939. The Spanish Civil War was and remains a topic that attracts the attention of specialists and influences the development of a multifaceted Russian-Spanish cultural dialogue. There are significantly fewer works on the peaceful years of the Republic, which is typical not only for domestic science, but also for the historiography of this period as a whole. Four key periods can be distinguished in the formation of the national historiography of the Spanish Republic. The first is associated with the existence of the Republic itself and is distinguished by significant political engagement. The second opens after 1956 and combines the continuity with respect to the period of the 1930s. and, at the same time, striving for objectivity, developing methodology and expanding the source base. The third stage is associated with the period of the 1970s-1980s, the time of the restoration of diplomatic relations between the USSR and Spain, as well as the active interaction of historians of the two countries. The fourth stage, which lasted thirty years, was the time of the formation of the Russian historiography of the Second Republic, which sought to get rid of the ideological attitudes that left a significant imprint on the research of the Soviet period. This time is associated with the active archival work of researchers and the publication of sources, the expansion of topics, interdisciplinary approaches. Among the studies of the history of the Second Republic outside Spain, Russian historiography has a special place due to the specifics of Soviet-Spanish relations during the Civil War, and the archival funds in our country, and the traditions of Russian historical Spanish studies, and the preservation of republican memory.

IZGUBLjENO DETINjSTVO I SLOBODA U FILMOVIMA O ŠPANSKOM GRAĐANSKOM RAT

Lipar ◽  
2021 ◽  
Vol 22 (74) ◽  
pp. 215-230
Author(s):  
Irena Selakovic ◽  
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Growing Up ◽  
Spanish Cinema

The paper deals with the presentation of children’s lives and the consequences of the Spanish Civil War in the film achievements of Spanish cinema. The corpus material consists of the films The Language of Butterflies (La lengua de las mariposas) and Black Bread (Pan negro) in which children interpret the roles of the protagonists. Taking into account the consequences that almost every war brings with it, we want to examine the extent to which children in Spain were deprived of a normal childhood and freedom at that time. Based on the analyzed scenes, we will show the gradational change of children from innocent victims of war to brave fight- ers for their own ideals. A peaceful and happy childhood was replaced by growing up and maturing prematurely, and the consequences of the war remained present in the years after this horrific event.

A Book Review in the Form of a Polemic Chad Elias's Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon and the Old New World Order

ARTMargins ◽  
2020 ◽  
Vol 9 (3) ◽  
pp. 69-86
Author(s):  
Ghalya Saadawi
Keyword(s):  
Civil War ◽  
Social History ◽  
Contemporary Art ◽  
Urban Space ◽  
World Order ◽  
Memory Politics ◽  
Post Cold War ◽  
History Of ◽  
And Performance ◽  
Post War

Chad Elias' 2018 book Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon attempts to deal with the question of post-civil war representation, image-making and contemporary art from the perspective of memory studies in Lebanon. Dealing with a particular group of artists working since the 1990's in installation, video, film, and performance, the book attempts to create a relation between their artistic propositions and narratives on the one hand, and the post-war reckoning with the missing and disappeared, the history of former Leftist combatants, neglected space programs, reconstruction and urban space, on the other. The book has a series of shortcomings and structural, theoretical blind spots that this review essay attempts to redress. For instance, Posthumous Images has no framework for the notions of communities of witnessing, collective memory, or post-war amnesia that seems to underpin its claims, as they seem to figure only nominally. In these theoretical omissions, the essay argues, the book adopts and furthers the ideology human rights as this relates to the politics of remembrance, as well as to Lebanon's neoliberal post-war realities. Moreover, it lacks a rigorous art historical frame to study the given artworks formally, or theoretically, leaving the book open to a post-historical method that disavows a critical, social history of art needed for an analysis of post-civil war and post-Cold war art forms in Lebanon and beyond.

Thyra Edwards’s Spanish Civil War Scrapbook

2019 ◽  
pp. 101-122
Author(s):  
Anne Donlon
Keyword(s):  
African American ◽  
Civil War ◽  
Spanish Civil War ◽  
Historical Record ◽  
Black History ◽  
Popular Front ◽  
Black Feminist ◽  
Record Keeping ◽  
Feminist History ◽  
History Of

This essay examines the life of African American social worker Thyra Edwards, who traveled to Spain during its civil war, and returned home to fund-raise and organize. She created a scrapbook, a public-facing record of African American women’s efforts on behalf of Republican Spain, made up of photographs prepared for publication and articles about her efforts circulated in newspapers. This feminist perspective of the “folks at home” is a crucial addendum to black history of the war in Spain. Edwards’s scrapbook is a multifaceted document: a kind of autobiography that is self-conscious in its historical record-keeping, an account of a very broad black Popular Front, and a black feminist history of the Spanish Civil War.

Conclusion

2020 ◽  
pp. 171-182
Author(s):  
Montse Feu
Keyword(s):  
United States ◽  
Civil War ◽  
Spanish Civil War ◽  
Political Identity ◽  
The United States ◽  
Transnational Ties ◽  
The Way

Fighting Fascist Spain connects some of the major figures of the Spanish Civil War exile with lesser-known actors, making their contributions more visible. While fascism ruled in Spain, España Libre’s authors cultivated a rich set of tools that interrogated the way fascist power operates. The underlying premise of this work is that the Confederadas’ antifascist solidarity was rooted in a cultural realm shaped by a complex web of political and cultural heritages that Spanish immigrants brought with them and were further reinforced by allies in the United States, which in turn built local and transnational antifascist communities. There are interlocking aspects that define España Libre’s cultural and political identity: its self-educated workers, its anarchist adaptability to exile, its transnational ties, its organized solidarity, and its transformative culture and humor.

scholarly journals Una trompeta lejana. Las Brigadas Internacionales en la guerra de España : una reconsideración sesenta años después

1999 ◽  
Author(s):  
Michael Alpert
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
The Self ◽  
History Of ◽  
Moral Influence ◽  
The Military

Sin pretender ser una historia de las brigadas Internacionales en la Guerra Civil Española de 1936-1939, este trabajo se propone examinar ciertos aspectos míticos asociados con las BB.II, en especial la cuestión de su eficacia la experiencia militar de sus jefes. Llega a la conclusión que, aunque el valor y el autosacrificio de los internacionales son innegables, y pese a que se les empleaba a menudo a las BB.II como fuerzas de choque, su presencia en las fuerzas gubernamentales no pasaba de tener una ejemplaridad moral.This article is not a history of the International Brigades in the Spanish Civil War of 1936 - 1939. It tries to investigate certain persistent myths about the Brigades, in particular the question of their efficiency and the military expertise of their leaders. It concludes that, although the heroism and the self - sacrifice of the Brigades are undeniable, and despite their function as the vanguard in many of the batties, their presence in the Army of the Spanish Republic had a moral influence which far outweighed any military significance.

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