scholarly journals Cultural Homogeneity and Happiness: A Cross-Cultural Study

2021 ◽  
Author(s):  
Mayank Sharma ◽  
Tonmoy Haldar

The research was conducted on finding a relationship between cultural homogeneity and happiness through a cross-cultural comparison, existing literature on both culture and happiness was analyzed to understand the theoretical relationship existing between the two variables. A total of 801 samples were taken from more than 50 countries, out of which 510 identified as Female, 248 identified as Male, and about 40 identified as Non-binary. The samples were then further grouped into 4 categories on the basis of nationality and cultural homogeneity, the group which was cultural homogeneous on the basis of nationality was japan, this group had about 99 samples, there were two groups for cultural heterogeneity on the basis of nationality, they were Indian and American, the sample count for both was 270 and 99 respectively, the fourth group was an amalgamation of all the other countries in different numbers in one group to be used as a reference, the sample count of it was 223. The data was then further analyzed and interpreted to shed light on the relationship between the variables, the negative aspects of multiculturalism were found to be the reasons regarding high contrast in happiness in the inter-group analysis.

Author(s):  
Mayank Sharma ◽  
Tonmoy Haldar

The research was conducted on finding a relationship between cultural homogeneity and happiness through a cross-cultural comparison, existing literature on both culture and happiness was analyzed to understand the theoretical relationship existing between the two variables. A total of 801 samples were taken from more than 50 countries, out of which 510 identified as Female, 248 identified as Male, and about 40 identified as Non-binary. The samples were then further grouped into 4 categories on the basis of nationality and cultural homogeneity, the group which was cultural homogeneous on the basis of nationality was japan, this group had about 99 samples, there were two groups for cultural heterogeneity on the basis of nationality, they were Indian and American, the sample count for both was 270 and 99 respectively, the fourth group was an amalgamation of all the other countries in different numbers in one group to be used as a reference, the sample count of it was 223. The data was then further analyzed and interpreted to shed light on the relationship between the variables, the negative aspects of multiculturalism were found to be the reasons regarding high contrast in happiness in the inter-group analysis.


2006 ◽  
Vol 18 (4) ◽  
pp. 160-173 ◽  
Author(s):  
Maria Senokozlieva ◽  
Oliver Fischer ◽  
Gary Bente ◽  
Nicole Krämer

Abstract. TV news are essentially cultural phenomena. Previous research suggests that the often-overlooked formal and implicit characteristics of newscasts may be systematically related to culture-specific characteristics. Investigating these characteristics by means of a frame-by-frame content analysis is identified as a particularly promising methodological approach. To examine the relationship between culture and selected formal characteristics of newscasts, we present an explorative study that compares material from the USA, the Arab world, and Germany. Results indicate that there are many significant differences, some of which are in line with expectations derived from cultural specifics. Specifically, we argue that the number of persons presented as well as the context in which they are presented can be interpreted as indicators of Individualism/Collectivism. The conclusions underline the validity of the chosen methodological approach, but also demonstrate the need for more comprehensive and theory-driven category schemes.


2014 ◽  
Vol 9 (2) ◽  
pp. 239-256 ◽  
Author(s):  
Ali Reza Ghanooni

Metaphor is an important literary device, and its translation poses the challenge of switching between different cultural, conceptual, and linguistic frames of reference. This study uses cross-cultural comparison to investigate the metaphoric imagery used in six translations of Shakespeare’s Macbeth into three languages: French, Italian, and Persian. To accomplish the aims of the study, metaphoric images in this play were identified in the source and target texts and then subjected to comparative analysis using Newmark’s categorization of strategies for translating metaphors. After analyzing the translations in the above-mentioned languages, it became apparent that all the translators, including the two Persian translators, tended to retain the same metaphoric images as in the source text. This is somewhat surprising given the greater linguistic and cultural distance between English and Persian. The findings suggest that the literal treatment of metaphors — and not their explicitation — may be a translation universal, at least in regard to canonical texts.


Perception ◽  
1976 ◽  
Vol 5 (3) ◽  
pp. 343-348 ◽  
Author(s):  
Jan B Deregowski

A group of Scottish schoolchildren were tested on a task intended to measure the effect of implicit-shape constancy, and the scores were compared with those obtained from African samples. It was found that both groups were influenced by the implicit-shape constancy although the influence was less in the African sample. The relationship of these findings to other published reports of cross-cultural research into pictorial perception and susceptibility to illusions is discussed.


2020 ◽  
Vol 38 (17) ◽  
pp. 1984-1996
Author(s):  
Maike Tietjens ◽  
Lisa M. Barnett ◽  
Dennis Dreiskämper ◽  
Benjamin Holfelder ◽  
Till Onno Utesch ◽  
...  

2018 ◽  
Vol 13 (1) ◽  
pp. 91-113
Author(s):  
John Fredy Gil Bonilla

Summary The main purpose of this paper is to analyze how culture is embedded in the way viewers from different language backgrounds conceptualize and interpret the same multimodal metaphors. Therefore, interaction between metaphor and culture is hence a crucial aspect of research in this study. Following Lakoff and Johnson’s (1980) and Forceville’s (1996, 2009) approaches, this paper examines how a comparative study undertaken from a cross-cultural perspective can shed light on how culture is an influential factor that can trigger changes in interpretations and reactions in the viewers. Data for this research were gathered with the help of 240 participants taken from 8 different language backgrounds. The subjects of this study were supplied with a questionnaire which consisted of three multimodal metaphors and 8 questions. In particular, I want to focus on the following research questions: (1) Which figurative B-term do different cultures conceptualize in a multimodal metaphor? (2) How aggressive are these multimodal metaphors considered by the participants of the study? On the basis of the results of this research, it can be concluded that not only the cultural background but also the personal has some influence on the way respondents interpret multimodal metaphors. The reactions identified in the responses of the subjects are influenced by different factors: religion, personal and societal experiences, beliefs, etc.


2013 ◽  
Vol 5 (1) ◽  
pp. 67-82 ◽  
Author(s):  
C. Kingfisher

In this paper, I explore the emergence of happiness and well-being as keystones of contemporary EuroAmerican culture. Drawing on the relationship between disciplinary enterprises and forms of governance, as well as on cross-cultural comparison with fa’asamoa (the Samoan Way), I work to situate the current EuroAmerican obsession with happiness and well-being as a cultural formation – that is, as an artifact of a historically and culturally unique set of patterns and forces – thus problematizing its taken-for-granted status, in academic and policy-making circles, as a self-evident and universal goal with universal characteristics. I pay particular attention to the forms of governance that the contemporary orientation to happiness inaugurates and instantiates.


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